An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between ... See full summary »
Two attractive young lesbians, Maggie and Kim, meet in Vancouver, develop a passionate romance, and move in together. Meanwhile, Maggie's well-meaning but naive mother Lila gets divorced ... See full summary »
In Manhattan, the brilliant Chinese-American lesbian surgeon Wil is surprised by the arrival of her forty-eight year old widow mother to her apartment. Ma was banished from Flushing, Queens, when her father discovered that she was pregnant. The presence of Ma affects the personal life of Wil, who is in love with the daughter of her boss at the hospital, the dancer Vivian Shing. Once her grandfather has promised that her mother would only return to Flushing remarried or proving that it was an immaculate conception, Wil tries to find a Chinese bachelor to marry Ma. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Ma is 48 years old. When she and Wil go to the clinic, Ma's number in the waiting room is also 48. See more »
Wil consistently wears her hair in a tightly pulled back ponytail, but shortly after her mother moves in she goes to visit her grandfather wearing an army T shirt. While she's adjusting the TV antenna, her hair is uncharacteristically puffed up with no explanation. All scenes before and after show her hair in the tight ponytail. Quite a bit later, there is a scene where Wil's mom sends her to the beauty shop to find out gossip. It's there that Wil is wearing the same army T shirt and getting her hair rolled up in big curls - the end result of which would be puffed hair! See more »
A funny feel good Asian American lesbian romantic comedy that almost anyone can relate to.
One aspect of the film that I really enjoyed is that Wu focused on the disparity between first generation and second generation Chinese Americans. The seemingly unbreakable barriers that needs to be acknowledged, assessed, and overcome are all too familiar to me.
Being born and raised in NYC as a Chinese American, this film breaks the ice and will most likely fast forward progress and understanding for us in America. I feel we needed a movie to just come out and say it
to make a bold statement deeper into the true meaning of accepting
one's self. This definitely did it... perfectly too. Saving Face is wonderful and highly recommended!
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