| Photos (see all 13 | slideshow) | Videos |
| Colin Farrell | ... | Arturo Bandini | |
| Salma Hayek | ... | Camilla | |
| Donald Sutherland | ... | Hellfrick | |
| Eileen Atkins | ... | Mrs. Hargraves | |
| Idina Menzel | ... | Vera Rivkin | |
| Justin Kirk | ... | Sammy | |
| Jeremy Crutchley | ... | Solomon | |
| Ronald France | ... | Columbia Sweeper | |
| Dion Basco | ... | Filipino Houseboy | |
| Donna Mosley | ... | Red Headed Girl | |
| Paul Rylander | ... | Harold the Bartender | |
| Natasha Staples | ... | Denver Librarian | |
| Wayne Harrison | ... | Heilman | |
| Yoshimura Yasuhiro | ... | Japanese Vegetable Man | |
| Sid | ... | Willie the Dog | |
| Danny | ... | Willie the Dog | |
| Richard Schickel | ... | H. L. Mencken (voice) | |
| rest of cast listed alphabetically: | |||
| Tamara Craig Thomas | ... | Sally (uncredited) | |
Directed by | |||
| Robert Towne | |||
Writing credits(WGA) | ||
| Robert Towne | (screenplay) | |
| John Fante | (novel) | |
Produced by | |||
| Tom Cruise | .... | producer | |
| Don Granger | .... | producer | |
| Andreas Grosch | .... | executive producer (as Andy Grosch) | |
| Galit Hakmon McCord | .... | co-producer | |
| Kia Jam | .... | co-producer | |
| Jonas McCord | .... | producer | |
| Redmond Morris | .... | executive producer | |
| Chris Roberts | .... | executive producer | |
| Mark Roemmich | .... | executive producer | |
| Andreas Schmid | .... | executive producer | |
| David Selvan | .... | executive producer | |
| Paula Wagner | .... | producer | |
Original Music by | |||
| Ramin Djawadi | |||
| Heitor Pereira | |||
Cinematography by | |||
| Caleb Deschanel | (director of photography) | ||
Film Editing by | |||
| Robert K. Lambert | |||
Casting by | |||
| Bob Knotek | |||
| Hank McCann | |||
Production Design by | |||
| Dennis Gassner | |||
Art Direction by | |||
| Tom Hannam | |||
| Richard L. Johnson | (supervising art director) (as Richard Johnson) | ||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| Beatrice De Alba | .... | personal hair stylist: Salma Hayek and Colin Farrell, additional photography | |
| Sue Michael | .... | makeup artist | |
| Colin Polson | .... | hair stylist | |
| Loulia Sheppard | .... | chief hair stylist (as Lou Sheppard) | |
| Jenny Shircore | .... | hair designer | |
| Jenny Shircore | .... | makeup designer | |
Art Department | |||
| Paige Augustine | .... | set dresser | |
| David Bastiaans | .... | construction foreperson (as Dave Bastiaans) | |
| Jerry Bingham | .... | title art | |
| Micheal Brennan | .... | stand-by set dresser | |
| Terence Chicken | .... | lead greensperson | |
| Chris Cummings | .... | art department coordinator: US | |
| Cosmas A. Demetriou | .... | set designer | |
| Lyall Gardiner | .... | hod stagehand | |
| Ted Haigh | .... | graphic designer | |
| Michael Hyman | .... | scenic foreman | |
| Noelle King | .... | set designer | |
| Louise Martin | .... | art department coordinator | |
| Andrew McCarthy | .... | set dressing carpenter | |
| John Moolenschot | .... | carpenter | |
| Andrew Orlando | .... | assistant property master | |
| Hope M. Parrish | .... | property master (as Hope Parrish) | |
| Sara Philpott | .... | set dressing coordinator | |
| Clive Pollick | .... | construction coordinator | |
| Paul Rylander | .... | on-set props | |
| Elaine Seidel | .... | set finisher | |
| Patte Strong-Lord | .... | set designer (as Patte Shibata Strong) | |
| Liz van den Berg | .... | scenic artist (as Lizzie van den Berg) | |
| Suzan Wexler | .... | set designer | |
| Alex Wheeler | .... | red car manufacturer | |
| Darrell L. Wight | .... | set designer | |
| Stefan Dechant | .... | production illustrator (uncredited) | |
| Scott Owen | .... | set dresser (uncredited) | |
Special Effects by | |||
| Kevin Adcock | .... | special effects coordinator | |
| August Coleman | .... | paint/roto artist | |
| Doug Hardy | .... | special effects foreperson: alien sequence | |
| Adam Horton | .... | special effects | |
| Tyrell Kemlo | .... | special effects technician | |
| Cordell McQueen | .... | special effects supervisor | |
