Rayne fights against the Nazis in Europe during World War II, encountering Ekart Brand, a Nazi leader whose target is to inject Adolf Hitler with Rayne's blood in an attempt to transform ... See full summary »
An modern-day assassin, wanting out, is hired for one final job - to kidnap the kids of a local businessman. Things go haywire when it turns out he's chosen to return to the Middle Ages and bring back order to a kingdom in chaos.
In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
In the Eighteenth Century, Rayne is the half-human half-vampire Dhampir and the lead attraction in a carnival's freak-show in Romania. When she escapes, she meets a fortuneteller that tells that her mother was raped by the king of the vampires Kagan and she decides to destroy her father. In her journey for revenge, she meets Vladimir and Sebastian, the leaders of the fortress of vampire hunters Brimstone, and she joins their society. She seeks for powerful talismans to defeat Kagan, while the skilled warriors Vladimir and Sebastian train her to face the forces of Kagan and her human side falls in love with Sebastian. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Michael Madsen called the film "an abomination... a horrifying and preposterous movie", but added that he enjoyed working with Uwe Boll and would certainly work with him again if asked. See more »
On the boat trip back to Brimstone HQ, Vladimir points out that if Rayne was just a vampire, crossing the water would kill her. Later on however, Domastir crosses the water with no issue at all. See more »
This is singularly one of the worst films I've ever seen. After seeing a wide selection of decent horror at Fantastic Fest a few weeks ago, I expected this to have some substance because it was picked to screen at the Austin Film Festival. All I can think of is that someone must have blackmailed the programmers because it's terrible.
The dailogue is either very cliché, or very stilted (and often both). There are serious continuity issues. The gratuitous sex scene was so completely sudden it seemed like an excerpt from a porn movie. The wigs are terrible, and the costuming as bad. There is no character development, and the motivations shown on screen seem more like red herrings than anything else.
I can't think of anything redeeming about this film other than I didn't pay money just to see it.
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