| Photos (see all 68 | slideshow) | Videos (see all 24) |
| Jennifer Connelly | ... | Dahlia Williams | |
| John C. Reilly | ... | Mr. Murray | |
| Tim Roth | ... | Jeff Platzer | |
| Dougray Scott | ... | Kyle Williams | |
| Pete Postlethwaite | ... | Veeck | |
| Camryn Manheim | ... | Teacher | |
| Ariel Gade | ... | Cecilia 'Ceci' Williams | |
| Perla Haney-Jardine | ... | Natasha Rimsky / Young Dahlia | |
| Debra Monk | ... | Young Dahlia's Teacher | |
| Linda Emond | ... | Mediator | |
| Bill Buell | ... | Mediator | |
| J.R. Horne | ... | Man in Train | |
| Elina Löwensohn | ... | Dahlia's Mother | |
| Warren Belle | ... | UPS Man | |
| Alison Sealy-Smith | ... | Supervisor | |
| Simon Reynolds | ... | Man in Elevator | |
| Kate Hewlett | ... | Teacher's Aide | |
| Jennifer Baxter | ... | Mary | |
| Diego Fuentes | ... | Night Doorman | |
| Zoe Heath | ... | Natasha's Mother | |
| Craig muMs Grant | ... | Platzer's Backseat Client (as muMs) | |
| Matthew Lemche | ... | Steve (as Matt Lemche) | |
| Edward Kennington | ... | Billy | |
| rest of cast listed alphabetically: | |||
| Ismael Peter Casillas III | ... | School student (uncredited) | |
| Marshall Factora | ... | Mr. Bernstein (uncredited) | |
Directed by | |||
| Walter Salles | |||
Writing credits(WGA) | ||
| Kôji Suzuki | (novel "Honogurai Mizu No Soko Kara") | |
| Hideo Nakata | (film Honogurai mizu no soko kara) and | |
| Takashige Ichise | (film Honogurai mizu no soko kara) (as Taka Ichise) | |
| Rafael Yglesias | (screenplay) | |
Produced by | |||
| Doug Davison | .... | producer | |
| Kerry Foster | .... | associate producer | |
| Ashley Kramer | .... | executive producer | |
| Roy Lee | .... | producer | |
| Bill Mechanic | .... | producer | |
| Diana Pokorny | .... | co-producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Affonso Beato | |||
Film Editing by | |||
| Daniel Rezende | |||
Casting by | |||
| Mali Finn | |||
| Tina Gerussi | |||
| Kelli Lerner | |||
| Carole Tarlington | |||
Production Design by | |||
| Thérèse DePrez | |||
Art Direction by | |||
| Nicholas Lundy | |||
| Andrew M. Stearn | |||
Set Decoration by | |||
| Nick Evans | |||
| Clive Thomasson | |||
Costume Design by | |||
| Michael Wilkinson | |||
Makeup Department | |||
| David R. Beecroft | .... | key hair stylist | |
| Sylvain Cournoyer | .... | key makeup artist | |
| Tina Earnshaw | .... | makeup artist: Ms. Connelly | |
| Wayne Herndon | .... | hair stylist: Ms. Connelly | |
| Lori Hicks | .... | key makeup artist: New York | |
| Laurel Kelly | .... | hair stylist: Ms. Connelly, additional photography | |
| Elisa Marsh | .... | key makeup artist: additional photography | |
| Loretta Nero | .... | key hair stylist: additional photography | |
| Lydia Pensa | .... | assistant hair stylist | |
| John Quaglia | .... | key hair stylist: New York (as John D. Quaglia) | |
| Gordon J. Smith | .... | special makeup effects artist (as Gord Smith) | |
| Julia Valente | .... | assistant makeup artist | |
Visual Effects by | |||
| Mesrop Abrahamian | .... | rotoscope artist: Flash Film Works | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Corinne Bogdanowicz | .... | digital artist | |
| Steven J. Brooks | .... | rotoscope artist: Flash Film Works | |
| Craig Cannon | .... | scanning and recording operator: Digital Domain | |
| Michael Casillas | .... | visual effects intern: Flash Film Works | |
| John Coats | .... | 3D animator: Flash Film Works | |
| John Coats | .... | matte painting supervisor: Flash Film Works | |
| Dan Cobbett | .... | digital compositor: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Brian Corpus | .... | technical operations manager: Pacific Title and Art Studio | |
