Rayne fights against the Nazis in Europe during World War II, encountering Ekart Brand, a Nazi leader whose target is to inject Adolf Hitler with Rayne's blood in an attempt to transform ... See full summary »
An modern-day assassin, wanting out, is hired for one final job - to kidnap the kids of a local businessman. Things go haywire when it turns out he's chosen to return to the Middle Ages and bring back order to a kingdom in chaos.
In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
In the Eighteenth Century, Rayne is the half-human half-vampire Dhampir and the lead attraction in a carnival's freak-show in Romania. When she escapes, she meets a fortuneteller that tells that her mother was raped by the king of the vampires Kagan and she decides to destroy her father. In her journey for revenge, she meets Vladimir and Sebastian, the leaders of the fortress of vampire hunters Brimstone, and she joins their society. She seeks for powerful talismans to defeat Kagan, while the skilled warriors Vladimir and Sebastian train her to face the forces of Kagan and her human side falls in love with Sebastian. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Rayne retrieves the Heart from its hiding place in the monastery, and the room starts to fill with water. One of her scythes is stuck in the wall, the other in the ceiling. When the monk enters and finds her, he is carrying her scythes in his arms wrapped in cloth. See more »
Your form is weak, lacking passion.
It was part of my plan. I am tiring you out.
Your plan is lacking passion as well.
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I almost forgot that I had seen this a month ago. I remember being excited more for the fact that Uwe Boll was in attendance so I could hear what he had to say about film-making.
Well, let's say his comments before and after the movie are revelations as to why he makes such crappy films. First off, he can't grasp why people savage his movies so much. He feels that the internet community gives him a hard time because he's German and he makes his movies with Nazi money (his quote, not mine. Of course, he was joking, right?) Secondly, he couldn't care less if the actors he has are right for the roles. In fact, finding actors is his last thing he does to secure financing for his films. Apparently, he thinks the story is strong enough to carry the film. So, this is why we end up with actors like Ben Kinglsey working alongside Michael Madsen. Really, the only thing they had was the time to do the movie and the earning of a paycheck. So, if this doesn't strike you as soulless film-making, I don't know what does. In essence, by waiting until the last possible moment to hire actors, he can make his movies with a secured budget.
Th reason why I write this is because I heard his new "epic" In the Name of the King will be a four hour film split in half like Kill Bill. This depressed me to no end. Uwe Boll really is the next Ed Wood, even though Ed Wood cared about his actors and films.
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