Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress ... Written by
At the start of the film, when 'Phillip Seymour Hoffman' is reading the news at the breakfast table, he reads out that "Harold Pinter has died.... wait.... no - he's won the Nobel prize". This is a reference to a famous Sky News clip whereby Sky, in their rush to be first with breaking news, accidentally announced that Harold Pinter was dead. In fact it had just been announced that he was to be awarded the Nobel prize for literature. See more »
In the scene where Caden is talking to Hazel directly after having talked to the doctor after his seizure, there is a dog in a box behind Hazel in her box office. Upon cutting to Caden, and then cutting back, the dog is gone. This is the remnants of the character "Squishy", from the original draft of the script. The almost-dead dog was found by Hazel after driving home from the premiere. She was saddened by Caden denying her, and she finds the dog, run over and bloody on the side of the road. She decides to keep it. This is the only scene where he is present, and his presence is not explained. See more »
Everything is more complicated than you think. You only see a tenth of what is true. There are a million little strings attached to every choice you make; you can destroy your life every time you choose. But maybe you won't know for twenty years. And you may never ever trace it to its source. And you only get one chance to play it out. Just try and figure out your own divorce. And they say there is no fate, but there is: it's what you create. And even though the world goes on for eons and eons,...
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In a fit of pretentious grad-school psychobabble I once sarcastically meta-critiqued a fellows students sculpture as being a "simulation of a simulacra" Now looking back at it... I don't think I knew what I was talking about, or why having crafted a "simulation of a simulacra" would have been a bad thing?
After seeing synecdoche new york, I think I now have a tangible example for that expression... and this film is going down as one of my all time favorites! Kaufman & Hoffman are perfect doppelgangers! They certainly complement each other better than Jim Carry, Nicolas Cage or John Malcovich did. Kaufman has illustrated his self-reflexive neurosis in a dark comedic way that has more angst and gravitas than Woody Allen or Michel Gondry. The film was so existential and dark I swear I wanted to cry at the end but was too perplexed. He portrays his life as a play within a play and has created actors to play him self and others to play those playing himself, like a hall of mirrors. There are moments that become so interwoven that even Borges & Baudrillard would have a hard time keeping track of the characters. In certain respects the film reminded me of Shane Carruth's 2004 film Primer, in which the protagonist has multiplied himself into a stupor that he needed to write his own short term crib-notes to figure out what to do next. If you haven't yet seen it .. run don't walk.
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