| Photos (See all 35 | slideshow) | Videos |
| Ryan Reynolds | ... | George Lutz | |
| Melissa George | ... | Kathy Lutz | |
| Jesse James | ... | Billy Lutz | |
| Jimmy Bennett | ... | Michael Lutz | |
| Chloë Grace Moretz | ... | Chelsea Lutz | |
| Rachel Nichols | ... | Lisa | |
| Philip Baker Hall | ... | Father Callaway | |
| Isabel Conner | ... | Jodie Defeo | |
| Brendan Donaldson | ... | Ronald Defeo | |
| Annabel Armour | ... | Realtor | |
| Rich Komenich | ... | Chief of Police | |
| David Gee | ... | ER Doctor | |
| Danny McCarthy | ... | Officer Greguski | |
| Nancy Lollar | ... | Librarian | |
| José Taitano | ... | Stitch | |
| rest of cast listed alphabetically: | |||
| Marie Joelyn | ... | Store Patron (uncredited) | |
| Dorian Kingi | ... | Scary Leashed Indian (uncredited) | |
| Ryan Kross | ... | Restaurant patron (uncredited) | |
| Jenny Strubin | ... | Grocery Cashier (uncredited) | |
| Lenore Thomas | ... | Nurse Fuller (uncredited) | |
Directed by | |||
| Andrew Douglas | |||
Writing credits(WGA) | ||
| Scott Kosar | (screenplay) | |
| Jay Anson | (novel) | |
| Sandor Stern | (earlier screenplay) | |
| George Lutz | (material) and | |
| Kathy Lutz | (material) (as Kathleen Lutz) | |
Produced by | |||
| Michael Bay | .... | producer | |
| Matthew Cohan | .... | associate producer | |
| David Crockett | .... | executive producer | |
| Randall Emmett | .... | co-executive producer | |
| Ted Field | .... | executive producer | |
| Andrew Form | .... | producer | |
| Bradley Fuller | .... | producer (as Brad Fuller) | |
| George Furla | .... | co-executive producer | |
| Paul Mason | .... | co-executive producer | |
| Stefan Sonnenfeld | .... | associate producer | |
| Steve Whitney | .... | co-executive producer (as Steven Whitney) | |
Original Music by | |||
| Steve Jablonsky | |||
Cinematography by | |||
| Peter Lyons Collister | (director of photography) | ||
Film Editing by | |||
| Roger Barton | |||
| Christian Wagner | |||
Casting by | |||
| Lisa Fields | |||
Production Design by | |||
| Jennifer Williams | |||
Art Direction by | |||
| Marco Rubeo | |||
Set Decoration by | |||
| Daniel B. Clancy | |||
Costume Design by | |||
| David C. Robinson | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects artist | |
| Howard Berger | .... | special makeup effects designer and creator | |
| Jake Garber | .... | special makeup effects on-set supervisor | |
| Grady Holder | .... | special makeup effects artist: K.N.B. EFX Group | |
| Dominic Mango | .... | key hair stylist | |
| Helen Marchfield | .... | makeup artist | |
| Ross Martucci | .... | special makeup effects artist | |
| Bart Mixon | .... | special makeup effects artist | |
| Greg Nicotero | .... | special makeup effects artist (as Gregory Nicotero) | |
| Greg Nicotero | .... | special makeup effects designer and creator | |
| Douglas Noe | .... | prosthetics makeup artist | |
| Suzi Ostos | .... | key makeup artist | |
| Andy Schoneberg | .... | special makeup effects artist: additional photography | |
Production Management | |||
| David Crockett | .... | production manager | |
| Wileen Dragovan | .... | assistant production manager | |
| Tim Pedegana | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Thomas Coe | .... | assistant director | |
| Vince Duque | .... | dayplayer second second assistant director | |
| Mark Palansky | .... | second unit director | |
| Craig A. Pinckes | .... | first assistant director | |
Sound Department | |||
| Robert Althoff | .... | sound recordist | |
| Steve Bartkowicz | .... | re-recording engineer | |
| Michael Broomberg | .... | foley artist (as Michael J. Broomberg) | |
| Kerry Ann Carmean | .... | sound effects editor | |
| Daniel S. Irwin | .... | dialogue & adr editor | |
