Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets... See full summary »
Victor is a man who gets to Paris to join his family around their seriously ill father, Max. As the chance of selling the family business begins to disrupt the family relationships, Victor ... See full summary »
Fernando Fernán Gómez,
At age 42, Rafael Belvedere is having a crisis. He lives in the shadow of his father, he feels guilty about rarely visiting his aging mother, his ex-wife says he doesn't spend enough time ... See full summary »
A union organizing demolition worker and a friend of his decide to blackmail the corrupt company they work for setting up a fake accident. Because of a miscalculation the friend dies, but ... See full summary »
Julio De Grazia
The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life. After witnessing the "... See full summary »
Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
When journalist Manuel Cueto is hired to type novelist Joaquín Góñez's last book, his presence provokes an avalanche of feelings that bring Joaquín to the edge of emotions and memories that had lain dormant in the solitude of the last stages of his creative life. Accustomed to years of loneliness, Joaquín finds in the young journalist a bridge to the forgotten years of his youth in the 60's and 70's, during his wild years in Buenos Aires. Argentina had been witness to the mistakes made in the passage to adulthood, the memories of old friends, the meaning of loyalty, the influences of cinema and jazz, the taste of first love and the experiences of the many which followed and the intimate relationship with his parents, particulary with his mother Roma, a strong, intelligent woman, a supporter of his youthful ideals. It is to Roma to whom Joaquín owes his free, bohemian spirit and the aspirations shared with her in the shadow of the memory of his father will awaken in Joaquín the desire ... Written by
Few times in my life I have seen such an intense drama. Intense in the dialogues, superb in acting. The life as it is, not an idealized bit of it, as in conventional films. Characters are deep, well developed, they don't act the standards, but seem to be much more "human" than in conventional stories. Almost every scene is a virtuoso acting near-monologue. But you have rests, including the whole Chopin nocturne's filmed in a way that, only with the actor's expressions, something is still happening into the characters, and the story doesn't suffer for such a long quiet time. Yoy can save a lot of dialogs as a treasure. OK, it is not as much as an archetype of filming language. OK, it is nearly theater. But only nearly. I cannot imagine me enjoying all of the subtleties in actor's faces from so far, in a theater. A tasty drama, full of good philosophy about life, love and feelings, expressed trough complex characters and scenes. Too bad for those who find it "slow" or "overlong"... in my opinion, they just didn't catch it. To me is seemed pretty dense, full of things... I couldn't stick out until the end. I didn't like it. Just the last minute. But it is my opinion. All the rest is more than enough to make the movie a masterpiece. In my opinion.
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