This end-of-the-millennium drama deals with the breakdown of communication, the loss of identity and the facelessness of corporate life. Phil and Anna are a young married, New York couple ... See full summary »
David Aaron Baker,
Two men on weekend outing assist country lass in trouble but find themselves in a stew. One is killed, one severely injured who recovers at the Campbell cabin. He learns the simplicity of ... See full summary »
A young journalist, David Katz, who writes for a hip-hop magazine called "Mic Check", starts following a music mogul around as part of a story and over time incorrectly starts to think he ... See full summary »
A Southern man in the Depression tries to pick up the pieces of his life after being wrongly imprisoned for eleven years. He is befriended by a farmer whose daughter is emotionally and ... See full summary »
Harry Connick Jr.,
The gay screenwriter Robert, who is grieving the recent loss of his lover, writes a screenplay based on his biography and tries to sell it to the Hollywood producer Jeffrey. He offers one million dollars for his work, provided changes in the story replacing the dying man per a woman to make a commercial film. Jeffrey shows the screenplay to his wife Elaine, who loves to write and to plant flowers, and she is also delighted with the story. Robert works introducing the required modifications and Jeffrey, who is bisexual, has an affair with him. Meanwhile Elaine finds the gay website where Robert writes and she creates a fake profile to have conversation with him pretending that she is his deceased lover. Soon she learns the affair of her husband and she decides to leave him. But when the gay Robert discovers the truth, he has a breakdown and takes vengeance for Elaine with tragic consequences. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I would be hard pressed to name a trio of actors that I could be more excited to see than the stars of his film. Been rooting for Clarkson for years; we all know Sarsgaard is Oscar material in the years to come; Scott is (to me) even better than his dad. So I was waiting for this, via Craig Lucas, for a long time.
My cousin had warned me (we are both gay) that the play delivered a memorable first half (in a positive way) and just as memorable second half (in how bad it was). Clearly the screenplay did nothing to change this, alas.
The three leads were, no surprise, just excellent, and seeing them was well worth the time and cost. Oh PeterS, get back to work we need more of you! But dear Mr Lucas, when characters behave in ways that show no logic, it feels like a cheat.
Fascinating idea, beautiful setting, some splendid dialogue and then disaster sets. I say "6" and wish everyone involved great success in the years to come.
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