| Kenneth L. Johnson | .... | sound editor | |
| Michael Kamper | .... | sound effects editor | |
| Bob Myers | .... | sound technician | |
| Robert Bruce Myers | .... | utility sound | |
| Kelly Oxford | .... | supervising sound editor | |
| Alan Rankin | .... | supervising sound editor | |
| Blair Scheller | .... | boom operator | |
| Pieter Schlosser | .... | assistant: Steve Jablonsky (as Pieter A. Schlosser) | |
| Brad Sherman | .... | sound re-recording mixer | |
| Unsun Song | .... | sound re-recordist | |
| Greg Steele | .... | adr mixer | |
| Jim Stuebe | .... | production sound mixer | |
| Lucy Sustar | .... | foley mixer | |
| Jon Taylor | .... | sound re-recording mixer | |
| Tami Treadwell | .... | adr recordist | |
| Karen Vassar Triest | .... | sound effects editor (as Karen Vassar) | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Michael Ahasay | .... | special effects foreman | |
| Jay Appleberry | .... | special effects foreman | |
| David J. Barker | .... | special effects | |
| David J. Chamerski | .... | special effects technician | |
| Ryan Evans | .... | special effects | |
| Steve Koch | .... | designer: KNB EFX Group | |
| John D. Milinac | .... | special effects director | |
| Steven Munson | .... | mold/technical department: K.N.B. EFX Group | |
| Dirk Rogers | .... | special effects technician: K.N.B. Effects Group | |
| Patricia Urias | .... | special effects: foam department | |
| Lindsay Vivian | .... | special effects runner | |
| Jenny Wallace | .... | special effects buyer | |
| Chip Williams | .... | special effects technician: casting/fabrication | |
Visual Effects by | |||
| Kimberly Adams | .... | visual effects producer (as Kim Jorgensen) | |
| Andy Barrios | .... | Inferno artist: Asylum | |
| Judith Bell | .... | rotoscoper | |
| Elissa Bello | .... | lead rotoscoper | |
| Kevin Bouchez | .... | compositor | |
| Timothy Clark | .... | matte painter | |
| Brandon Criswell | .... | rotoscoper | |
| Kevin Culhane | .... | 3D tracking | |
| Brian Cuscino | .... | I/O | |
| Amit Dhawal | .... | rotoscoper | |
| Sean Andrew Faden | .... | visual effects supervisor | |
| Adam Frazier | .... | I/O | |
| Roger Guyett | .... | visual effects supervisor: ILM | |
| Matthew Hackett | .... | animator | |
| Steven Hawkins | .... | I/O | |
| Jen Hutchinson | .... | controller | |
| Joni Jacobson | .... | compositor | |
| Zach Justman | .... | assistant visual effects editor | |
| Joe Ken | .... | Inferno artist: Asylum | |
| Bill Laverty | .... | chief engineer | |
| James Do Young Lee | .... | rotoscoper | |
| Janet Lewin | .... | visual effects producer | |
| Michael Lori | .... | 3D tracking | |
| Cornelia Magas | .... | rotoscoper | |
| Emma McGuinness | .... | visual effects executive producer | |
| Nathan McGuinness | .... | senior visual effects supervisor | |
| Tony Meister | .... | digital artist | |
| Ryan Meredith | .... | visual effects coordinator | |
| Derek Milner | .... | assistant color timer | |
| Sébastien Moreau | .... | Inferno compositor: ILM | |
| Steve Muangman | .... | compositor | |
| Perri Pecora | .... | compositor | |
| Gerald Ragland | .... | digital intermediate assistant | |
| Kosta Saric | .... | visual effects editor: Asylum Visual Effects | |
| John Scheer | .... | digital effects artist | |
| Hilary Sperling Stauffer | .... | compositor (as Hilary Sperling) | |
| Marty Taylor | .... | compositor | |
| Jessica Teach | .... | visual effects coordinator | |
| Zachary Tucker | .... | animator | |
| Aaron Vest | .... | modeler | |
| Steve Vojkovic | .... | digital opticals | |
| Jeff Werner | .... | CG producer | |
| Yuichiro Yamashita | .... | animator | |
| Tonia Young | .... | rotoscoper | |
| Beth D'Amato | .... | digital paint and roto artist (uncredited) | |
