A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
In Nice, the international police force and the Russian mafia are chasing Anthony Zimmer, an intelligent man responsible for laundry of dirty money in France. Zimmer had extensive plastic ... See full summary »
In Sydney, Tracey Heart is a thirty-two years old manager of a video shop ex-addicted in heroin and clean for four years. She is trying to raise forty thousand dollars to buy a shop for computer games on the next door of the rental and become partner of her boss, but based on her negative records, the banks deny the loan. Tracey takes care of her junkie stepfather Lionel Dawson, unsuccessfully trying to make him quit his heroin habit. When her former boy-friend Jonny returns from Vancouver, Tracey's mother Janelle fears a fall of Tracey, while she blames Jonny for the car accident where her son Ray lost one leg. When Ray and Jonny associate to Moss, the assistant of the retired criminal boss Bradley 'The Jockey' Thompson, in drug dealing, Tracey is convinced by Jonny to join them and raise the necessary money for her business along the weekend. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A rare glimpse of Hugo Weaving driving a car; even if it is just backing it out of a driveway. He has never owned a driver's license because of his epilepsy. You can see it was him because of his reflection in the side mirror. See more »
Director Rowan Woods and his collaborators have crafted a totally absorbing urban drama about complex homosapiens whose lives have been compromised by drugs and various addictions.
Cate Blanchett is Tracy, the film's lynch-pin, a Western suburbs girl whose ambitions to get ahead are thwarted by financial and personal skeletons from her past.
Scribe Jacqueline Perske manipulates a tangled web of characters ranging from Sam Neil's retiring drug baron Brad to Hugo Weaving's failed yuppie junkie Lionel. Noni Hazlehurst, in a riveting performance, plays family matriarch Janelle, a woman so crippled by regret and betrayal, she can hardly stand upright.
The tone is a few degrees lighter than Woods' brilliant "The Boys" and the Cabramatta milieu is broader, but this is still a beautifully balanced character piece with top notch performances and a restrained third act that avoids the usual clichés.
Supporting turns by Susie Porter (as Jenny) and Joel Tobeck (as Moss) are exceptional.
Though some climactic clarity might have been helpful, this is, nevertheless, emotionally graphic and pictorially intense cinema.
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