| Michel Gondry | ... | Himself (numerous segments) | |
| rest of cast listed alphabetically: | |||
| Akhenaton | ... | Himself (segment "Je Danse Le Mia") (as IAM) | |
| Patricia Arquette | ... | (segment "Like a Rolling Stone") | |
| Thomas Bangalter | ... | Himself (segment "I've Been Twelve Forever") | |
| Beck | ... | Himself (segment "Deadweight" and "I've Been Twelve Forever") | |
| Jean-Michel Bernard | ... | Farfisa Organ salesman | |
| Björk | ... | Herself (numerous segments) | |
| Jim Carrey | ... | The Driver (segment "Pecan Pie") (archive footage) | |
| The Chemical Brothers | ... | Themselves (segment "I've Been Twelve Forever") | |
| David Cross | ... | The Turd (segment "One Day") | |
| Guy-Manuel De Homem-Christo | ... | Himself (segment "I've Been Twelve Forever") | |
| Robert del Naja | ... | Himself (segment "Protection") (as Massive Attack) | |
| Foo Fighters | ... | Themselves (segment "Everlong") | |
| Miho Hatori | ... | Herself (segments "Sugar Water" and "I've Been Twelve Forever") (as Cibo Matto) | |
| Taylor Hawkins | ... | Himself (segment "Everlong") (as Foo Fighters) | |
| Yuka Honda | ... | Herself (segments "Sugar Water" and "I've Been Twelve Forever") (as Cibo Matto) | |
| Mick Jagger | ... | Himself (segment "Like a Rolling Stone") (as Rolling Stones) | |
| Stephanie Landwehr | ... | Girl (segment "Let Forever Be") | |
| Grant Marshall | ... | Himself (segment "Protection") (as Massive Attack) | |
| Massive Attack | ... | Themselves (segment "Protection") | |
| Nate Mendel | ... | Himself (segment "Everlong") (as Foo Fighters) | |
| Kylie Minogue | ... | Herself (segments "Come Into My World" and "I've Been Twelve Forever") | |
| Daft Punk | ... | Themselves (segment "I've Been Twelve Forever") | |
| Keith Richards | ... | Himself (segment "Like a Rolling Stone") (as Rolling Stones) | |
| The Rolling Stones | ... | Themselves (segment "Like a Rolling Stone") | |
| Tom Rowlands | ... | Himself (segment "I've Been Twelve Forever") (as The Chemical Brothers) | |
| Ed Simons | ... | Himself (segment "I've Been Twelve Forever") (as The Chemical Brothers) | |
| Pat Smear | ... | Himself (segment "Everlong") (as Foo Fighters) | |
| Tracey Thorn | ... | Herself (segment "Protection") (as Massive Attack) | |
| Mushroom Vowles | ... | Himself (segment "Protection") (as Massive Attack) | |
| Charlie Watts | ... | Himself (segment "Like a Rolling Stone") (as Rolling Stones) | |
| Jack White | ... | Himself (segments "Dead Leaves & the Dirty Ground", "The Hardest Button to Button" and "I've Been Twelve Forever") (as The White Stripes) | |
| Meg White | ... | Herself (segments "Dead Leaves & the Dirty Ground", "The Hardest Button to Button" and "I've Been Twelve Forever") (as The White Stripes) | |
| Ron Wood | ... | Himself (segment "Like a Rolling Stone") (as Rolling Stones) | |
| David Grohl | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Michel Gondry | |||
| Lance Bangs | (segment "I've Been Twelve Forever") | ||
| Olivier Gondry | (segment "Brothers Star Guitar") | ||
Produced by | |||
| Lance Bangs | .... | producer | |
| Georges Bermann | .... | producer (segments "Like a Rolling Stone", "Bachelorette", "The Hardest Button To Button") | |
| Richard Brown | .... | producer | |
| Paul DeGooyer | .... | executive producer | |
| Julie Fong | .... | producer (segments "Everlong", "Bachelorette", "The Hardest Button To Button") | |
| Vincent Landay | .... | producer | |
| Lou Stellato | .... | executive producer: MTV2 | |
Cinematography by | |||
| Lance Acord | (segments "Bachelorette" and "Let Forever Be") | ||
| Ali Asad | (director of photography) | ||
| Lance Bangs | (segment "The Hardest Button to Button") | ||
| Jean-Louis Bompoint | (segment "Les Cailloux") | ||
| Emmanuel Carlier | (segment "Like a Rolling Stone") | ||
| Michel Gondry | (segment "The Hardest Button to Button") | ||
| Phil Klemmer | (segment "Drumb and Drumber") | ||
| Alex Lamarque | (segments "Around the World" and "Come Into My World") | ||
| Max Malkin | (segment "Deadweight") | ||
| Tim Maurice-Jones | |||
| Pierre Rouger | (segment "Everlong") | ||
| Harris Savides | (segment "Like a Rolling Stone") | ||
Film Editing by | |||
| Jeff Buchanan | |||
| Andy Grieve | (segment "The Hardest Button to Button") | ||
| Geoff Hounsell | (segment "The Hardest Button to Button") | ||
| Russell Icke | (segment "Like a Rolling Stone") | ||
| Charles Johnston | (segment "The Hardest Button to Button") | ||
Art Direction by | |||
| K.K. Barrett | (segment "Let Forever Be") | ||
| Jean-Pascal Chalard | (segment "Around the World") | ||