| Claas Henke | .... | compositor: Asylum (uncredited) | |
| Pat Tubach | .... | compositing supervisor: ILM (uncredited) | |
Stunts | |||
| Tommy Bacini | .... | stunts | |
| Kenny Bates | .... | action coordinator | |
| Kurt Bryant | .... | stunt coordinator | |
| Stacey Carino | .... | stunts | |
| Brian Christensen | .... | stunts | |
| Laura Dash | .... | stunts | |
| Tobiasz Daszkiewicz | .... | stunts (as Tobias Daszkiewicz) | |
| Shauna Douglas | .... | stunts | |
| Shauna Duggins | .... | stunt double | |
| Richard Epper | .... | stunt rigger | |
| Richard Epper | .... | stunts | |
| Mark Harper | .... | stunt coordinator | |
| Rick Le Fevour | .... | stunt coordinator (as Rick LeFevour) | |
| Tom Lowell | .... | stunts | |
| James R. Mammoser | .... | stunts (as James Mammoser) | |
| Larry Nicholas | .... | stunts | |
| Carl Paoli | .... | stunt double: Ryan Reynolds | |
| Linda Perlin | .... | stunts | |
| Jodi Starnes | .... | stunts | |
| Tom Vicini | .... | stunt double: Billy | |
| Tom Vicini | .... | stunts (as Gaetano Vicini) | |
Casting Department | |||
| Danielle Aufiero | .... | casting assistant | |
| Meagan Lewis | .... | casting assistant | |
| Caitlin McKenna | .... | adr voice casting (as Caitlin McKenna-Wilkinson) | |
| Matt Miller | .... | casting associate | |
| Mickie Paskal | .... | casting: Chicago | |
| Marisa Ross | .... | casting associate | |
| Danny Roth | .... | casting: New York | |
| Jennifer Rudnicke | .... | casting: Chicago | |
Costume and Wardrobe Department | |||
| Patrick Caulfield | .... | set costumer | |
| Miriam Hoffman-Durand | .... | seamstress (as Miriam Hoffman) | |
| Jonathan Kinnas | .... | wardrobe assistant | |
| Gina Panno | .... | costume supervisor | |
| Heather Pollock | .... | additional set costumer | |
| Ellen Ryba | .... | assistant costume designer | |
Editorial Department | |||
| Rob Doolittle | .... | digital on-line editor | |
| Leigh Folsom Boyd | .... | first assistant editor (as Leigh Folsom) | |
| Nicholas Hasson | .... | digital intermediate editor | |
| Mo Henry | .... | negative cutter | |
| Jackie Lee | .... | digital intermediate producer | |
| Missy Papageorge | .... | digital intermediate producer | |
| Chris Regan | .... | color timer | |
| Christopher Reichel | .... | digital intermediate conform editor | |
| Erik Rogers | .... | digital intermediate producer | |
| John Scheer | .... | digital intermediate on-line editor | |
| Craig W. Smith | .... | apprentice editor | |
| Stefan Sonnenfeld | .... | colorist | |
| Fulvio Valsangiacomo | .... | assistant editor | |
| Salvatore Catanzaro | .... | digital intermediate assist (uncredited) | |
| Mike Chiado | .... | digital intermediate technologist (uncredited) | |
| Mark T. Osborne | .... | additional colorist (uncredited) | |
Music Department | |||
| Robb Boyd | .... | music editor: temp | |
| Jim Dooley | .... | additional music programmer (as James Michael Dooley) | |
| Jim Dooley | .... | composer: additional music (as James Michael Dooley) | |
| Clay Duncan | .... | additional music programmer | |
| Clay Duncan | .... | composer: additional music | |
| Jay Flood | .... | composer: additional music | |
| Bruce Fowler | .... | score orchestrator | |
| Alan Meyerson | .... | music scoring mixer | |
| Pieter Schlosser | .... | technical score advisor (as Pieter A. Schlosser) | |
| Tom Trafalski | .... | music editor | |
| Greg Vines | .... | assistant engineer | |
| Booker White | .... | music preparation | |
| Frank Macchia | .... | music preparation (uncredited) | |
Transportation Department | |||
| Joey Freitas | .... | transportation | |
| James Hogan | .... | transportation coordinator | |
| Brian McQuery | .... | transportation production assistant | |
