Aimee Semple McPherson (2006)

Director:

Richard Rossi

Writer:

Richard Rossi (writer)

Genre:

Drama

Tagline:

Sometimes the greatest battle is between flesh and spirit.

Plot:

A feature film about the life of Aimee Semple McPherson, the famed evangelist of the 1920s.

Plot Keywords:

Charlie Chaplin | Christian | Faith | Healing | Character Name In Title

Cast

Mimi Michaels	...	Aimee Semple McPherson
rest of cast listed alphabetically:
Laura Anderson	...	Leita Mae
Carl Ballantine	...	Realtor in China
Teres Byrne	...	Minnie Kennedy
Kiera Chaplin	...	Myrtle Ste. Pierre
Barbara Kerr Condon	...	Sister Maria
Angela de Malignon	...	Speakeasy dancer
Etienne Eckert	...	Emma Shaffer
Joe Gonzalez	...	Ralph Jordan
Charles Gorgano	...	Asa Keyes
Melissa Greenfield	...	Louise Weick
JoAnn Green	...	Waitress
Rance Howard	...	James Kennedy
Charles Hoyes	...	Harold McPherson
Anjenique Hughes	...	Sister Susannah
Rex Kerr	...	Bartender
Brandy Maddox	...	Rosalee
David Mattey	...	The Enforcer
Obren Milanovic	...	Blind Man
Michael Minor	...	Kenneth Ormiston
Chad Nadolski	...	Robert Semple
Roy O'Reilly	...	Judge
Louis Pastore	...	Barker
Linda Pitak	...	Speakeasy Dancer
Joshua Rossi	...	Rolf McPherson
Karis Rossi	...	Roberta Salter
Richard Rossi	...	David Hutton
Sherrie Rossi	...	Juror
Laurie Shaw	...	Reba Crawford
Jenny Tallent	...	Sister Jane
Randy Toews	...	Defense Attorney
Suzanne Tsai	...	Aimee's Chinese Housekeeper
Jose Vega	...	Mexican Man
Selah Victor	...	Lulu
Laura Voethe	...	Mrs. Brooks

Also Known As:

Sister Aimee: The Aimee Semple McPherson Story (USA) (DVD title)

MPAA:

Rated PG for thematic elements, brief language and smoking.

Runtime:

110 min

Country:

USA

Language:

English

Color:

Color

Certification:

USA:PG

Filming Locations:

Long Beach, California, USA

Company:

Richard Rossi Productions

Trivia:

Mimi Michaels attended a Pentecostal service in Santa Monica, California, for the first time to prepare for the role of Aimee. She walked up to the pulpit and gave an impromptu sermon, leading the congregation into ecstatic praise. Several audience members at test screenings claim they experienced miracle faith healings when Aimee (Mimi Michaels) prays in the film.

Goofs:

Errors in geography: When the D.A. gives his opening statement in Sister Aimee's trial, there is a large map on the wall behind him that clearly says, "Kern County, California." Her trial took place in Los Angeles County. Richard Rossi was given free use of a courthouse in Bakersfield (Kern County) by a judge who was kindly disposed toward the project and allowed free shooting on a Saturday.

Quotes:

David Hutton: I'll show Sister Aimee heaven all night long.

Movie Connections:

Version of The Disappearance of Aimee (1976) (TV)

Vaudevillian Decadence interwoven with subtle tones of Sensual Spirituality, A Triumph!

Aimee Semple McPherson 2 hours and 15 minutes DVFeature Film Director: Richard Rossi

I had the opportunity to attend a preliminary screening of the film in Pasadena California. Before attending the film, which consisted of Hollywood producers, the director Richard Rossi, and his editor, I decided to do my homework and find out just who this woman was.

Immediately the name, Aimee Semple McPherson had a certain power to it, like she 'should' be known to all, a name that commands and demands attention. The internet was able to provide me not only with her history as an evangelist in Los Angeles, but the scandal that would follow her up to her untimely death at the age of 54 in 1944. Historically Aimee Semple McPherson is the founder of the FourSquare Gospel denomination, a denomination which still thrives today, headquartered in Hollywood, California.