| Gilles Chapat | (segment "Lucas With the Lid Off") | ||
| Christopher Chesney | (segment "Dead Leaves & the Dirty Ground") | ||
| Robbie Freed | (segments "Levi's: Drugstore" and "Smirnoff: Smarienberg") | ||
| Samantha Gore | (segment "Bachelorette") | ||
| Marc Homes | (segment "Sugar Water") | ||
| William Lakoff | (segment "Everlong") | ||
| Happy Massee | (segment "The Hardest Button to Button") | ||
| Pierre Pell | (segment "Come Into My World") | ||
Production Management | |||
| Raffi Adlan | .... | production manager | |
| Gina Fortunato | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Bertrand Delpierre | .... | first assistant director (segment "Like a Rolling Stone") | |
| François Nemeta | .... | assistant director | |
Sound Department | |||
| Jon Spira | .... | sound recordist | |
Camera and Electrical Department | |||
| Jean Marc Mirete | .... | still photographer (segment "Like a Rolling Stone") | |
Animation Department | |||
| Sébastien Fau | .... | animator (segment "Fell In Love with a Girl") | |
Costume and Wardrobe Department | |||
| Karen Baird | .... | costume designer: segment "The Hardest Button to Button" | |
| Heidi Bivens | .... | costume designer: segment "The Hardest Button to Button" | |
Music Department | |||
| Bruno Mercere | .... | music mixer | |
Other crew | |||
| Becky Hutner | .... | intern | |
| Katya Mokolo | .... | production assistant (segment "Lou Bennet") | |
| Katya Mokolo | .... | production assistant: segment "Lou Bennet" | |
| Katie Mulligan | .... | intern | |
| Mary Osborne | .... | interview transcriptor | |
Thanks | |||
| Amro Hamzawi | .... | thanks | |
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| Cut Shorts | Block Party | A Tribute to the King | Soul Power | Burrito de mañana |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Normally I'd lament the loss of an art-punk rocker to the realm of cinema, but in this case it is clear that Michel Gondry belongs in the director's chair, rather than behind a set of drums.
Throughout the overlong dual-sided disc, Gondry repeatedly lays traps to tromp l'oeil. He is French, you know. I actually had rented the Spike Jonze film from this series after getting jazzed by the previews for all three. But that one ended up putting me off a bit... It was only after seeing the remarkable "Eternal Sunshine of the Spotless Mind" that I felt compelled to rent this. I should say I had also seen "Human Nature" which had its charm, but technically felt more akin to the cinematography of a Porky's sequel than to a renegade auteur.
But based on reviewing this, and again "Eternal" I do see remarkable promise for Monsieur Gondry. On this film, we get a glimpse of just how bad "Eternal" could have been thanks to a sixty second slice of "Pecan Pie" and Carrey's patented jim-nastic facial work-out. A lot o' yucks, and not the funny kind. David Cross however was the "bomb" in his scatalogical sketch. Even when Cross is not working blue, nor brown as in this case, he is scathingly funny.
The videos alone here radiate creativity. The center of Gondry's solipsistic solar system is childhood (dreams, puppy loves, memories of school dances). I sense that there's enough stardust to mine for quite some time. Even if Gondry does ever turn 13, at some time he may be able to tap into his own progeny for production. Although the brief boat-by shooting of film indicates that his son might be an enfant and perhaps terrible as well, but perhaps no "enfant terrible."
Anyways the videos are captivating, rarely do I come across a music video that as soon as it is done, I'm ready to watch it again. Or see it backwards. Remember that, all you folks old enough to have had home movies on super 8 and such?
Speaking of home movies, the longest section on this film is split in two, and does trace much of Gondry's connection to his family. I found this decently engaging, especially when we see the construction of a zoetrope, discussion of flipbooks and early films. Plus his grandfather created the clavioline! Though I'm more of an Oskar Sala guy myself, that's still pretty cool...I think Sun Ra played one.
I get the feeling Gondry will choose some significant challenges over the course of a long film career, but fortunately he was born with gigantic hands despite the fact that he's so tiny...so tiny...so tiny.
While this is not essential viewing, I enjoyed it, even though at times I was paying to watch commercials, very imaginative ones nonetheless. My young kids really dug some of this videos, as did my wife and I.
6.5/10