| John K. Stirber | .... | special effects supervisor (as John Stirber) | |
| Anton Voster | .... | special effects assistant | |
| Kevin Pike | .... | special effects supervisor: second unit (uncredited) | |
Visual Effects by | |||
| Neil Atkins | .... | CG supervisor: Double Edge Digital | |
| Shawn Booth | .... | visual effects editor | |
| Kevin Braun | .... | digital optical supervisor: Pacific Title & Art Studio | |
| Nicholas Caramonta | .... | compositor | |
| Albert Chang | .... | 3D modeler: Double Edge Digital | |
| Sarah Chang | .... | rotoscoper: Double Edge Digital | |
| Kay Chan | .... | rotoscoper: Double Edge Digital | |
| Roger Chao | .... | lead modeler: Double Edge Digital | |
| Gary Chen | .... | rotoscoper: Double Edge Digital | |
| Thomas Clary | .... | digital optical coordinator: Pacific Title & Art Studio (as Tom Clary) | |
| Bill Coffin | .... | Inferno artist: Post Logic Studios | |
| Robert Cribbett | .... | compositing supervisor: main titles, yU+Co | |
| Dominic Daigle | .... | digital artist | |
| Alan De Castro | .... | digital optical artist: Pacific Title & Art Studio | |
| David Drzewiecki | .... | visual effects supervisor | |
| Emily Fenster | .... | associate visual effects producer: Pacific Title & Art Studio | |
| John Follmer | .... | visual effects executive producer: Double Edge Digital | |
| Diego Galtieri | .... | compositor: Double Edge Digital | |
| David Geoghegan | .... | digital optical artist: Pacific Title & Art Studio | |
| Buddy Gheen | .... | compositing supervisor | |
| Brian Hanable | .... | digital effects compositor: Pacific Title & Art Studio | |
| Dark Hoffman | .... | matte painter: Double Edge Digital | |
| Phillip Hoffman | .... | visual effects coordinator: Pacific Title & Art Studio | |
| Bill Holloway | .... | visual effects compositor: Pacific Title & Art Studio | |
| Matthew W. Johnson | .... | iq artist: Post Logic Studios | |
| Josh Kent | .... | 3D artist: Lola Visual Effects | |
| Richard Kidd | .... | visual effects supervisor: Double Edge Digital | |
| Robyn Marie Kralik | .... | compositor: Double Edge Digital (as Robyn Kralik) | |
| Wing Kwok | .... | rotoscoper: Double Edge Digital | |
| Keith Lackey | .... | technical supervisor: Double Edge Digital | |
| David Huynh Lam | .... | 3D modeler: Double Edge Digital (as David Lam) | |
| Ladd Lanford | .... | visual effects producer: Pacific Title & Art Studio | |
| Chui Lee | .... | 3D texturer: Double Edge Digital | |
| Michael Lloyd | .... | matte painter: Double Edge Digital | |
| Andrew Midgley | .... | visual effects producer: Double Edge Digital | |
| Robert W. Morgenroth | .... | visual effects producer: Double Edge Digital (as Robert Morgenroth) | |
| Thomas Nittmann | .... | visual effects producer: Lola Visual Effects | |
| Brian Nugent | .... | 3D artist: Lola Visual Effects | |
| Chris Patrick O'Connell | .... | 3D modeler: Double Edge Digital (as Chris O'Connell) | |
| Patrick Phillips | .... | visual effects compositor: Pacific Title & Art Studio | |
| Steve Porter | .... | digital manager: Double Edge Digital | |
| Ryan Reeb | .... | lead tracker: Double Edge Digital | |
| James Rim | .... | digital optical artist: Pacific Title & Art Studio (as James Chui Rim) | |
| Arthur Sarkisian | .... | 3D lighter: Double Edge Digital | |
| Robert Scifo | .... | matte painter: Double Edge Digital | |
| Christian Severin | .... | visual effects | |
| Neil Simpson | .... | visual effects artist: Condor Post Cape Town | |
| Matthew Desmond Smith | .... | visual effects artist: Condor Post Cape Town | |
| David Sosalla | .... | visual effects supervisor: Pacific Title & Art Studio | |
| Bill Spradlin | .... | digital effects artist | |
| Colin Strause | .... | 3D technical supervisor: Lola Visual Effects | |
| Greg Strause | .... | visual effects supervisor: Lola Visual Effects | |
| Panat Thamrongsombutsakul | .... | 3D tracker: Double Edge Digital | |
| Jamie Venable | .... | visual effects executive producer: Svengali Visual Effects | |
| Heiko von Fintel | .... | visual effects artist: Condor Post Cape Town | |
