In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »
Studly German soldier David gets a warm welcome, after a tour of NATO 'peace-making' duty in Afghanistan, from his girlfriend and house-mate Kirsten and his own (step-)family. But the ... See full summary »
Benjamin is a 16 year old, paralyzed on one side of his body, with lousy grades in math, who switches to a boarding school to reach grammar school. Acclimatization to the new environment is... See full summary »
A promising career with the police, a baby on the way -- Marc's life seems to be right on track. Then he meets fellow policeman Kay and during their regular jogs Marc experiences a ... See full summary »
This tragicomedy is a self-ironic portrait of a young man who drops out of university and ends up wandering the streets of the city he lives: Berlin. The film deals with the desire to ... See full summary »
Jan Ole Gerster
Justus von Dohnányi
Jakob is stuck in the transition between his teenage years and adulthood, still uncertain about what to do with his life, constantly hanging around with his friends and some girls, partying... See full summary »
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich enrolls, seeing this as his ticket out of factory life to university and a good salary. During his year in seventh column (fifth form), this innocence is altered as Friedrich encounters hazing, cruelty, death, and the Nazi code. His friendship with Albrecht, the ascetic son of the area's governor, is central to this education; a night in the forest hunting for escaped Russian POWs brings things to a head. Written by
NaPolA is the acronym for "National-politische Erziehungs-Anstalt" or "National Political Education Institute". See more »
During Friedrich's glider flight, his helmet is securely strapped at the start but is shown unstrapped a few seconds later. He kept both hands on the glider's yoke. See more »
[reading from his essay]
"As childish as it sounds, the winter time and the sight of freshly fallen snow always fill us with inexplicable joy. Perhaps because as children, we associated it with Christmas. I always imagine myself the hero who killed dragons, rescued virgins, and freed the world from evil. As we went out yesterday to find the prisoners, I felt like that little boy who wanted to save the world."
But as we returned, I understood that I am part of the evil that I ...
[...] See more »
I just watched Napola at the Montreal World Film Festival and I was pleasantly surprised. This choice of a random movie turned out to be a real cinematographic gem.
Set during World War II, this movie is about the dilemma and choices of some German teenagers who attend a napola - a special institution for gifted boys to turn them into the Nazi elite. Their days consist of military training and indoctrination; they are forced to lose all pity and become ruthless servants of the Fuhrer.
The story follows the entrance of Friedrich into a napola, the changes that he undergoes and the choices that he makes. Admitted because of his boxing skills, he seizes it as an opportunity to escape his poor working class situation. His best friend at the napola is the Governor's son - sensitive, caring, humane and opposed to Nazi dogma, he is obviously in the wrong place but has no choice but to fulfill his dad's wishes. As their friendship develops, Friedrich struggles between the ideology that the napola is forcing upon him and his friend's pacific beliefs.
This powerful film with excellent acting culminates on the boxing ring as Friedrich fights against the champion from another napola. The scene of the morning practice on the frozen lake left me breathless, while the ending of the grenade throwing session shook me with its passion, despair, and horror.
Another reason why I liked this movie so much is that it is made by Germans; indeed one would expect Hollywood to come up with such a story and that the outcome would be a highly emotional melodrama. I could feel the director disagreeing strongly with the Nazis, but rather than feeling shameful for what his countrymen did 60 years ago, he denounced it. Indeed, Friedrich's ultimate choice should be the choice of the new Germany.
My rating: 9/10
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