| Sean Devereaux | .... | visual effects compositor: Digital Domain | |
| Bonnie Dombrowski | .... | rotoscope artist: Flash Film Works | |
| Jason Doss | .... | 3D integration artist: Digital Do | |
| Tim Everitt | .... | animation supervisor: Flash Film Works | |
| Daniel Favini | .... | digital matte painting: Digital Domain | |
| Mark O. Forker | .... | visual effects supervisor: Digital Domain | |
| Jamieson Fry | .... | digital artist: Digital Domain | |
| Jon Greenhalgh | .... | digital artist | |
| Christine Haddad | .... | rotoscope artist: Flash Film Works | |
| Heather Elisa Hill | .... | visual effects coordinator: Digital Domain | |
| Shauna M. Hirdler | .... | visual effects coordinator: Flash Film Works (as Shauna Hirdler) | |
| Christopher Holsey | .... | scanning and recording supervisor: Digital Domain | |
| Jamison Huber | .... | visual effects production assistant | |
| Todd Isroelit | .... | visual effects producer: Digital Domain | |
| Dag Iversay | .... | digital compositor: Digital Domain (as Dag Ivarsoy) | |
| Dave Jacobs | .... | rotoscope artist: Flash Film Works (as David Jacobs) | |
| Lincoln Kupchak | .... | visual effects editor: Flash Film Works | |
| Kevin Lingenfelser | .... | digital compositor: Digital Domain | |
| Craig Mathieson | .... | digital compositor | |
| Robert McInnis | .... | 2d manager: Digital Domain | |
| John P. Mesa | .... | visual effects supervisor: Flash Film Works | |
| William Mesa | .... | visual effects supervisor: Flash Film Works | |
| Stephen Mitchell | .... | digital paint and rotoscope artist: Digital Domain | |
| Colleen Murphy | .... | digital effects coordinator: Digital Domain | |
| Dan Novy | .... | visual effects technical supervisor: Flash Film Works | |
| Mario Peixoto | .... | digital compositor: Digital Domain | |
| Brian Peyatt | .... | digital production manager: Digital Domain | |
| Darren Poe | .... | compositing supervisor: Digital Domain (as Darren M. Poe) | |
| Anthony Ruey | .... | technical assistant | |
| Todd Sarsfield | .... | digital color grader: Digital Domain | |
| Som Shankar | .... | 3D integration artist: Digital Domain | |
| Cybele Sierra | .... | digital compositor: Digital Domain (as Cybelle Sierra) | |
| Tess Spaulding | .... | system administrator | |
| Ken Stranahan | .... | compositing supervisor: Flash Film Works | |
| Ken Stranahan | .... | digital compositor | |
| James D. Tittle | .... | visual effects coordinator: Pacific Title | |
| Andrew Waisler | .... | computer graphics supervisor: Digital Domain (as Andy McGrath Waisler) | |
| Jeffrey White | .... | visual effects producer: Flash Film Works | |
| Deborah Wiltman | .... | digital compositor: Digital Domain | |
| Scott Ross | .... | general manager: Digital Domain (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator: New York | |
| Lauren A. Bonfiglio | .... | stunts | |
| Bob Brown | .... | stunt coordinator: additional photography | |
| Blaise Corrigan | .... | stunts | |
| Mavis Corrigan | .... | stunts | |
| Tom Farr | .... | stunts | |
| Jeffrey Lee Gibson | .... | stunts (as Jeff Gibson) | |
| Chloe Jones | .... | stunts | |
| Ciara Jones | .... | stunts | |
| Dana Jones | .... | stunts | |
| Jamie Jones | .... | stunt coordinator: Toronto | |
| Kelly Jones | .... | stunts | |
| Morgan Rue | .... | stunts | |
| Robert C. Shannon | .... | water safety | |
| Jay Spadaro | .... | stunts | |
Animation Department | |||
| Mary C. Snyder | .... | animator | |
Casting Department | |||
| Chad Darnell | .... | extras casting: Los Angeles | |
