| Lauren Ambrose | ... | Evie Brighton | |
| Amy Madigan | ... | Martha Brighton | |
| Christopher Lloyd | ... | Stewart Worthy | |
| Fran Kranz | ... | James Parks | |
| Taylor Roberts | ... | Emily Brighton | |
| John Savage | ... | Harry Brighton | |
| Vernee Watson-Johnson | ... | Stanford Interviewer | |
| Benjamin Pratt | ... | Dartmouth Interviewer | |
| Scott Adsit | ... | Harvard Interviewer | |
| Aleksa Palladino | ... | Amherst Interviewer | |
| Jennifer Schweickert | ... | Librarian | |
| Joyce Schweickert | ... | Saleslady | |
| Storm Large | ... | TV Host | |
| Paul Ryan | ... | Man |
Directed by | |||
| Melissa Painter | |||
Writing credits(WGA) | ||
| Dawn O'Leary | (screenplay) | |
| Dawn O'Leary | (play) uncredited | |
Original Music by | |||
| Thomas Schobel | (co-composer) (as Thommy Schobel) | ||
| Martin Tillman | |||
Cinematography by | |||
| Paul Ryan | (director of photography) | ||
Film Editing by | |||
| Robert Frazen | |||
Casting by | |||
| Sheila Jaffe | |||
| Meg Morman | |||
| Georgianne Walken | |||
Production Design by | |||
| Aradhana Seth | |||
Costume Design by | |||
| Stephanie Walker | (as Stephanie Grace Walker) | ||
Makeup Department | |||
| Vivian Baker | .... | makeup department head | |
| Allison Quane | .... | key hair stylist | |
Production Management | |||
| Laura Sherman | .... | production supervisor (as Laura C. Sherman) | |
Second Unit Director or Assistant Director | |||
| John T. Melick | .... | second assistant director | |
| John O'Rourke | .... | first assistant director | |
| Milan Vasic | .... | second second assistant director | |
Art Department | |||
| Adam Drushal | .... | property master | |
| Thor Erickson | .... | assistant property master | |
| Lily Harris | .... | set dresser | |
| Sheena Malhotra | .... | art department coordinator | |
| Christine Nichols | .... | set dresser | |
| Johanna Raymond | .... | set dresser | |
Sound Department | |||
| Kevin Becker | .... | boom operator | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Markus Innocenti | .... | sound designer (as Mark Innocenti) | |
| Markus Innocenti | .... | supervising sound editor (as Mark Innocenti) | |
| Jackie Johnson | .... | assistant dialogue editor | |
| Cynthia Merrill | .... | foley artist | |
| Steve Morantz | .... | sound mixer | |
| Nick Neutra | .... | foley recordist: Post Creations | |
| Chris Philp | .... | adr recordist | |
| Jesse Pomeroy | .... | adr editor | |
| Jesse Pomeroy | .... | dialogue editor | |
| Paul Stanley | .... | sound post-production coordinator | |
| Steve Tushar | .... | sound effects editor | |
| Bill Jenkins | .... | additional sound mixer (uncredited) | |
Visual Effects by | |||
| Mark Larranaga | .... | compositor: XOne | |
Camera and Electrical Department | |||
| Matt Crapo | .... | swing | |
| Ryan Bradley Gaw | .... | first assistant camera (as Ryan Gaw) | |
| Sam Handel | .... | additional still photographer | |
| David Kagen | .... | gaffer | |
| Erik Kasson | .... | key grip | |
| Grant McFadden | .... | camera loader | |
| Rudy Melendez | .... | best boy electric | |
| Brandy O'Donnell | .... | best boy grip | |
| Steve Schweickert | .... | still photographer | |
| Matt Taylor | .... | second assistant camera | |
Casting Department | |||
| Vanessa Rodriguez | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Michael Beltran | .... | costume intern | |
Editorial Department | |||
| Michael Healey | .... | digital color corrector | |
| Craig Price | .... | digital on-line assembly editor | |
| Christopher C.C. Wong | .... | assistant editor (as Chris Wong) | |
Music Department | |||
| Nico Abondolo | .... | musician: bass | |
| Slamm Andrews | .... | music supervisor | |
| Jeffrey Biggers | .... | assistant score engineer | |
| Tom Broderick | .... | assistant score engineer | |
| Denyse Buffum | .... | musician: viola | |
| Paul Cohen | .... | musician: cello | |
| Matthew Cooker | .... | musician: cello (as Matt Cooker) | |
| Brian Dembow | .... | musician: viola | |
| Steve Erdody | .... | musician: cello | |
| Richard Feves | .... | musician: bass | |
| Bruce Fowler | .... | musician: viola | |
| Bruce Fowler | .... | orchestrator | |
| Meri Gavin | .... | assistant score engineer | |
| Keith Greene | .... | musician: viola | |
