In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
Matt is haunted by the death of a girl from a car accident he caused years ago. Matt was drunk and as he reached for the car radio, he struck the girl as she crossed the road. The guilt ... See full summary »
Keegan Connor Tracy
Rayne fights against the Nazis in Europe during World War II, encountering Ekart Brand, a Nazi leader whose target is to inject Adolf Hitler with Rayne's blood in an attempt to transform ... See full summary »
Excerpts of the life of a waiter who, living alone and isolated from the outside world developed an abysmal hatred of his fellow man. He finds himself quiz show after quiz show and then ... See full summary »
Controversial director Uwe Boll depicts the harsh reality of the process inside one of the most infamous Nazi death camps by using brutally realistic imagery. Book-ended by documentary ... See full summary »
In the Eighteenth Century, Rayne is the half-human half-vampire Dhampir and the lead attraction in a carnival's freak-show in Romania. When she escapes, she meets a fortuneteller that tells that her mother was raped by the king of the vampires Kagan and she decides to destroy her father. In her journey for revenge, she meets Vladimir and Sebastian, the leaders of the fortress of vampire hunters Brimstone, and she joins their society. She seeks for powerful talismans to defeat Kagan, while the skilled warriors Vladimir and Sebastian train her to face the forces of Kagan and her human side falls in love with Sebastian. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Rayne retrieves the Heart from its hiding place in the monastery, and the room starts to fill with water. One of her scythes is stuck in the wall, the other in the ceiling. When the monk enters and finds her, he is carrying her scythes in his arms wrapped in cloth. See more »
So women sometime before the XIX, but after the XVI century traveled alone on horseback, half-naked, always cold, carrying swords in their backs, and the cities were a model of pulchritude. Yeah, right. It does not even work as a metaphor. When the director wants to show us an evil character, there is a Ben Kinsgley with an over-sized wig remembering in black and white his cruel dialog: "Tell me where is my damphir" "No" says the mother. "Tell me" "No" Pum! Pow! The scariest thing of this movie is to see such potentially good actors in such lame dialogs. You will experience anguish as an spectator, as you feel other people's shame (the actors). Even if you like awful movies (sometimes I do), please do not waste your money in this one. The director might be encouraged to punish us again. I wish IMDb had negative stars.
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