Ask the Dust (2006)

R  |   |  Drama, Romance  |  13 April 2006 (Thailand)
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Ratings: 5.8/10 from 7,855 users   Metascore: 58/100
Reviews: 74 user | 76 critic | 33 from

Mexican beauty Camilla hopes to rise above her station by marrying a wealthy American. That is complicated by meeting Arturo Bandini, a first-generation Italian hoping to land a writing career and a blue-eyed blonde on his arm.



(screenplay), (novel)
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1 nomination. See more awards »



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Cast overview, first billed only:
Mrs. Hargraves
Vera Rivkin
Ronald France ...
Columbia Sweeper
Filipino Houseboy
Donna Mosley ...
Red Headed Girl
Paul Rylander ...
Harold the Bartender
Natasha Staples ...
Denver Librarian
Wayne Harrison ...
Yasuhiro Yoshimura ...
Japanese Vegetable Man (as Yoshimura Yasuhiro)
Sid ...
Willie the Dog


L.A. in the early 1930's: racism, poverty, and disease color the Bunker Hill neighborhood where Arturo Bandini, a lover of men and beasts alike, has arrived from Colorado to write the great Los Angeles novel. After six months and down to his last nickel, he orders a cup of coffee, served by Camilla Lopez, beautiful, self-possessed, and Mexican. Arturo gets advice, encouragement, and an occasional check from H.L. Mencken, so he keeps writing and he keeps seeing Camilla. But, he's mean to her for no apparent reason, so the relationship sputters. A housekeeper from back East suggests a way out of his jealously and fears. "Camilla Bandini": is it in the cards? Written by <>

Plot Summary | Add Synopsis


Passion and ambition drive two dreamers in 1930s LA. Their love affair is ferocious and hot-blooded as they fight the city and themselves to make their dreams come true.


Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some sexuality, nudity and language | See all certifications »

Parents Guide:







Release Date:

13 April 2006 (Thailand)  »

Also Known As:

Pregúntale al viento  »

Filming Locations:


Box Office

Opening Weekend:

$68,779 (USA) (10 March 2006)


$34,665 (Brazil) (9 June 2006)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Justin Kirk replaced Charlie Hunnam. See more »


Arturo Bandini: You promise to stop?
Camilla: Cross my heart.
Arturo Bandini: No, swear to God.
Camilla: I swear to God.
See more »


Follows Wait Until Spring, Bandini (1989) See more »


I Don't Want to Set the World on Fire
Written by Bennie Benjamin, Eddie Durham, Sol Marcus and Eddie Seiler
Performed by Jess Harnell
See more »

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User Reviews

17 February 2006 | by (Canada) – See all my reviews

I had the pleasure of seeing Mr. Towne give a talk in Toronto, in which he mused on his long and (mostly) illustrious career. From Chinatown to Personal Best to The Firm, he spouted off anecdotes and insights into Hollywood and the screen writing process in general.

Then the audience was treated to a special preview screening of "Ask the Dust." It would seem that this has been a labour of love for Mr. Towne; one that has been several decades in the making. So in that sense, perhaps this film doesn't merit harsh criticism. The fact that Towne got it made is to be commended.

It's not a bad film, by any right. It boasts two decent performances from its leads Salma Hayek and Colin Farrell, lush cinematography, meticulous period detail and a sumptuous score. All the elements of a great film are there. However, nothing really gels.

My guess is that the source material is the film's ultimate downfall. It's dated, and contradictory. What begins as a pulpy potboiler in the vein of "The Postman Rings Twice" becomes a politically correct tirade against intolerance. Oh, and there's a healthy dose of "La Boheme" thrown in there for good measure.

The first half of the film is intriguing as the characters' motivations are enigmatic and unpredictable. Hayek comes across as a latina femme fatale, while Farrell plays the flawed noirish anti-hero. L.A. itself is a character - one of a city at odds with its surroundings. The description of the sand (or dust) from the desert filling the air is particularly poignant.

Halfway through, the film takes a perplexing turn. Turns out there is no mystery behind the motives of the leads. They just wanted to be loved/understood. Cue Hollywood clichés, and end scene. You can't help but be disappointed.

Perhaps in the hands of a '70s auteur director like Polanski, Antonioni or Bob Rafelson, the source material could have been tweaked or restructured to yield a more surprising and challenging film. I even wondered what the film would have been like with a 70s screen icon like Jack Nicholson or Al Pacino in the lead role.

72 of 98 people found this review helpful.  Was this review helpful to you?

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