| Edson Williams | .... | lead Inferno artist: Lola Visual Effects | |
| Loeng Wong-Savun | .... | visual effects artist | |
| Steve Woo | .... | visual effects operations manager: Double Edge Digital | |
| Kevin W. Wright | .... | digital optical coordinator: Pacific Title & Art Studio (as Kevin Wright) | |
| Tom Yeh | .... | 3D modeler: Double Edge Digital | |
| Francis Yu | .... | digital optical artist: Pacific Title & Art Studio (as Francis C. Yu) | |
| Chih-Min Chang | .... | visual effects coordinator (uncredited) | |
| Jesse Rapczak | .... | previz artist (uncredited) | |
Stunts | |||
| Daryl Andrews | .... | stunt performer | |
| Dermot Brogan | .... | stunt performer | |
| Kerry Gregg | .... | stunt performer | |
| Grant Hulley | .... | stunt coordinator | |
| Dan Hurst | .... | stunt double: Justin Kirk | |
| Dan Hurst | .... | stunt performer | |
| Jacob Mervine | .... | stunt performer | |
| John Smith | .... | stunt performer | |
| Franz Spilhaus | .... | stunt performer (as Frans Spilhaus) | |
| Janine Wyatt-Mair | .... | stunt performer | |
| Francois Grobbelaar | .... | stunts (uncredited) | |
Animation Department | |||
| Sanit Lin | .... | 3D animator: Double Edge Digital | |
| Tal Peleg | .... | 3D animator: Double Edge Digital | |
Casting Department | |||
| Monique Bezuidenhout | .... | casting assistant | |
| Chris Bustard | .... | extras casting: additional photography | |
| Anna Feyder | .... | casting associate: South Africa (as Ana Feyder) | |
| Celestia Fox | .... | casting associate: UK | |
| Barbara Harris | .... | voice casting | |
| Jackie Mayou | .... | extras casting | |
| Hank McCann | .... | casting: US | |
Costume and Wardrobe Department | |||
| Rick de Souza | .... | costumer | |
| Susan Hall | .... | assistant costume designer | |
| Jacomina Jankowitz | .... | costumer | |
| Neil McClean | .... | costumer | |
| Moira Anne Meyer | .... | costume supervisor (as Moira Meyer) | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Mark Bourgeois | .... | associate editor | |
| Darwin Green | .... | post-production assistant | |
| Laurence Johnson | .... | post-production assistant (as Lawrence Johnson) | |
| Pamela March | .... | associate editor | |
| Bryan McMahan | .... | digital colorist: Post Logic Studios | |
| Ryan Michael Miller | .... | pre-visualization editor: yU+co | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Nelson-Fraser) | |
| Jim Passon | .... | color timer | |
| Nicci Van Niekerk | .... | associate editor | |
Music Department | |||
| Slamm Andrews | .... | score music mixer | |
| Slamm Andrews | .... | score recordist | |
| Dick Bernstein | .... | temp soundtrack music editor | |
| Jeffrey Biggers | .... | assistant score engineer (as Jeff Biggers) | |
| Sally Boldt | .... | music editor | |
| Emir Isilay | .... | assistant composer | |
| Steven Kofsky | .... | music production services | |
| Sandrine Pecher | .... | score technical advisor | |
| Sandrine Pecher | .... | technical score advisor | |
| Julie Sessing | .... | music clearance | |
| Greg Vines | .... | assistant score engineer | |
| Hans Zimmer | .... | score producer | |
Transportation Department | |||
| David Glasscoe | .... | action vehicle coordinator | |
| Bizeki Magwanda | .... | driver: Robert Towne | |
| Vincent Ndikumana | .... | driver: Robert Towne | |
| Brad Saunders | .... | transportation captain | |
| Bradley Sweetman | .... | transportation coordinator | |
Other crew | |||
| Cassandra Barbour | .... | rights and clearances | |
| Charles Bazaldua | .... | adr loop group | |
| Bouchra Bendanna | .... | production assistant | |
| Robert Bentley | .... | location manager | |
| Keah Bews | .... | production coordinator | |
| Charlie Bolwell | .... | production coordinator: Los Angeles | |
| Paul Brassell | .... | unit assistant | |
| Philippa Bresler | .... | assistant: Robert Towne | |
| Jeff Buitenveld | .... | assistant: Don Granger | |
| Archie Casson | .... | assistant accountant | |
| Catherine Charlton | .... | dialect coach: Mr. Farrell | |
