Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
Dave Spritz is a local weatherman in his home town of Chicago, where his career is going well while his personal life -- his relationship with his perfectionist writer father, his neurotic ex-wife, and his now-separated children -- is spiraling downward. Despite being both loathed and loved by the local masses, Dave is a guy who doesn't seem to have it all together, and in this film, he begins to feel it. An attractive job offer presents Dave with a major question: to pursue his career in New York City, or to remain at home with his family. Written by
If you freeze the scene immediately after Spritz deletes his book Breaking Point, you can see there is still a Word file on his desktop labeled Breaking Point, so he didn't actually completely delete it. However, when a file is deleted by one application, such as Word, other applications, such as Windows Explorer (what displays the desktop icons,) don't update instantly. Sometime it can take several seconds for the changes to be reflected in other programs. Also, the icon on the desktop could be a shortcut to the actual file in My Documents, in which case the icon will not disappear automatically. It would have to be deleted separately. See more »
Looking inside your heart and predicting your future
Thankfully Hollywood has made a movie that values our integrity and intelligence. Here is a film showing us that life is beautiful but challenging and requires a little bit of work to move through. Through its protagonist, we encounter daily frustrations of every type, from conjugal discord to simple dissatisfaction's with our everyday existence. Nicholas Cage might not have the extended range of performers like Penn or Brando, but he does competent work here. He earns our sympathy and our attention with some of the best work he has done recently.
"The Weather Man" is an extended metaphor for what goes on in our lives every day. The film apparently didn't charm the pants off a few members of the audience when I saw it. It didn't have the prepackaged bombs and special effects. It lacked enough vulgarity to appeal to those people;instead it had one of the most touching and intelligent scripts in the last year. Attendance might be down, and ironically quality is up in Hollywood. "The Weather Man" deals with real issues such as insecurity, love, and trust. It presents scenarios where the audience might become uncomfortable looking at an aspect of their lives they might not like. Here is a parent who is challenged by his inability to connect with his own children, who appears to have unsurmountable challenges dealing with a spouse, and who is now not very sure his job is truly what he always wanted.
Michael Caine once again shines in his supporting role as the father who can't communicate with his son, and has now pressing issues to deal with before it's too late. Hope Davis does a bit of against-type work with a woman who might be lacking in the warmth department. Both are impeccable and very effective in their performances.
Verbinsky keeps a leisured pace, allowing the audience to meditate and understand how critical this stage of his life is for Dave (Cage). This is a sink or swim situation, and he must do some careful reevaluation in order to succeed. Whether he is able or not, is one of the joys of the film. This movie will be remembered for its depth and quality, for its attention to detail, as well as its realistic approach. It's a 10!
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