In Buenos Aires, a few days before traveling to Spain with his beloved wife Liliana Rovira to visit their son Pedro, the leftist Literature professor Fernando Robles is compulsory retired ... See full summary »
Victor is a man who gets to Paris to join his family around their seriously ill father, Max. As the chance of selling the family business begins to disrupt the family relationships, Victor ... See full summary »
Fernando Fernán Gómez,
19-year-old Argentina Martin has a nearly fatal drug overdose. After that his mother sends him to Madrid, where his film director father (also called Martin) lives with his new much younger... See full summary »
Juan Diego Botto,
A union organizing demolition worker and a friend of his decide to blackmail the corrupt company they work for setting up a fake accident. Because of a miscalculation the friend dies, but ... See full summary »
Julio De Grazia
Carlos is a young student, just 21. Nice or annoying as he likes, enjoys provoking and transgreding. In the night he goes out to meet his friends in the Kronen, a bar. Every situation can ... See full summary »
When journalist Manuel Cueto is hired to type novelist Joaquín Góñez's last book, his presence provokes an avalanche of feelings that bring Joaquín to the edge of emotions and memories that had lain dormant in the solitude of the last stages of his creative life. Accustomed to years of loneliness, Joaquín finds in the young journalist a bridge to the forgotten years of his youth in the 60's and 70's, during his wild years in Buenos Aires. Argentina had been witness to the mistakes made in the passage to adulthood, the memories of old friends, the meaning of loyalty, the influences of cinema and jazz, the taste of first love and the experiences of the many which followed and the intimate relationship with his parents, particulary with his mother Roma, a strong, intelligent woman, a supporter of his youthful ideals. It is to Roma to whom Joaquín owes his free, bohemian spirit and the aspirations shared with her in the shadow of the memory of his father will awaken in Joaquín the desire ... Written by
After un lugar en el mundo and Martin Hache. I was very much looking forward to the new Aristarain movie. Unfortunately the weakest points for the previous here fill out an entire feature length film of a gratingly long 130 minutes. Characters have no other depth than proliferating themselves by talking about their favorite classic/jazz musicians and literary figures. They do not explain what meaning or experience they find in these. just referring to them must convince the viewer that these characters must be very intellectual. Of course the effect is that they come across as very hollow, pretentious and rather unpleasant. Thbe only character that wins the viewer's sympathy probably is Roma, Joaca's mother. Her views are fresh and yet heartwarming. Perhaps it was the intention of Aristarain to alienate the viewer from any emotional bonding with these antipathetic characters, in that case he succeeded. What is truly a structural flaw of the film, not just of taste, is the way the story is told, if one can call it a story. There are just flashbacks which do not seem to follow from one to the next. Characters suddenly take meaning to other characters without any explanation. In the end the film becomes a mess, and I could not even finish watching it. Aristarain is crossed of my list of favorite directors. I hope he'll turn the tide with a next, better, film.
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