| Photos (see all 3 | slideshow) |
| James Allodi | ... | Dan Jarvis | |
| Maury Chaykin | ... | Mayor Brent Fisher | |
| Paul Gross | ... | Buddy French | |
| Rebecca Jenkins | ... | Sandra Anderson | |
| Sandra Oh | ... | Carol French | |
| Ellen Page | ... | Emily Anderson | |
| Callum Keith Rennie | ... | Duck MacDonald | |
| Daniel MacIvor | ... | Stan Lastman | |
| Kathryn MacLellan | ... | Deena | |
| Mary Ellen MacLean | ... | Irene | |
| Susannah Hoffman | ... | Elaine Fisher | |
| Marcella Grimaux | ... | Mackenzie Fisher | |
| Caleb Langille | ... | Taylor | |
| Terri Sanderson | ... | Reporter | |
| Chris Saunderson | ... | Photographer | |
| Patrick Keeler | ... | Stuart | |
| Chett Buchanan | ... | Golfing Businessman #1 | |
| Mike Goodfellow | ... | Golfing Businessman #2 | |
| Ed Cayer | ... | Lotto Man | |
| Devon Chisholm | ... | Jennie | |
| Judith Hasen | ... | Lotto Woman | |
| Rita Howell | ... | Mrs.Corkum | |
| Lauren Ehrenworth | ... | Bartender | |
| Deborah Bowles | ... | Neighbour | |
| Lorraine Chapman | ... | Neighbour | |
| Gillian Anderson | ... | Nurse | |
| Allan Hawco | ... | Radio Announcer (voice) | |
| Shannon Perreault | ... | Radio Announcer (voice) | |
| rest of cast listed alphabetically: | |||
| Hannah Gross | ... | Girl at Motel (uncredited) | |
| Jack Gross | ... | Boy at Motel (uncredited) | |
Directed by | |||
| Daniel MacIvor | |||
Writing credits(in alphabetical order) | ||
| Daniel MacIvor | writer | |
Produced by | |||
| Geneviève Appleton | .... | associate producer | |
| Camelia Frieberg | .... | producer | |
| Joe Frieberg | .... | executive producer | |
| Sherrie Johnson | .... | co-producer | |
| Stephen J. Turnbull | .... | line producer | |
Original Music by | |||
| Michael Timmins | |||
Cinematography by | |||
| Rudolf Blahacek | |||
Film Editing by | |||
| Mike Munn | |||
Production Design by | |||
| Emanuel Jannasch | |||
Art Direction by | |||
| Ann Bromley | |||
Set Decoration by | |||
| Ian Greig | |||
Costume Design by | |||
| Lin Chapman | |||
Makeup Department | |||
| Paulette Cable | .... | hair supervisor | |
| Paulette Cable | .... | makeup supervisor | |
| Evan Hyisky | .... | assistant hair/makeup | |
| Jim Macdonald | .... | key hair stylist | |
Production Management | |||
| Geneviève Appleton | .... | post-production manager | |
| Stephen J. Turnbull | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sarah Campbell | .... | second assistant director | |
| Lisa Fennell | .... | third assistant director | |
| Mary Reynolds | .... | first assistant director | |
| Nicole Trask | .... | trainee assistant director | |
Art Department | |||
| Mike Balish | .... | carpenter | |
| Lance Barney | .... | lead dresser | |
| Joseph Bower | .... | key scenic painter (as Joe Bower) | |
| Jamie Clarke | .... | third assistant art director | |
| Keith Currie | .... | property master | |
| Jody Davis | .... | art department dailies | |
| Bernard Faye | .... | painter (as Brenard Faye) | |
| Andre Fiske | .... | head carpenter | |
| Harry Goodick | .... | construction coordinator | |
| Peter Haegart | .... | carpenter | |
| Robert Hardiman | .... | art department dailies | |
| Michael Hupman | .... | painter | |
| Hugh Jones | .... | set dresser | |
| Karl McNutt | .... | art department dailies | |
| Colin Paul | .... | set decoration buyer | |
| Terry Reashore | .... | carpenter | |
| Suzanne Richard | .... | assistant property master | |
| Teresa Stevens | .... | art department dailies | |
| Todd Tudball | .... | art department dailies | |
Sound Department | |||
| Fred Brennan | .... | dialogue editor | |
| Steph Carrier | .... | sound re-recording mixer (as Stephan Carrier) | |
| Kathy Choi | .... | assistant sound editor | |
| Martin Gwynn Jones | .... | assistant sound editor | |
| Frank Kavanagh | .... | boom operator | |
| Garrett Kerr | .... | dialogue editor | |
| Sid Lieberman | .... | foley artist | |
| John MacDonald | .... | assistant foley artist | |
| Brent MacLean | .... | second assistant sound editor | |
| Jim Rillie | .... | production sound mixer | |
| David Rose | .... | sound effects editor | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Jane Tattersall | .... | sound effects editor | |