Other crew | |||
| Olivier Agostini | .... | production assistant | |
| Robert Amico | .... | stand-in: Phillip Baker Hall, re-shoots | |
| Jeremy Beiermann | .... | assistant production office coordinator | |
| Allison Bergstrand | .... | assistant: Mr. Field | |
| Melissa Bickerton | .... | adr loop group | |
| Senica Billingsley | .... | production assistant | |
| Adam Boor | .... | office production assistant | |
| Kevin Boyd | .... | video coordinator | |
| Brady Breen | .... | location manager | |
| Maurice Brunson | .... | security | |
| Dru Anne Carlson | .... | script supervisor | |
| Jeffrey Caruso | .... | assistant production coordinator | |
| Beth Casey | .... | animal trainer | |
| Bill Casey | .... | animal trainer | |
| Rosie Charbonneau | .... | assistant: Randall Emmett and George Furla | |
| Jason Cosgrove | .... | business and legal affairs | |
| Patrick Cunningham | .... | key on-set production assistant | |
| Joli Eberhart | .... | assistant: Michael Bay | |
| Liam Ford | .... | data manager: CO3 | |
| Ira Gerber | .... | production assistant | |
| Carrie Goodman | .... | location scout | |
| P.J. Haines | .... | chef | |
| Virgil E. Hammond III | .... | executive specialist: Cinecoach Production Systems | |
| Sheryl L. Hammond | .... | executive specialist: Cinecoach Production Systems | |
| Clayton Hauck | .... | additional production assistant | |
| Jose Jaime | .... | assistant: Randall Emmett and George Furla | |
| Judith Jecmen | .... | legal and business affairs | |
| Rosa Yang Kato | .... | assistant location manager (as Rosa Yang Kato) | |
| Bradley Kettlety | .... | assistant: Mr. Douglas | |
| Perry M. Kimura | .... | digital film scanning and recording | |
| David Kreger | .... | chef assistant | |
| Sara Nudelman | .... | office production assistant | |
| Disha Patel-Webb | .... | production assistant (as Disha Patel) | |
| Diane Perry | .... | on-set masseuse | |
| John M. Pisani | .... | publicist | |
| Martha Provenzano | .... | assistant: Mr. Form and Mr. Fuller | |
| Katie Pruitt | .... | production assistant | |
| B.J. Rayniak | .... | stand-in | |
| James Reem | .... | first aid | |
| Angelo Renardo | .... | car provider: old car | |
| Robert Rizzolo | .... | set production assistant: re-shoots | |
| Marco A. Rodriguez | .... | remote head technician | |
| Maria C. Roxas | .... | location scout | |
| John J. Sahlberg | .... | security | |
| Edgar Sandoval | .... | production insurance | |
| Brian Chung-Hung Secrest | .... | security | |
| Sandy Sfeir | .... | first assistant accountant | |
| Jenny Siff | .... | production staff: additional photography | |
| Michele Soefer | .... | assistant: Mr. Form and Mr. Fuller | |
| Stefan Sonnenfeld | .... | executive producer: Company 3 | |
| Andy Spellman | .... | additional production assistant | |
| Helen Stergiou | .... | payroll accountant | |
| Laura Torrance | .... | studio teacher | |
| Jeff Valeri | .... | production coordinator | |
| Desiree Varni | .... | key production accountant | |
| Max Votolato | .... | Assistant to Production Executive | |
| Kenneth Yoder | .... | production assistant | |
| Edward Albolote | .... | assistant: Michael Bay (uncredited) | |
| Graham Geraghty | .... | assistant: Michael Bay (uncredited) | |
| Jeff Morris | .... | location scout (uncredited) | |
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| The Amityville Horror | High Tension | A History of Violence | Gothika | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
A year after the DeFeo family is slaughtered wholesale by a rifle-loving father, a new family -- the Lutzes -- move in. Soon, the family feels an eerie presence in the house and George Lutz (Ryan Reynolds) -- the new dad -- begins to change.
