Gilles' wife, Elise, who smiles when she thinks of him, cooks and scrubs and cheerfully makes love to him, suspects during her third pregnancy that he is having an affair with her ... See full summary »
A prison guard is attracted to a woman at his weekly tango class. They meet again when she visits her husband in the prison where he works and he is drawn into her complicated romantic life. Meanwhile the prisoners are learning the tango.
Juliette was simply not sure about coming to live in this residential suburb of the greater Paris metropolitan area. All the women here are in their forties, have children to raise, houses ... See full summary »
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps ... See full summary »
Marie (Anne Coesens), who works as a successful door-to-door encyclopedia salesperson, has been married to her husband Francois (Michel Bompoil) for 12 years and has a two-year-old son. ... See full summary »
Stage mime Antoine Moreau (Tom Courtenay) is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers ... See full summary »
In Genoa, Agata runs her bookstore and, without meaning to, causes light bulbs and appliances to burn out. At the same time that a younger man declares his attraction to her, her brother ... See full summary »
PETITES COUPURES tells the story of Bruno (Daniel Auteuil), a communist newspaper journalist suffering a mid-life crisis. Torn between his wife Gaëlle ('Emmanuel Devos') and his young ... See full summary »
Kristin Scott Thomas,
Someone I loved (Je L'Aimais) is based on the best-selling novel by Anna Gavalda. It's the story of Pierre (Daniel Auteuil), who takes his daughter-in-law, Chloe (Florence Loiret Caille) ... See full summary »
Florence Loiret Caille
Parallel storylines tell the current state of affairs for two ex-lovers: Nora's a single mother who comes to care for her terminally ill father; holed in up in mental ward, Ismael, a brilliant musician, plots his escape.
Gilles' wife, Elise, who smiles when she thinks of him, cooks and scrubs and cheerfully makes love to him, suspects during her third pregnancy that he is having an affair with her coquettish younger sister, Victorine. Elise suffers, usually in silence. She listens to her husband rave; she asks her priest; she breaks picture frames; she weeps. She decides on a strategy to keep him. Will she succeed? Written by
This is a riveting French film by the director and screenwriter of the vastly inferior "Une Affaire Pornographique." It is minimalist in the best sense of the word. There is very little dialogue. The film must depend on the camera, lighting, and especially, the facial expressions of the two lead actors to carry the film. It works remarkably well. The actress and actor who play the husband and wife show how a couple who know each other intimately can communicate meaningfully without words. Unfortunately, it appears that another reason Gilles, the husband, doesn't use many words is because he doesn't know very many, nor does he have very many thoughts to articulate even if he could. Simply put, the man is an oaf who is extremely lucky to have the devoted wife that he does, and he doesn't deserve her.
Emmanuele Devos, who plays the wife, carries the film. She has a fascinating and expressive face that conveys her emotions without words. She also has an enigmatic smile that is hard to read. Why is she smiling, we wonder at times. Is she planning ahead, anticipating her victory over the 'other woman,' who also happens to be her sister? We are able to anticipate that she will be successful, primarily because we are able to see from the outset that her husband is no match for her intellectually, and that her sister, being a somewhat shallow floozy, will soon tire of Gilles and move on. All Elisa has to do is wait her out.
This having been said, I must state my opinion that the film is marred by an ending--which I will not reveal here--that we could probably see coming but hoped would not. The film is based on a novel I haven't read, so the same ending may occur in the source. But if so, endings have been changed before. The film would have been better, and more realistic, if it had ended a few frames before it did. The ending as it occurs just appears sensationalistic, shock for shock's sake, and the smartass camera angles employed by the director don't help. Other than that, this is a superb film. 8/10
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