| Harry Gregson-Williams | .... | score producer | |
| Jennie Hansen | .... | musician: viola | |
| Costa Kotselas | .... | consultant: music score software | |
| Armen Ksajikian | .... | musician: cello | |
| Shawn Mann | .... | musician: viola | |
| Darrin McCann | .... | musician: viola (as Darren McCann) | |
| Victoria Miskolczy | .... | musician: viola (as Vickie Miskolczy) | |
| Barbara Northcutt | .... | musician: oboe and English horn | |
| Gretchen O'Neal | .... | music production supervisor | |
| Simon Oswell | .... | musician: viola | |
| Sue Ranney | .... | musician: bass | |
| Thomas Schobel | .... | music editor (as Thommy Schobel) | |
| Thomas Schobel | .... | musician | |
| Fred Selden | .... | musician: flute | |
| Stan Sharp | .... | musician: cello | |
| David Shostac | .... | musician: flute | |
| David Speltz | .... | musician: cello | |
| Sebastian Toettcher | .... | musician: cello | |
| Kevan Torfeh | .... | musician: cello (as Kevin Torfeh) | |
| Cecilia Tsan | .... | musician: cello | |
| Tom Vedvik | .... | music sound designer | |
| David Walther | .... | musician: viola | |
Other crew | |||
| Alan Abrams | .... | legal services: Costa, Abrams & Coate | |
| Matthew Cassel | .... | location scout (as Matthew R. Cassel) | |
| Rachelle Castillo | .... | craft service | |
| Amanda Drake | .... | production intern | |
| Tim Estep | .... | location manager | |
| Stuart Heising | .... | post-production scheduler | |
| Lauren M. Higgs | .... | production intern | |
| Jasmine Kosovic | .... | script supervisor | |
| Rosemary Marks | .... | location scout | |
| Esteban Morfin | .... | key set production assistant | |
| Jennifer Ngou | .... | main title designer | |
| Richter | .... | production accountant | |
| Pinar Sirvanci | .... | production intern | |
| Jim Small | .... | location scout | |
| TreJulie Stamos | .... | production office coordinator (as Tres Julie Stamos) | |
| Philip J. Strina | .... | business & legal affairs: Costa, Abrams & Coate | |
| Philip J. Strina | .... | legal services: Costa, Abrams & Coate | |
| Matt Wilkinson | .... | accountant: Mission Post | |
| David Zweines | .... | production intern | |
| Lauren M. Higgs | .... | stand-in (uncredited) | |
Thanks | |||
| Amy Madigan | .... | special thanks | |
| Recent Posts (updated daily) | User |
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| powerful | tatararabuga |
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| amy madigan | hazel12754 |
| Interesting (Spoilers) | bama1111 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
We have a character named Evie. Evie just wants to be a good person. She's nice, friendly, smiles often, but is strangely brutally honest. Evie also has a secret. Her idiot-savant sister has been reciting original poetry, which is getting the community excited about the sister writing. Unfortunately, it's Evie's poetry. While their mother starts being happy again and the boy next door shows his interest in Evie, Evie just tries to figure out what she really wants to do.
What to keep in mind while watching this movie is who Evie really is. For such a brutally honest person who doesn't mind telling Ivy-league types that she doesn't respect them, it would seem odd that she would be able to pull off a lie. For someone so happy and cheerful, she's quite emotionless when it comes to certain issues. Those aren't character flaws, they're plot development, and they mean a lot more than they at first seem.
Mostly this is something of a melodrama: a character lies, the other characters' personalities propel them through drama as relationships are held at risk. But in terms of the writing it's very fresh and bold. The acting helps the writing along very well (maybe the idiot-savant sister could have been played better), and it is a real joy to watch.
The directing and the cinematography aren't quite as good. They're acceptable, and Evie's world is wreathed in color and light, which makes for some very beautiful images, but it's not very consistent. It's not really so much of a flaw as a result of a low production value, but within that same value is some genuine storytelling and a real care for the characters. So while it isn't a perfect movie, it's certainly an enjoyable one.
--PolarisDiB