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Insp. Jacques Clouseau teams up with a squad of International detectives who are just as bumbling as he is. Their mission: Stop a globe-trotting thief who specializes in stealing historical artifacts.
When a childless couple of an ex-con and an ex-cop decide to help themselves to one of another family's quintupelets, their lives get more complicated than they anticipated.
After their friend dies, three men decide to fulfill their childhood promise by going on a camping expedition for the lost D.B. Cooper bounty, with calamitous results.
Director:
Steven Brill
Stars:
Matthew Price,
Dax Shepard,
Matthew Lillard
One year after Kevin was left home alone and had to defeat a pair of bumbling burglars, he accidentally finds himself in New York City, and the same criminals are not far behind.
Two childhood friends, a New York hairstylist and a would-be musician, get caught up with the mob and are forced to deliver $50,000 to Australia, but things go haywire when the money is lost to a wild kangaroo.
Director:
David McNally
Stars:
Jerry O'Connell,
Anthony Anderson,
Estella Warren
Teen detective Nancy Drew accompanies her father on a business trip to Los Angeles, where she happens upon clues to a murder mystery involving a movie star.
Five Vermont state troopers, avid pranksters with a knack for screwing up, try to save their jobs and out-do the local police department by solving a crime.
Director:
Jay Chandrasekhar
Stars:
André Vippolis,
Joey Kern,
Jay Chandrasekhar
Upon learning that his father has been kidnapped, Austin Powers must travel to 1975 and defeat the aptly-named villain Goldmember - who is working with Dr. Evil.
At a Catholic high school, the popular girl teams up with a sophomore newspaper reporter to investigate a case of stolen SAT exams. Once the duo target their suspects, a larger conspiracy is unearthed.
Director:
Brett Simon
Stars:
Mischa Barton,
Reece Thompson,
Bruce Willis
An insurance investigator and an efficency expert who hate each other are both hypnotized by a crooked hypnotist with a jade scorpion into stealing jewels.
When the coach of the France soccer team is killed by a poisoned dart in the stadium in the end of a game, and his expensive and huge ring with the diamond Pink Panther disappears, the ambitious Chief Insp. Dreyfus assigns the worst police inspector Jacques Clouseau to the case. His intention is to give a diversion to the press, while he uses his best men to chase the killer and thief. He assigns Gendarme Gilbert Ponton to work with Closeau and inform each step of the investigation. When Clouseau is nominated with honor to the highest prize in France, Dreyfus decides to humiliate Clouseau and take him out of the case. However Clouseau has already solved the mystery. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The cameo appearance of Clive Owen can be seen both as a nod to the fact that Owen was rumored to be a contender to replace Pierce Brosnan as James Bond in Casino Royale (denied by both EON and Owen), and a tribute to Peter Sellers (the most famous actor to play Inspector Clouseau) who also parodied James Bond in the spoof film, Casino Royale. Owen's role was originally intended for Pierce Brosnan, but his contract with EON specifically prohibited him from appearing as a spy in a tuxedo for at least five years after leaving the role of 007. See more »
Goofs
When Clouseau tries to download the first ring tone (right before the power cuts) he is clearly using the Mac OS X operating system with Safari. The next morning, when Clouseau gets set to download another ring tone, the computer's operating system is Windows XP with Internet Explorer. See more »
The MGM logo is slammed open (with Leo the Lion in mid-roar) by the animated Inspector Clouseau, who takes a look around and then walks off. The Pink Panther appears and closes the logo, leaving Leo unconscious. See more »
I really enjoyed this movie. I expected the worst because of many of the comments here, but that's why they play the game, so the saying goes...
There were plenty of laughs and a simple but serviceable plot that held together for the whole film. I personally don't think Martin was trying to BE Sellers, but to do his TAKE on a character created by Sellers. Think original Clouseau + The Jerk and you get the idea.
The key is that Marin captured the spirit of the character and the film captured the spirit of the original films as well. That's all one could ask.
Jean Reno was quite good, Kevin Cline not so good. He might have taken more time to make his own Dreyfuss.