| Karissa Corday | .... | adr loop group | |
| Grace Dames | .... | assistant accountant | |
| Vicki Davis | .... | adr loop group (as Vickie Davis) | |
| John DeMita | .... | adr loop group | |
| Kira Dominguez | .... | assistant: Salma Hayek (as Kira Dominquez) | |
| Judi M. Durand | .... | adr loop group (as Judi Durand) | |
| Claudine Farrell | .... | assistant: Colin Farrell | |
| Jeff Fischer | .... | adr loop group (as Jeffrey Todd Fischer) | |
| Nick Fischer | .... | assistant: Chris Roberts | |
| Ortwin Freyermuth | .... | legal services: Freyermuth & Associates | |
| Katy Fyfe | .... | assistant location manager | |
| Jonathan Gardner | .... | production counsel: Cohen & Gardner | |
| Brian Gibbs | .... | supervising production accountant (as Brian L. Gibbs) | |
| Anneliese Goldman | .... | adr loop group (as Anneliese Goldmann) | |
| Joanne Goldstone | .... | production accountant | |
| Gina Goosen | .... | assistant: Redmond Morris | |
| Lathiem Groenmeyer | .... | IT coordinator | |
| Sissy Grover | .... | production coordinator | |
| Nicole Haeussermann | .... | production coordinator: Ascendant Pictures | |
| Andy Hirsch | .... | adr loop group | |
| Genevieve Hofmeyr | .... | executive: Moonlighting Films | |
| Leah Holmes | .... | accountant: US | |
| Gerhard Jakubowski | .... | production executive | |
| Sally Jones | .... | script supervisor | |
| Sheila Kerrigan | .... | assistant: Christopher Eberts | |
| Elliott Kleinberg | .... | legal services: Kleinberg Lope Lange Cuddy & Edel | |
| Daamen J. Krall | .... | adr loop group (as Daamen Krall) | |
| Marsha Kramer | .... | adr loop group | |
| Carlos Lacamara | .... | adr loop group | |
| Liesl Lategan | .... | production assistant | |
| M.J. Magbanua | .... | unit publicist | |
| Myrto Makrides | .... | assistant script supervisor | |
| Asal Masomi | .... | publicist | |
| Yuki Matsuzaki | .... | adr loop group | |
| Jeremy Maxwell | .... | adr loop group | |
| David Michie | .... | adr loop group | |
| Darren Miller | .... | executive: Cruise/Wagner | |
| Ryan Michael Miller | .... | title sequence: yU+co. | |
| Pieka Moolman | .... | assistant production coordinator | |
| Michael S. Murphey | .... | film finances representative | |
| Eva Neufahrt | .... | controller: VIO Mediendonds (as Eva-Marie Neufahrt) | |
| Andrew Novak | .... | production assistant: additional photography (as Andy Novak) | |
| Leah Palen | .... | production coordinator: USA | |
| Iain Patton | .... | production assistant | |
| Noreen Reardon | .... | adr loop group | |
| Dezi Rorich | .... | unit publicist | |
| Arik Ruchim | .... | assistant: Paula Wagner | |
| John Schimmel | .... | president of production: Ascendant Pictures | |
| Garth Scholtz | .... | production assistant | |
| Vernon Scott | .... | adr loop group | |
| Claudia Sendlbeck-Schickor | .... | tax advisor: McDermott Will & Emery | |
| Laura Sevier | .... | rights and clearances | |
| Mpumi Simayile | .... | assistant accountant (as Mpumi Sima Yile) | |
| Brandon Starler | .... | adr loop group | |
| Boo Boo Stewart | .... | adr loop group | |
| Andrew Strachan | .... | production secretary | |
| Luke Summers | .... | medic | |
| Yutaka Takeuchi | .... | adr loop group | |
| Jodi Tripi | .... | rights and clearances | |
| Tom Udell | .... | accountant: US | |
| J.P. van der Merwe | .... | extras coordinator | |
| Christine Vienna | .... | assistant to executive producer | |
| Jeremy Wall | .... | production finance consultant | |
| Andreana Weiner | .... | adr loop group | |
| Berit Wetzel | .... | legal counsel: VIP Meidenfonds | |
| Laura Wilcox | .... | assistant accountant (as Laura Willcox) | |
| Trish Wylie | .... | production coordinator: pre-production | |
| Jeff Yana | .... | systems administrator | |
| Garson Yu | .... | title designer | |
| Ruth Zalduondo | .... | adr loop group | |
Thanks | |||
| Dede Allen | .... | thanks | |
| Warren Beatty | .... | thanks | |
| Robbie Robertson | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section |
"Ask the Dust" has excellent elements that almost come together as a whole.
