This end-of-the-millennium drama deals with the breakdown of communication, the loss of identity and the facelessness of corporate life. Phil and Anna are a young married, New York couple ... See full summary »
David Aaron Baker,
A famous orchestra director was killed by the mafia when he left a restaurant. But the policeman who is in charge of this case discovers that there is more but just an assassination because... See full summary »
During the American Civil War, a Union Army captain leads his rag-tag cavalry troop up a misty creek to a remote farm to appropriate enemy (Confederate) livestock. The farm is worked by ... See full summary »
Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
A Southern man in the Depression tries to pick up the pieces of his life after being wrongly imprisoned for eleven years. He is befriended by a farmer whose daughter is emotionally and ... See full summary »
Harry Connick Jr.,
The gay screenwriter Robert, who is grieving the recent loss of his lover, writes a screenplay based on his biography and tries to sell it to the Hollywood producer Jeffrey. He offers one million dollars for his work, provided changes in the story replacing the dying man per a woman to make a commercial film. Jeffrey shows the screenplay to his wife Elaine, who loves to write and to plant flowers, and she is also delighted with the story. Robert works introducing the required modifications and Jeffrey, who is bisexual, has an affair with him. Meanwhile Elaine finds the gay website where Robert writes and she creates a fake profile to have conversation with him pretending that she is his deceased lover. Soon she learns the affair of her husband and she decides to leave him. But when the gay Robert discovers the truth, he has a breakdown and takes vengeance for Elaine with tragic consequences. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I thoroughly enjoyed this film. Mr. Lucas directed a very cinematic version of his stage play, and assembled an outstanding cast. Peter Sarsgaard, Campbell Scott and particularly Patricia Clarkson, give layered, complex, award-worthy performances.
This film reminds me of another along the same genre, American Beauty, which also examined difficult and complex relationships, and attempted to do so with both humor and pathos.
Because this film is part thriller, part black comedy, part searing emotional drama, it had me going on many levels.
Again, Patricia Clarkson should be praised highly for her ability to make the reactions of her character so real! I have not always been a Craig Lucas fan, as I sometimes find his work to be a bit preachy (Prelude to a Kiss), but with this film, and his obvious director's eye, I look forward to his next effort.
13 of 18 people found this review helpful.
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