Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Max is on his way to Tokyo. He lives in Paris and likes to flirt but has decided to get married. By chance, he seems to have seen Lisa, his greatest love, in a cafe. Max forgets everything,... See full summary »
Director:
Gilles Mimouni
Stars:
Romane Bohringer,
Vincent Cassel,
Jean-Philippe Écoffey
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
Hallam's talent for spying on people reveals his darkest fears-and his most peculiar desires. Driven to expose the true cause of his mother's death, he instead finds himself searching the rooftops of the city for love.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a ... See full summary »
A group of male friends become obsessed with a group of mysterious sisters who are sheltered by their strict, religious parents after one of them commits suicide.
Director:
Sofia Coppola
Stars:
James Woods,
Kathleen Turner,
Kirsten Dunst
Final entry in a trilogy of films dealing with contemporary French society concerns a model who discovers her neighbour is keen on invading people's privacy.
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
Director:
Joe Wright
Stars:
Saoirse Ronan,
Brenda Blethyn,
James McAvoy
On a Friday after a horrific train crash, three newsmen in Adelaide must take stock: Nick, a photojournalist, learns he has cancer; Andy, a writer with two children who has a bad relationship with his ex, learns his girlfriend Anna is pregnant; Phil, an editor, realizes he's missing his children's growing up. That afternoon, Meryl, an artist who illustrates sympathy cards and constantly imagines disasters, witnesses a train accident kill a man. At the crash site, she meets Nick, and a relationship flowers over the next three days which makes them both question their lives, wants and needs. Nick's mother, Andy's kids and ex, the dead man's girlfriend, the driver of the train, and his son round out an ensemble of grief and sorrow as each character becomes linked to another through the train accident. Can decisions to act bring hope? Written by
<jhailey@hotmail.com>
The film was selected as a film text by the Australian State of Victoria's Curriculum and Assessment Authority. See more »
Quotes
Joan:
It doesn't matter how he died. Your father's death was not the sum of his life. It doesn't matter how life ends, it matters how it was. I couldn't give him my way of coping and you couldn't give him yours. Everybody has to find a way to face their own death, and life.
See more »
The film had some likable aspects. Perhaps too many for my taste. It felt as though the writer/director was desperately trying to get us to feel the inner conflict of ALL of its characters. Not once, a few times...but all of the time.
This is the job of television, not cinema.
The location of the train station was well chosen and I enjoyed Sascha Horler's performance as the pregnant friend.
I felt as though Justine Clarke's performance was wan. Her reactions to things felt forced, as though the director were trying to vocalise the themes of the film through her protagonist's expressions. I also can't believe that a director can make the wonderful Daniela Farinacci into an unbelievable presence.
I cannot understand the choice of pop music slapped over entire sequences. This is a lazy device, especially where the pop music comes from no place diagetic to the film and/or where the lyrics of the song feel embarrassingly earnest.
That said, there is a breezy quality about the film that evokes the Australian heat and local attitude with originality. It does create an atmosphere of heat and sunshine. Especially with the usage of wonderful animation sequences that rescue the film from complete mediocrity, infusing it with passion and hand-crafted charm.
I am curious why the dialogue feels so overworked. "Who knows if there's a god? Like some guy sitting there up in the sky telling us what to do" or whatever the line was.
Perhaps one of the more embarrassing moments was the friend returning home from cricket with a bunch of flowers to declare to his wife "I'm giving up smoking."
An anti-smoking commercial? A TAC ad with some tasteful animation? I had to leave the cinema at the 50 minute mark -- it was all too much.
5 of 8 people found this review helpful.
Was this review helpful to you?
The film had some likable aspects. Perhaps too many for my taste. It felt as though the writer/director was desperately trying to get us to feel the inner conflict of ALL of its characters. Not once, a few times...but all of the time.
This is the job of television, not cinema.
The location of the train station was well chosen and I enjoyed Sascha Horler's performance as the pregnant friend.
I felt as though Justine Clarke's performance was wan. Her reactions to things felt forced, as though the director were trying to vocalise the themes of the film through her protagonist's expressions. I also can't believe that a director can make the wonderful Daniela Farinacci into an unbelievable presence.
I cannot understand the choice of pop music slapped over entire sequences. This is a lazy device, especially where the pop music comes from no place diagetic to the film and/or where the lyrics of the song feel embarrassingly earnest.
That said, there is a breezy quality about the film that evokes the Australian heat and local attitude with originality. It does create an atmosphere of heat and sunshine. Especially with the usage of wonderful animation sequences that rescue the film from complete mediocrity, infusing it with passion and hand-crafted charm.
I am curious why the dialogue feels so overworked. "Who knows if there's a god? Like some guy sitting there up in the sky telling us what to do" or whatever the line was.
Perhaps one of the more embarrassing moments was the friend returning home from cricket with a bunch of flowers to declare to his wife "I'm giving up smoking."
An anti-smoking commercial? A TAC ad with some tasteful animation? I had to leave the cinema at the 50 minute mark -- it was all too much.