7.5/10
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Before the Fall (2004)

Napola - Elite für den Führer (original title)
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »

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8 wins & 6 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Jonas Jägermeyr ...
Christoph Schneider
Leon A. Kersten ...
Tjaden (as Leon Alexander Kersten)
Thomas Drechsel ...
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Joachim Bißmeier ...
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Sportlehrer
Justus von Dohnányi ...
Gauleiter Heinrich Stein (as Justus von Dohnàny and Justus von Dohnányi)
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Frau Stein
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Katharina (as Julie Marie Engelbrecht)
Johannes Zirner ...
Torben Send
Alexander Held ...
Friedrichs Vater
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Storyline

In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich enrolls, seeing this as his ticket out of factory life to university and a good salary. During his year in seventh column (fifth form), this innocence is altered as Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area's governor, is central to this education; a night in the forest hunting for escaped Russian POWs brings things to a head. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Men Make History. We Make The Men.

Genres:

Drama | Sport | Thriller | War

Certificate:

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Parents Guide:

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Details

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Release Date:

13 January 2005 (Germany)  »

Also Known As:

Before the Fall  »

Filming Locations:

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Box Office

Opening Weekend:

$8,036 (USA) (7 October 2005)

Gross:

$144,065 (USA) (19 May 2006)
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Company Credits

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Technical Specs

Runtime:

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Despite its English title "Before the Fall",this German anti-war film actually has the acronyme "NaPolA" for the original title.Outside the English-speaking countries it was distributed and broadcasted under the original German title,namely,"NaPolA". See more »

Goofs

At least one of the Napola boxers and one of the training officers have pierced ears. Very unlikely, this being set in Nazi Germany. See more »

Quotes

Christoph Schneider: Pull yourself together!
Albrecht Stein: Pull myself together? Do you know what we just did? You shouldn't have shot! You shouldn't have shot!
Tjaden: I didn't give the order. Your father said they had guns!
Albrecht Stein: Why are you looking at me like that?
Friedrich Weimer: I'm not looking at you.
Albrecht Stein: I know what you're thinking. Don't look at me like that!
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Connections

Featured in 2006 Glitter Awards (2006) See more »

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User Reviews

 
Should have been a contender for 'best foreign film'
14 January 2005 | by (England) – See all my reviews

Contains slight spoilers.

This is one of a new breed of German films (like 'The Downfall') that takes a new look at the Nazi period. It is not afraid to show how attractive Nazism actually seemed to most Germans at the time and to show 'nice' characters happily giving the Hitler salute. Not that the film is in any way pro-Nazi -- quite the reverse.

Here we have a story about an élite school for future Nazi leaders. A working-class boy who is good at boxing is given a place there, where he makes friends with the sensitive son of the local Nazi leader. The brutality of the system eventually pushes both of them to become outsiders. Two suicides tellingly punctuate the story.

The acting is outstanding throughout, especially by the young stars of the film. Max Riemelt is particularly good as the boxer. The character is meant to be a doer rather than a thinker, unlike his friend, but Riemelt manages the transition from easy-going and rather empty-headed Hitler youth to someone who is prepared to stand against the inhumanity of Nazism.

The plot contains some powerful dramatic set pieces, such as the scene with the hand grenades and the one where the students dive under a frozen lake. These are brilliantly handled by the director and screenwriter, Dennis Gansel. He manages to bring out the full drama of them without overdoing it or lurching into melodrama or pathos.

I'm not generally a great fan of German films, many of which tend to be either self-consciously arty or trashily commercial. This is the best one I've seen since Das Boot.


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