The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in... See full summary »
A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home.
A powerful and seductive Hollywood mogul convinces an impoverished West Hollywood writer, whose lover has recently died of AIDS, to sell his autobiographical screenplay for big bucks. The writer, Robert, knows he'll have to make major changes in the script (like changing the sex of the dying lover). During the rewrite, the producer, Jeffrey, takes Robert under his wing, introducing him to his wife Elaine, herself a closet screenwriter. Jeffrey approaches Robert for sex and Elaine approaches Robert out of curiosity about his sex life in grief. The entangled triangle of relationships threatens more than the completion of a film script. Written by
I enjoyed this film, up to a point- and that point was almost exactly the half way mark, where the writer director chose to go the maudlin implausible route instead of sticking with what he had, which was wonderful.
To have three characters in conflict and resolve it without any fancy plot device would have been truly courageous, but sadly what started out so lovely descended into melodrama and tedium.
That being said, Craig Lucas is clearly a talent to watch, he did a marvelous job with the actors- particularly Peter Skaarsgard, who does wonderful work, and the script is smart and even touching in places.
Campbell Scott seemed miscast to me, wooden and distant at places but oddly brazen in others. I can't imagine a married studio executive actually touching and almost kissing a writer ON THE LOT. I found myself imagining what other actors would have done with the role, never a good sign. But then again, he was one of the producers, so Mr. Lucas had his hands tied.
All in all, the first act was so promising that I was angered by the way Lucas decided to end it.
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