The movie overall is a respectable one. The mood is very nice, the New York Times rightfully called it "a modest improvement over the original", and I freely admit there were moments I was on edge thinking something nasty was going to come popping out, a feeling I very rarely have anymore after seeing so many "scary movies". So all in all they did something right. One scene in particular, where something is in the ceiling (I couldn't quite make it out) was creepy, and the dead girl in the window was unsettling. I also take a little pride knowing the film was shot in Wisconsin (in the towns of Salem and Silver Lake, near Kenosha).
Someone commented that this was very much a Ryan Reynolds fetish film, having him taking up almost all the scenes. More specifically, it's a Ryan Reynolds chopping wood fetish film. He is in 85% of the shots and in many of those he is chopping wood. And why is his shirt constantly off? Yes, I see those pecs and abs, Ryan... I know you were in that "Blade" movie... but come on, you were also in "Van Wilder"... you're not a threat.
Melissa George (Kathy Lutz) on the other hand did not take her shirt off enough, and when she did the camera was positioned in such convenient ways. Was this film PG-13? I don't believe it was, so why tease the audience like that? By the way, George's performance was the weakest of the entire cast, even the children. Some people have commented on how she is a TV actress, and I agree this might have something to do with it. (For a better Melissa George film, see "Triangle".)
Another reviewer complained that Kathy didn't remove her children fast enough when George began turning violent. I disagree. The family has been together a while, George has been nothing but loving and supportive (I mean, geez, he bought her a house). The whole film takes place in about a week, as far as I can tell. The man deserves a few days of blowing off steam.
What's the deal with the babysitter (Rachel Nichols)? She shows up looking like a prostitute and then talks seductively to a little boy. This was very confusing for me. I don't mind... and actually, I really liked her character, but it was still odd.
My friend warned me about the babysitter in the closet scene, which he said was the creepiest thing he saw since "In the Mouth of Madness". Well, I think ITMOM was John Carpenter's best film (even more than "The Thing", "They Live" and "Prince of Darkness") but it never scared me. The closet scene had me on edge -- but only because he had me convinced it was going to be awful. Really, the scene was nothing out of the ordinary. (You'll have to see for yourself what happens, maybe you'll be grossed out more than I was.)
There were many "Wicked Little Things" connections, which is a slam on WLT. If you read my review for that film, you'll see I complained about how unoriginal it was. After seeing "Amityville Horror", I can add so many more instances. Both films star Chloe Moretz (the Dakota Fanning of horror). Both have her with an "imaginary friend" that is a dead girl. Both inform their mothers they won't be hurt. Both carry disfigured dolls previously owned by the dead friend. So, um, for the guys who made "Wicked Little Things" -- if you were gonna rip off "Amityville Horror", why didn't you at least bother to get a new actress? The producers do say on the commentary that "she was amazing" and I appreciate that Chloe was singled out.
I didn't expect much from this one, hearing it was nothing special and many saying it was monotonous. Well, I liked it. I think it all went together very well, and they do a fine job of explaining the backstory, which is something many horror films fail miserably at. (I don't recall if the original explains it as well, but I'm willing to bet it doesn't). By remake standards, better than average. By movie standards, not bad. I stamp it with my seal of approval.