Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

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Cast

Cast overview, first billed only:
...
Manuel Cueto / Joaco
...
Roma Di Toro
...
Joaquín Góñez
Agustín Garvíe ...
Joaco
Vando Villamil ...
Áteo Di Toro
Marcela Kloosterboer ...
Reneé
Maximiliano Ghione ...
Guido
Marina Glezer ...
Alicia
...
Joaquín father
Carla Crespo ...
Betty
Marcos Mundstock ...
Gustavo Smirnoff
Raúl Rizzo ...
Doctor Cassano
Jean Pierre Noher ...
Pando
Alberto Jiménez ...
Publisher (son)
...
Portera
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Storyline

When journalist Manuel Cueto is hired to type novelist Joaquín Góñez's last book, his presence provokes an avalanche of feelings that bring Joaquín to the edge of emotions and memories that had lain dormant in the solitude of the last stages of his creative life. Accustomed to years of loneliness, Joaquín finds in the young journalist a bridge to the forgotten years of his youth in the 60's and 70's, during his wild years in Buenos Aires. Argentina had been witness to the mistakes made in the passage to adulthood, the memories of old friends, the meaning of loyalty, the influences of cinema and jazz, the taste of first love and the experiences of the many which followed and the intimate relationship with his parents, particulary with his mother Roma, a strong, intelligent woman, a supporter of his youthful ideals. It is to Roma to whom Joaquín owes his free, bohemian spirit and the aspirations shared with her in the shadow of the memory of his father will awaken in Joaquín the desire ... Written by Cristina Sutherland

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Release Date:

1 October 2004 (Spain)  »

Also Known As:

Alma de bohemio  »

Box Office

Budget:

$2,763,806 (estimated)
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2.35 : 1
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Disappointing
25 April 2005 | by (London) – See all my reviews

After un lugar en el mundo and Martin Hache. I was very much looking forward to the new Aristarain movie. Unfortunately the weakest points for the previous here fill out an entire feature length film of a gratingly long 130 minutes. Characters have no other depth than proliferating themselves by talking about their favorite classic/jazz musicians and literary figures. They do not explain what meaning or experience they find in these. just referring to them must convince the viewer that these characters must be very intellectual. Of course the effect is that they come across as very hollow, pretentious and rather unpleasant. Thbe only character that wins the viewer's sympathy probably is Roma, Joaca's mother. Her views are fresh and yet heartwarming. Perhaps it was the intention of Aristarain to alienate the viewer from any emotional bonding with these antipathetic characters, in that case he succeeded. What is truly a structural flaw of the film, not just of taste, is the way the story is told, if one can call it a story. There are just flashbacks which do not seem to follow from one to the next. Characters suddenly take meaning to other characters without any explanation. In the end the film becomes a mess, and I could not even finish watching it. Aristarain is crossed of my list of favorite directors. I hope he'll turn the tide with a next, better, film.


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