Moe discovers Curly's unknown boxing talent when he knocks out the Champ at a restaurant when Larry plays "Pop Goes the Weasal" on the violin. Moe becomes Curly's manager, and they win ... See full summary »
The stooges are witnesses at a trial where their friend, a dancer at a nightclub where they are musicians, is accused of murder. The stooges manage to disrupt the proceedings but save the ... See full summary »
Left on the doorstep of an orphanage managed by nuns, newborns Moe, Larry and Curly grow up finger-poking, nyuk-nyuk-nyuking and woo-woo-wooing their way to uncharted levels of knuckleheaded misadventure. Now their childhood home may have to close due to financial difficulties. But Moe, Larry and Curly employed as the foster home's inept maintenance men, are determined to come to the rescue. Only the Three Stooges could become embroiled in an oddball murder plot - while stumbling into starring roles in a phenomenally successful reality television show. Written by
When Teddy's wife sprays toothpaste in his face, we see his face doesn't have any toothpaste on it. See more »
Hey, quit horsing around you two. You're disturbing my coffee break.
Oh, boy donuts! Where's mine?
They're small. Why don't you have two?
[Moe sticks donuts in Curly's ears]
Oh, now look what you did, Moe! You got donut stuck in my ears!
Hey, look, you're in luck. They got a donut remover right here.
What's a donut remover?
It's one of these.
[reads the sign on the bell]
[...] See more »
Right before the end credits, 2 actors posing as the Farrelly Brothers appear on screen to deliver a "Don't Try This At Home" announcement. Also, towards the end of the closing credits, there is a music video featuring The Three Stooges and 'Jennifer Hudson'. See more »
The Stooge legacy exists apart from time itself I loved them when I was nine for the eye-pokes; I loved them in later life for the knowing humor (and the eye-pokes). I loved them even though they were from a long gone era. And most people I know hold the Stooges in the same high esteem I do. Among goofy guys like me, they are the high priests. They are sacred cows.
There is a great risk in taking on a sacred cow. If nothing else, I admire the courage of the Farrelly brothers, goofy guys themselves, who would know the risks all too well. Die-hard Stooge fans might even wish for the failure of the project, if nothing else but to affirm the irreplaceable nature of the Stooges.
All that said, I admit I approached the movie skeptically. In the end, I was won over. The movie's homage to the Stooges is in getting them right. All of the slapstick humor is there; all of the wisecracks are there. These Stooges capture the craziness and the randomness of the original Stooges without trying too hard to "interpret the role" or any such silliness. It's respectful of the original.
For me, once I was comfortable with these guys as the Stooges, the fun was in seeing the Stooges in the present day, where smacking someone over the head with a sledgehammer is even less acceptable than it was in the 1930's. They goof on all sorts of present day annoyances- Jersey Shore, the Kardashians, just like they goofed on high society and other annoyances of their own time.
The bottom line: I was laughing the whole time. If you're a Stooges fan, there's a lot to like just give the movie a chance.
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