| Marcus Brigstocke | ... | David Oxley, B.A. (Hons) (12 episodes, 2000-2001) | |
| Danny Robins | ... | Miles (12 episodes, 2000-2001) | |
| Daniel Tetsell | ... | Keiron (12 episodes, 2000-2001) |
Series Directed by | |||
| Sean Grundy | (6 episodes, 2000) | ||
| Alex Walsh-Taylor | (2 episodes, 2001) | ||
Series Writing credits | ||
| Marcus Brigstocke | (12 episodes, 2000-2001) | |
| Danny Robins | (12 episodes, 2000-2001) | |
| Daniel Tetsell | (12 episodes, 2000-2001) | |
Series Produced by | |||
| Sebastian Barfield | .... | assistant producer (8 episodes, 2000-2001) | |
| Sean Grundy | .... | producer (6 episodes, 2000) | |
| Jeremy Howe | .... | executive producer (6 episodes, 2000) | |
| Tom Ware | .... | series producer (6 episodes, 2000) | |
| Jon Plowman | .... | executive producer (2 episodes, 2001) | |
| Alex Walsh-Taylor | .... | producer (2 episodes, 2001) | |
Series Original Music by | |||
| Dominic Haslam | (3 episodes, 2001) | ||
Series Cinematography by | |||
| Allan Barrett | (3 episodes, 2001) | ||
| David Evans | (2 episodes, 2000) | ||
Series Film Editing by | |||
| Graham Portbury | (2 episodes, 2001) | ||
Series Production Design by | |||
| Claire Bosworth | (6 episodes, 2000) | ||
Series Costume Design by | |||
| Katherine Bohanna | (3 episodes, 2001) | ||
Series Production Management | |||
| Jo Randall | .... | production manager (2 episodes, 2001) | |
Series Second Unit Director or Assistant Director | |||
| Lisa Drake | .... | assistant director (2 episodes, 2000) | |
Series Art Department | |||
| Will Barrass | .... | graphics (6 episodes, 2000) | |
| James Rowell | .... | production buyer (3 episodes, 2001) | |
Series Sound Department | |||
| Rama Bowley | .... | off-line editor (6 episodes, 2000) | |
| Martyn Harries | .... | dubbing editor (6 episodes, 2000) | |
| Steve Gatland | .... | sound (5 episodes, 2000) | |
| Sue Malpass | .... | dubbing mixer (3 episodes, 2001) | |
| Iwan Reynolds | .... | sound recordist (3 episodes, 2001) | |
Series Camera and Electrical Department | |||
| David Evans | .... | lighting camera (4 episodes, 2000) | |
Series Music Department | |||
| Dominic Haslam | .... | composer: title music (6 episodes, 2000) | |
Series Other crew | |||
| Belinda Kirk | .... | researcher (6 episodes, 2000) | |
| Lucy Dwyer | .... | production secretary (3 episodes, 2001) | |
| Paul Rehman | .... | programme finance assistant (3 episodes, 2001) | |
| Claire Bridgland | .... | production executive (2 episodes, 2001) | |
| Liz Trott | .... | researcher (2 episodes, 2001) | |
Series Thanks | |||
| The Humberstone Mystery Players | .... | thanks (1 episode, 2000) | |
| Pete Jester | .... | thanks (1 episode, 2000) | |
| The Kings Head Darts Team St. Neots | .... | thanks (1 episode, 2000) | |
| Pupils & Staff of Brislington School | .... | thanks (1 episode, 2000) | |
| Staff & Customers of Asda Superstore Bedminster | .... | thanks (1 episode, 2000) | |
| Terry Ludbrooke & Family | .... | thanks (1 episode, 2000) | |
| The Watt Family | .... | thanks (1 episode, 2000) | |
| Recent Posts (updated daily) | User |
|---|---|
| We Are History: Richard III on youtube | filmchap |
| DVD | darrelljon |
| When the jokes fail? | Calacatranis |
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| Danger! 50,000 Zombies! | Clinton: His Struggle with Dirt | Douglas | The War Against Terror: The Musical | An Interview with Toby Roberts |
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| Episode guide | Company credits | IMDb TV section |
| IMDb Short section | IMDb UK section | Add this title to MyMovies |
I wasn't quite sure what to make of We Are History. First of all it is a take-off of the many UK history shows (you know, Elizabeth I, the wives of Henry VIII, that kind of thing). Second, well, the humour is a cross between absurdist and slapstick. Third, a key feature is the use of real life locations and volunteer participation by enthusiastic members of the public in recreations of famous historical events. The episodes are about 10 minutes long, and the history is the concise version with gags.
So does it work? When it works it works well, but when the jokes fail they fail dismally. As a distraction between main event programming the show works well, but I doubt it could be promoted by itself.
I recommend it to anyone with an insane sense of humour, or, alternately, anyone watching late-night weekend programming (that's when the show normal airs here on Australia's ABC) who's had a few drinks.