A group of disconnected people are all being brought together by a string of awkward events in post-tragedy 9/11 Manhattan... A body-snatcher (Mia Tyler) is snatching up dead bodies off the... See full summary »
Alison Dodge, a 17-year old raised by her mother, decides on her own to spend her last summer before college getting to know her father Al, who wasn't at all waiting for another eternally ... See full summary »
THE RECE!PT is an exciting roller-coaster ride about two star-crossed lovers who only have minutes to change the course of their lives. Time is running out for Leni. He's just received a ... See full summary »
Matthew D. McCallum,
Last days of America is a story about a young woman who has left society and is now embarked on an inward journey of silence into herself. Although she is living in a small cottage in the ... See full summary »
After recovering from a twisted ankle, the drifter Nat Banyon hitchhikes on the road, trying to reach Wyoming, where he dreams of owning an ostrich farm. However, an incident in a bar results in him stealing a car from the guy that was beating him up. He heads to Wyoming, but on the way he sees a car accident and saves the driver Herman Finch, who owns the Deepwater Hotel. While spending the night in the hotel, Nat is arrested by the police, but Finch releases him from jail and proposes to Nat to paint his hotel. In return, he gives an old blue Chrysler Newport to Nat, and lodges and feeds him in the hotel. While painting the hotel, Nat becomes obsessed with Finch's wife, Iris, and discovers that Finch is a loan shark and corrupt. Furthermore, he hatches a scheme involving a car dealer (Walnut) and his partner, the Indian Joe Littlefeet in the local casino. After the mysterious death of a local and a policeman that had issues with Finch, Nat decides to leave Deepwater; but Iris ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Well there goes another hour and a half of my life that was totally wasted on a film that has ZERO substance, and a whole lot of nonsense. Characters appear out of nowhere with no development, not that you will care, because the entire purpose of this film seems to be setting up a ridiculous ending. All the characters are highly annoying and unlikable. I only watched this because of Michael Ironside, but the script is so disjointed, and his character so forgettable, he essentially has nothing to work with. Beware, this movie is a total waste of time, and not nearly as hip as it makes itself out to be. - MERK
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