Mere seconds before the Earth is to be demolished by an alien construction crew, journeyman Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
Tony Stark has declared himself Iron Man and installed world peace... or so he thinks. He soon realizes that not only is there a mad man out to kill him with his own technology, but there's something more: he is dying.
Robert Downey Jr.,
A teenager is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
In order to create the set, an imaginary planet was built inside Antalya Film Studios, Turkey. See more »
The number that Arif dials in jail on the ship doesn't match to the number that appears on the LCD screen, since there were a change in the main sponsors of the film. Both sponsors were GSM Operators. But at the filming sequence Telsim was the sponsor, however at the post production sequence it was Avea. See more »
[explaining that the "UFO" in photo is fake and pointing at the "UFO"]
It says Kutahya porcelain on here. Look.
[looking at photo]
Well, I shot this in Kutahya. There's nothing wrong with it.
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Despite a lot of complaints that non-Turks would not find this funny, I did. I have seen it twice now. I do quite enjoy it and find much of it funny, with some parts extremely funny. Granted, a few things were not especially original, or were pretty tired or crude without being humorous to me, but these were minor problems and films like this always have some jokes that don't appeal to everyone. I cannot say I don't like a movie simply because I personally don't like some of the jokes or gags. Overall, the film was quite well-done and most of the jokes or spoofs of culture and films worked quite well.
One fun thing is to see this sort of film made from a Turkish perspective, rather than American. It puts a new twist on some things, even jokes that we've seen before or which would have been in an American or other film.
In part, I am sure my enjoyment of the film is helped by the fact that, while hardly being fluent in Turkish, I do know some Turkish and am quite familiar with the country. Therefore, while there are a number of very Turkey-specific jokes, I was able to enjoy at least some of them. I would therefore agree that a decent understanding of at least Turkish culture and recent history, if not the language, will enhance one's enjoyment of the film.
Other humour in the film seems pretty universal. As a result, there are quite a lot of jokes and spoofs that I know many Americans and Western Europeans would get. Again, while some are tired or crude, many are really quite funny and pulled off quite well.
I think that my biggest complaint is that some themes were not taken far enough. For example, more could have been done with the carpet salesman thing since that part was really quite funny and had more potential than the film exploited.
In the end, this is a pretty well-made, funny, and entertaining film. It could have been better, but it works well and should provide quite a few laughs, especially if one knows much about Turkey. It's rather silly, but that is pretty much the point, and the silliness here is mostly quite entertaining.
Although not really relevant for my discussion, I shall add that this film is also a milestone for Turkish cinema in terms of the special effects and production values for a film of this sort. I think it's important to recognize this, even though I was primarily concerned with giving my opinion of the film's content, etc. Thus, while one may be able to criticize some visuals compared to some big-budget Hollywood films, the production values/special effects are pretty good, especially considering the context.
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