| Jane Tattersall | .... | supervising sound editor | |
| Randy Wilson | .... | foley recordist | |
Stunts | |||
| Randy Boliver | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nance Ackerman | .... | still photographer | |
| Brian A. Adams | .... | best boy grip (as Brian Adams) | |
| Billy Buttery | .... | second unit director of photography | |
| Eve Court | .... | camera trainee | |
| Jody Davis | .... | electric: dailies | |
| Rob Eshelby | .... | generator operator | |
| Chris Fiendel | .... | grip | |
| Jason Jackson | .... | electric: dailies (as Jason A. Jackson) | |
| Hugh Jones | .... | grip | |
| Roddy Kosub | .... | gaffer (as Rod Kosub) | |
| Ruth Leggett | .... | electric: dailies | |
| Carl Nigi | .... | electrician | |
| Becky Parsons | .... | second assistant camera | |
| Demetri Portelli | .... | first assistant camera: second unit | |
| Gareth Roberts | .... | first assistant camera | |
| Gary Sandover | .... | dolly grip | |
| Gary Sandover | .... | key grip | |
| Kelsey Smith | .... | epk camera operator (as Kelsey W. Smith) | |
| Kelsey Smith | .... | steadicam operator (as Kelsey W. Smith) | |
| Todd Voogt | .... | grip | |
| David Wishart | .... | best boy electric | |
Casting Department | |||
| Simone Chia | .... | extras casting | |
| Peter Oliver | .... | extras casting | |
Costume and Wardrobe Department | |||
| Kirin Jordan | .... | costume set supervisor | |
| Diana Redmond | .... | set costumer | |
Editorial Department | |||
| Chris Hinton | .... | color timer | |
| Mila Patriki | .... | colorist | |
| Shannon Perreault | .... | assistant editor | |
| Catherine Rankin | .... | negative cutter | |
| Lyn Anne Sparrow | .... | post-production coordinator (as Lynanne Sparrow) | |
Music Department | |||
| Richard Bell | .... | musician: piano | |
| Jeff Bird | .... | musician: harmonica, mandolin | |
| Jaro Czerwynec | .... | musician: accordian | |
| Peter J. Moore | .... | music editor | |
| Ron Proulx | .... | music clearance | |
| Jane Tattersall | .... | music editor | |
| Michael Timmins | .... | music engineer | |
| Michael Timmins | .... | music producer | |
| Michael Timmins | .... | musician: guitar, percussion, xylonphone | |
Transportation Department | |||
| Tom Carew | .... | transportation dailies | |
| Mervin Geddes | .... | driver (as Melvin Geddes) | |
| Robert Meade | .... | driver | |
| John Sampson | .... | driver (as John Chas Sampson) | |
| Philip H. Scott | .... | driver | |
| Michael Sullivan | .... | transportation coordinator | |
| Emmanuel 'Manny' Taylor | .... | transportation captain (as Emmanuel Taylor) | |
| Helen Taylor | .... | transportation dailies | |
Other crew | |||
| Frank Anderson | .... | for Shelburne Film Production Centre | |
| Jackie Annesty | .... | for Shelburne Film Production Centre | |
| Robert Aske | .... | legal services | |
| William Bower | .... | for Shelburne Film Production Centre | |
| Darlene Bursell | .... | location pa/security | |
| Daphne Butler | .... | cleaner | |
| William Cameron | .... | title designer | |
| Simone Chia | .... | asssiatnt to Ms. Frieberg | |
| Andy Clark | .... | legal services | |
| Lorraine Clark | .... | electronic press kit supervisor | |
| Jeff Corkum | .... | production accountant | |
| Christine Crawford | .... | stand-in | |
| Hugh Davidson | .... | auditor | |
| Michell Desnoyers | .... | assistant location manager (as Michelle Desnoyers) | |
| Kevin Forbes | .... | stand-in | |
| Gordon D. Fyvie | .... | legal services | |
| Peter Gibson | .... | business manager: Tattersall (as Peter 'Smokey' Gibson) | |
| Pauline Goodick | .... | cleaner | |
| Jack Gross | .... | assistant to Mr. Hawco | |
| J. Paul Halferty | .... | assistant to Ms. Johnson | |
| Shauna Hatt | .... | production coordinator | |
| Allan Hawco | .... | assistant to Mr. MacIvor | |
| Victoria M. Healy | .... | daily security | |
| Skippy Johnson | .... | head of security | |
| Wynne Jordan | .... | assistant accountant | |
| Suzanne Kerr | .... | chaperone | |
| Martyn Krys | .... | legal services | |
| Kim Livingston | .... | insurance | |
