Samson and Delilah's world is small- an isolated community in the Central Australian desert. When tragedy strikes they turn their backs on home and embark on a journey of survival. Lost, ... See full summary »
Malcolm is a chronically shy mechanical genius who has just been fired for building his own tram. He gets Frank, who has just been released from jail, to move in to help pay the bills. ... See full summary »
Ray Romano's eight-day drive through the south on a stand-up comedy tour becomes more than he bargains for when longtime friend and opening act, Tom Caltabiano, brings a film student along ... See full summary »
TJ's quest to find the son he's never known, takes him on a journey across the remote and stunning Kimberley landscape. On the road, TJ questions his life of violence... he meets a host of ... See full summary »
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life... See full summary »
On a Friday after a horrific train crash, three newsmen in Adelaide must take stock: Nick, a photojournalist, learns he has cancer; Andy, a writer with two children who has a bad relationship with his ex, learns his girlfriend Anna is pregnant; Phil, an editor, realizes he's missing his children's growing up. That afternoon, Meryl, an artist who illustrates sympathy cards and constantly imagines disasters, witnesses a train accident kill a man. At the crash site, she meets Nick, and a relationship flowers over the next three days which makes them both question their lives, wants and needs. Nick's mother, Andy's kids and ex, the dead man's girlfriend, the driver of the train, and his son round out an ensemble of grief and sorrow as each character becomes linked to another through the train accident. Can decisions to act bring hope? Written by
First feature film to be funded from the Adelaide Film Festival Investment Fund (AFFIF). See more »
There's always this stuff in the paper about a brave-battle-with-cancer but then you're also supposed to accept it and have a nice everybody-gather-round-and-hug-each-other death. And when's that turnaround supposed to happen?
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Every couple of years the quality of our films seems to peak then decline. For every Muriel's Wedding or Lantana there are four films like The Nugget or Strange Bedfellows. Perhaps it's our complete saturation of American culture. Our expectations are such that everything we see must conform to the mold of American T.V. or film. 'Look Both Ways' is another attempt to fly in the face of this all-consuming wave, one that grows steadily bigger. The ability to tell distinctly Australian stories, whether they be set in suburbia or outback, period or contemporary, is something that should be encouraged and supported. This is not a U.S bashing exercise. Or a dig at the media in this country. I merely want to state that it is good to see courage taken by Australian film makers and financiers by making this film. We will never be as big as Hollywood, and we shouldn't try to be. National cinema, no matter what country it is, exists to enhance and enrich the culture that it comes from. We should be happy that this film has been made, because it gives hope for the future, until the media proclaims that our industry has declined again.
Getting to the film, I feel that it gives a feeling of hope in the face of uncertainty and fear. The main characters have to deal with things that creep up on us without warning, whether it be the death of a loved one, or a freight train accident, or the first unsure steps in a developing relationship. The film focuses on how these events can cripple our daily lives, sending us into muddled states of grief and fear. It also makes us treasure what we have. this film is a gem, one that deserves to have a wide viewer ship, just so that the world can see what we are capable of.
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