The film began with a rather tongue in cheek throwback opening credit sequence to the silent films of Aimee's era. It seemed as if the director really wanted to put the audience into the sights and sounds of the roaring twenties. The opening montage was very effective in doing just that.

If I could use one word to sum up my experience watching the film Aimee Semple McPherson it would be 'Interior.' ASM was shot digitally on a small budget and many times with smaller independent films this tactic usually hurts the film, in this case it enhanced the story or more importantly the character whose name is the title of the film. Aimee Semple McPherson, as director Richard Rossi portrayed her is a woman of magnificent triumphs and magnificent defeats. This film isn't about crowds and buildings and model Ts, it's about quiet emotion, loneliness, and the idea that a higher power can call us to greatness no matter what our faults. This idea is a direct contradiction to the Christian church today which seems to enjoy looking good as opposed to being good.

The film begins at her famed and much publicized disappearance off the coast of Ocean Park beach in May, 1926. This disappearance was and is rumored to have been a hoax perpetrated by Aimee herself and an accused lover, Kenneth Ormiston played wonderfully by the dashing and sexy Michael Minor. The scandal of her disappearance would find Aimee in court when, soon after she disappeared two divers died looking for her body.

Straight from her disappearance we are taken back to Aimee's humble beginnings [via a mysterious reporter] in a small town in Stratford Ontario Canada. Aimee is 17 years old living with her parents. Aimee's father James Kennedy, is played graciously and perfectly by Rance Howard, [father of Hollywood heavy-weight Ron Howard]. Howard plays Aimee's understanding and nurturing father with Americana blue-collared perfection, his every line delivered with the conviction of belief as opposed to performance.

Aimee is portrayed by newcomer Mimi Michaels with grace and conviction. All of 20 years old, Michaels breathes life into a role most Hollywood actresses would not know what to do with. The part of ASM of was offered to Rene Russo who turned the part down. A pity for Ms. Russo, the role was perhaps the best female lead to circulate Hollywood in decades.

Kiera Chaplin [granddaughter of legendary Charlie Chaplin] makes an interesting appearance as a prostitute that goes for Aimee's third husband later on in the film. Chaplin seems to make a good effort at performance but yet again she doesn't understand the qualities of being a presence, and she never really was one. It almost seemed as if her performance was edited for impact.

ASM is also a film about imperfection and how imperfect people are used to affect positive change in the lives of so many others. Unlike bland TBN fair [did anyone actually see The Omega Code?] ASM is a portrait of a life as seen through the eyes of an artist as opposed to the eyes of Christian. Aimee's life isn't pretty, and many times she comes across as near manic-depressive or bi-polar, that is how real the calling of evangelism is in her life. In fact I think a plausible argument can be made debating whether Aimee was indeed clinically nuts. The fire of evangelism is started by her first husband Robert Semple, adequately performed by unknown actor Chad Nadolski whom Aimee loses through tragic circumstances. The fire grows and builds until Aimee has a following and church of her own in Los Angeles [Angelus Temple].

Probably what captured me the most is how director Rossi fully realized how spirituality and sexuality can so easily become entangled. It's no wonder why so many men and women of faith end up falling for their secretaries or congregational members. This is an idea not welcomed by many people who call themselves Christians but it's truth and that truth is offered not graphically but subtlety.

This is an important film. Rare is it when humanity is showcased so beautifully and stylistically and at the same time with a heart. There's a particular scene in the film when Aimee uses the pulpit as a means to raise money, she is vamped out, giving the performance of her life, while looking at us, the audience, the stand in for the non-existent congregation of Angelus Temple.

First time director Rossi weaves vaudevillian decadence with sensual spirituality but still maintains the heart of a healer who ultimately couldn't heal herself. This is a film for everyone to see and love. Aimee Semple McPherson has the theatrics of Moulin Rouge but the heart of the much underrated The Apostle, this film is not to be missed, there's something there for everyone.

Evan Charles Gross Freelance Entertainment Writer Pasadena California