A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress ... Written by
Philip Seymour Hoffman's character's last name is a reference to the Cotard delusion or Cotard's syndrome, also known as nihilistic or negation delusion, which is a rare neuropsychiatric disorder in which a person holds a delusional belief that he or she is dead, does not exist, is putrefying or has lost his/her blood or internal organs. See more »
When Caden and Hazel are talking about Hazel's relationship with Sammy, in the background, the actress Tammy lights a cigarette. Seconds later, when the scene is shown from a different angle, again Tammy lights the cigarette. See more »
My father died. They said his body was riddled with cancer and that he didn't know, he went in because his finger hurt. They said he suffered horribly, and that he called out for me before he died. They said that he said he regretted his life. They said he said a lot of things, too many to recount, and they said it was the longest and the saddest deathbed speech any of them had ever heard.
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"All the world's a stage, And all the men and women merely players . . ."
Synecdoche, New York, like the literary term in its title, might stand for all our lives as director Caden Cotard (Phillip Seymour Hoffman) attempts a gigantic stage construction of to depict his tumultuous life. Hamlet 2 it is notit's a serious attempt by cerebral and creative writer Charlie Kaufman to deal with the muses and mistakes of a life worth noticing, in this case where Caden has won a MacArthur.
Caden eventually creates a discursive and massive stage play peopled by ex lovers who help him try to gain meaning out of a sometimes bleak Brecht or Beckett landscape. Kaufman takes us into and out of time and place, characters and ideas, so that to survive the viewing, we must allow him to digress and symbolize to distraction. The recurring motif of a house on the brink of burning down signifies the nearness of insanity and even death.
The specter of Death overshadows all else and serves as a catalyst for the artist's grand opus. It also allows him to muse on the meaning of life and the challenges of art, the former leaning toward a pantheistic notion that we are all made up of the people we have loved. Shakespeare's notion of the world as stage is more appropriate here than ever.
Artistically Kaufman is more in David Lynch land than anywhere else; I'm comfortable with that although the producers should not wait for the profits to roll in anytime soonit's a challenging mess.
Caden Cotard: "I know how to do it now. There are nearly thirteen million people in the world. None of those people is an extra. They're all the leads of their own stories. They have to be given their due."
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