Like "End of the Affair" and "The White Countess", it surrounds a fraught love affair with exquisite looking period recreation that almost sucks the life out of it. (As with those films, the senior citizens at my matinée really enjoyed the period aspect.) Set in a sepia-tinged Depression-era Los Angeles of polluted palm trees, it is populated equally by youthful blond California girls and boys and old people at the end of the continent and their lines, as symbolized by Donald Sutherland's begging boarding house neighbor, like a ghost from his role in "The Day of the Locust".
What saves the film is the frank dialog and odd sparks between Colin Farrell, as repressed Italian-American writer from Colorado, novelist John Fante's alter ego with the even more ethnically redolent name of "Arturo Bandini", and Salma Hayak as a non-stereotyped Mexican spitfire "Camilla Lopez". Their repartee about their biases is raw and fresh.
Significantly, they are not the usual naive teen lovers, but are adults with mileage who are striving to change the trajectory of their lives. In this discrimination-filled, pre-celebration of the melting pot/rainbow environment (heavy-handedly demonstrated such as by their viewing Ruby Keeler's famous line from "Dames" "I'm free, white, and 21."), both are trying to make it in a specific image of the American Dream, a non-ethnic one, though we hear very little about their own sense of their ethnic identity. She is even dating a nasty guy named White in the vain hope of obtaining a green card and citizenship.
Hayak's character is the easier to understand, as we see her exuberate in vibrant blue moonlight when she feels free with him, especially in vivid ocean scenes (she is absolutely stunning swimming naked), and then in bright light at a seashore idyll. This gorgeous scene gives "From Here to Eternity" a run for its money as the sexiest crashing of waves coupling in the movies. Though after all her sexually aggressive seduction efforts, their lovemaking is lit beautifully in the dark but conventionally choreographed as I expected her to demand more equality in bed. But then she's already started coughing with Movie Star Disease, even if it's explained more in the plot than usual.
Even with his constant florid more than bordering on pretentious narration, sometimes in an exaggerated lower register, of his writing efforts (with the usual scenes of paper being ripped out a manual typewriter as he receives encouragement from H. L. Mencken) that doesn't really thematically integrate into the film until the end, it is harder to understand why it takes so long to get his uptight clothes off despite many importunings. There is an unusually sweet flirtation over literacy, but it seemed more like condescension on his part, especially to help her get citizenship, than sharing with her his love of words. The non-narrated scenes are a relief and are beautiful to look at, as the cinematography of Caleb Deschanel (dad of actresses Zoey and Emily) is consistently lovely.
But then Farrell is surrounded by eccentric characters who are all hiding emotional or physical scars until he can face up to his own to find his real writer's voice. Idina Menzel's "Vera Rifkin" is a well-educated Jewish housekeeper whose California dreams (or borderline crazed fantasies) are for some reason now focused on being a writer's muse.
Surprisingly, there is very little period music, maybe for budget reasons. A prominent and excellent selection is Artie Shaw's version of "Gloomy Sunday" which has its own legend of love and death. The score is sometimes intrusive and not as evocative of the clashing ethnic traditions as it could have been.