Now to clear some things up:
First: For those who lament a crappy remake of the original film, I suggest you go watch the original film. You will be surprised at how unfunny it is. Sellers is good, but the movie itself is slow and obvious. I remember loving the movie as a kid, then I tried to watch it recently and realized I was remembering the sequel. The original was really weak and boring.
Second: For those who say Martin turned Clouseau into some kind of loser, I again suggest you watch the originals. He WAS a loser. He WAS pathetic. That was the point. He was a sexual repressed, pathetic loser who lucked into solving crimes while bumbling around and trying to get laid. Martin's Clouseau fits this mold.
Third: This is not a remake, but another in a series. To suggest that the original is so sacred that another film in a series can't be made many years later is the worst kind of snobbery. Why do people treat films with such reverence but not plays or musicals? If a great star creates a character on stage, does that mean no one else can ever play that character in the history of theater? Of course not. Sorry to say, Sellars is dead. He can't come back and do it again.
Now there are things about this movie that are different than the originals in terms of tone.
One is that the subject matter has been toned down a bit. Though there is the implication of sex in multiple places and a few murders (not violent and not seen), it isn't as risqué as the original, to fit a broader market one would suppose. Still not sure how they can get away with advertising it on Nickelodeon with links to NIck.com, but that's a typical Viacom/MTV problem.
But this film is a bit lighter than the original for that reason. It is still satirical, but less blatantly pop culture gag driven than a Shrek. Pink Panther takes subtle jabs at the French and their love of cycling, hatred of American food, etc. It also incorporates a very fun sequence with 006, creates gags out of Viagra, ring tones, the TSA, etc. Basically, it's current without being so tied to 2005/6 that it will feel dated later.
If you like to laugh, you'll like this movie. If you consider yourself a tough cookie for laughs, then you may not. But that's your fault, not the movie's... ;)
284 of 434 people found this review helpful.
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I really enjoyed this movie. I expected the worst because of many of the comments here, but that's why they play the game, so the saying goes...
There were plenty of laughs and a simple but serviceable plot that held together for the whole film. I personally don't think Martin was trying to BE Sellers, but to do his TAKE on a character created by Sellers. Think original Clouseau + The Jerk and you get the idea.
The key is that Marin captured the spirit of the character and the film captured the spirit of the original films as well. That's all one could ask.
Jean Reno was quite good, Kevin Cline not so good. He might have taken more time to make his own Dreyfuss.
Now to clear some things up:
First: For those who lament a crappy remake of the original film, I suggest you go watch the original film. You will be surprised at how unfunny it is. Sellers is good, but the movie itself is slow and obvious. I remember loving the movie as a kid, then I tried to watch it recently and realized I was remembering the sequel. The original was really weak and boring.
Second: For those who say Martin turned Clouseau into some kind of loser, I again suggest you watch the originals. He WAS a loser. He WAS pathetic. That was the point. He was a sexual repressed, pathetic loser who lucked into solving crimes while bumbling around and trying to get laid. Martin's Clouseau fits this mold.
Third: This is not a remake, but another in a series. To suggest that the original is so sacred that another film in a series can't be made many years later is the worst kind of snobbery. Why do people treat films with such reverence but not plays or musicals? If a great star creates a character on stage, does that mean no one else can ever play that character in the history of theater? Of course not. Sorry to say, Sellars is dead. He can't come back and do it again.
Now there are things about this movie that are different than the originals in terms of tone.
One is that the subject matter has been toned down a bit. Though there is the implication of sex in multiple places and a few murders (not violent and not seen), it isn't as risqué as the original, to fit a broader market one would suppose. Still not sure how they can get away with advertising it on Nickelodeon with links to NIck.com, but that's a typical Viacom/MTV problem.
But this film is a bit lighter than the original for that reason. It is still satirical, but less blatantly pop culture gag driven than a Shrek. Pink Panther takes subtle jabs at the French and their love of cycling, hatred of American food, etc. It also incorporates a very fun sequence with 006, creates gags out of Viagra, ring tones, the TSA, etc. Basically, it's current without being so tied to 2005/6 that it will feel dated later.
If you like to laugh, you'll like this movie. If you consider yourself a tough cookie for laughs, then you may not. But that's your fault, not the movie's... ;)