| Allison MacDonald | .... | chef assistant | |
| Katharina Mayer | .... | chef assistant | |
| Lothar Mayer | .... | chef | |
| Margo Mosher | .... | location manager | |
| Harry O'Conner | .... | for Shelburne Film Production Centre | |
| Nicky Pemberton | .... | for Shelburne Film Production Centre | |
| Rodger Pike | .... | key craft service | |
| Kimberly Purtell | .... | assistant to Ms. Johnson | |
| Alicia Rei Rolfe | .... | post-production accountant | |
| Brian R. Shaw | .... | location security | |
| Don Sinclair | .... | insurance | |
| Lyn Anne Sparrow | .... | assistant to Ms. Johnson (as Lynanne Sparrow) | |
| Teresa Stevens | .... | office production assistant | |
| Todd Stevens | .... | office production assistant | |
| Tyler Stevens | .... | assistant craft service | |
| Fay Sullivan | .... | assistant production coordinator | |
| Bill Suttle | .... | for Shelburne Film Production Centre | |
| Jim Swansburg | .... | electronic press kit field producer (as Jim Swansberg) | |
| Dale Thomas | .... | for Shelburne Film Production Centre | |
| Maggie Thomas | .... | script supervisor | |
| Mark Townsend | .... | for Shelburne Film Production Centre | |
| Beverly Warren | .... | unit publicist | |
Thanks | |||
| Brent Barclay | .... | thanks | |
| Richard Blonski | .... | thanks | |
| Amnon Buchbinder | .... | thanks | |
| William Cameron | .... | thanks | |
| Ed Carter | .... | thanks | |
| Sue Conley | .... | thanks | |
| Damhnait Doyle | .... | thanks | |
| Richard Feren | .... | thanks | |
| Jill Franklin | .... | thanks | |
| John Furniotis | .... | thanks | |
| Susan Furniotis | .... | thanks | |
| Peter Gibson | .... | thanks | |
| Linda Grey | .... | thanks | |
| Serge Grimaux | .... | thanks | |
| Emm Gryner | .... | thanks | |
| Moira Holmes | .... | thanks | |
| Pam Irwin | .... | thanks | |
| Heather Kinkaid | .... | thanks | |
| Sue LeBlanc | .... | thanks | |
| Rich Lim | .... | thanks | |
| Hugh Marsh | .... | thanks | |
| Shandi Mitchell | .... | thanks | |
| Linda Moore | .... | thanks | |
| Erin Nichols | .... | thanks | |
| Martin Pink | .... | thanks | |
| Jeremy Podeswa | .... | thanks | |
| Andrew Power | .... | thanks | |
| Bob Redding | .... | thanks | |
| Willie Stevenson | .... | thanks | |
| Gordon Swansburg | .... | thanks | |
| Chaz Thorne | .... | thanks | |
| Greta Varna | .... | thanks | |
| Reg Vermue | .... | thanks | |
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| American Beauty | The Chumscrubber | Pretty Persuasion | City of Shoulders and Noses | The Life Aquatic with Steve Zissou |
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| Full cast and crew | Company credits | External reviews |
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The best thing this has going for it is the mood. The quiet evocation of a small island/town is pretty much dead on, with the slightly shabby businesses, people with small-scale ambitions, and hidden strings connecting everyone and everything. There are also some excellent performances, especially Sandra Oh, Rebecca Jenkins, and Callum Keith Rennie (for once showing his awkward, charming side rather than playing another psychopath).
There's both too much and too little going on, if that's possible. The various plot threads wander around before finally getting to what turns out to be the main plot. By that time, there have been a few too many scenes of people walking around while the soundtrack music plays. Some of the characters take too long to register, as well. The one who might be the most important, Dan Jarvis (the suicidal, soon-to-be-outed video store owner), never really registers at all--he never amounts to much of anything besides vague melancholy.
I don't blame the actors, really.....the ones we don't know well enough simply haven't had enough dialogue to let us know them. Fewer subplots and a little less wistful scenery montage would have helped the through-line considerably.
Put most simply, this has too much atmosphere to be a Plot Film and too much plot to be an Atmosphere Film. Not that it would ever have a chance to happen, but I think Wilby would have worked much better as a series.