Raphael is a ghostwriter who takes a job writing for famous footy player Kevin. To his delight and his girlfriend, Murials horror, Kevins current girlfriend is an old (easily rekindled) ...
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Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. ... See full summary »
The first live Cactus performance in over 30 years was greeted by a wildly enthusiastic New York City audience. Filmed at B.B.King's Blues Club in Times Square, the hard driving, boogie ... See full summary »
Two babies are switched at birth. When the mistake is discovered 12 years later, it leads to complications in the lives of both families. One family is affluent, with dutiful and (... See full summary »
Unable to find her runaway son, a woman deceives two of her ex-lovers from her youth, a mild-mannered teacher and a tough journalist, that each is the real father in order to obtain their ... See full summary »
Michel dreams of a perfect meeting with the woman of his dreams, entirely due to chance, as his parents and grandparents experienced. Vincent, Michel's contrast, is completely different. He... See full summary »
When the accident-prone daughter of a French businessman disappears in Mexico and the detective sent down to find her returns empty-handed, the businessman's company psychologist comes up ... See full summary »
Pedro Armendáriz Jr.
Raphael is a ghostwriter who takes a job writing for famous footy player Kevin. To his delight and his girlfriend, Murials horror, Kevins current girlfriend is an old (easily rekindled) flame of Raphaels. A freak accident leaves a close friend dead and Raphael is forced to reconsider his priorities. Written by
Laurent Tirard is a capable comedy director who can give us gags and a little sorrow along the way. The story is a little thin--can we really care that much about the travails of a ghostwriter and his brainless, egotistical subject?--but the manner of telling it is engaging, and the performances are all good. I have been a fan of Edouard Baer since Betty Fisher et autres histoires, in which he played a really resourceful crook, a man who was able to sell his mistress's house without telling her he was doing it, and pocket the proceeds. Baer doesn't have a great range (all the way from A to B, passing by C) but his dishevelled charm carries him all the way through the picture. He reminds me a little of a French Gig Young, high praise.
Marie-Josee Croze is so versatile. Hired killer in Munich, unhappy mistress in Je l'aimais, patient nurse of Amalric in Le Scaphandre..., she is one of the really impressive new actresses of the last ten years. Alice Taglioni contributes her considerable comedic talents to the fun.
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