| Jonathan Leeder | .... | casting associate | |
| Kelli Lerner | .... | casting: New York | |
| Geoffrey Miclat | .... | casting intern | |
| Kimberly Mullen | .... | casting: Florida | |
| Mark Mullen | .... | casting: Florida | |
| David Rapaport | .... | casting associate | |
| Jennifer Sabel | .... | extras casting associate | |
| Kristian Sorge | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Jay Du Boisson | .... | assistant costume designer | |
| Gayle Franklin | .... | costume buyer | |
| Loreen Lightfoot | .... | costume cutter | |
| Debbie Lucas | .... | seamstress | |
| Trelawnie Mead | .... | costume dyer/breakdown | |
| Kate Quinlan | .... | wardrobe supervisor | |
| Nicci Schinman | .... | costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Claudine Franco | .... | post-production coordinator | |
| Suzy Gilbert | .... | assistant editor | |
| Ahmad Ismail | .... | telecine operator | |
| Jamie Kirkpatrick | .... | assistant editor: New York | |
| Maria Montoreano | .... | associate editor | |
| John Potter | .... | high definition preview timer | |
| Pablo Prietto | .... | assistant editor | |
| Ian Silverstein | .... | assistant editor | |
| Mary Beth Smith | .... | negative cutter | |
| Dawn M. Stoliar | .... | first assistant editor | |
Music Department | |||
| Bryan Clements | .... | scoring crew | |
| Mark Eshelman | .... | scoring crew | |
| Robert Fernandez | .... | scoring mixer | |
| Greg Loskorn | .... | scoring technician | |
| Larry Mah | .... | digital score recordist | |
| Phil Marshall | .... | composer: additional music | |
| Phil Marshall | .... | orchestrator | |
| Barbara McDermott | .... | assistant music editor | |
| Daniel McIntosh | .... | music playback | |
| Adam Michalak | .... | score recordist | |
| Bill Pearson | .... | music recordist | |
| Bill Pearson | .... | score synth programmer | |
| Joe E. Rand | .... | music editor | |
| Patrick Russ | .... | orchestrator | |
| Booker White | .... | music preparation | |
Transportation Department | |||
| Rickey Giallonardo | .... | transportation co-captain | |
| Alan Kaminsky | .... | driver generator operator | |
| Robert Tenaglia | .... | transportation co-coordinator | |
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| Honogurai mizu no soko kara | The Nanny Diaries | An American Haunting | The Amityville Horror | The Ring |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
I'm at a loss to describe why so many people here have panned this movie. I can only suppose that those who didn't like it went to see this expecting a horror movie. And since no monsters jumped out and hacked people to death, I imagine teenagers (apparently the main demographic that posts here) were bored to death with it. They couldn't understand why there wasn't a mutilated corpse every half step. Their A.D.D.-addled brains couldn't sit still long enough to decipher the complex plot points or to appreciate good character-building (something sorely lacking from movies nowadays.) Comparing this movie to "The Ring" is like comparing "Godfather" to "Rainbow Brite and the Star Stealer." The movies are in two completely separate genres.
I blame the marketing department. The promos did make it look like a fright-fest. One might have expected ghosts to be flying around the room a la "Poltergeist." I suppose they must have assumed that those of us who like movies that actually engage us and make us think weren't a very big market. Instead, they chose to market it to the "slasher movie" ilk, and they, being simplistic, got headaches trying to sift through an actual PLOT. Then they went home to listen to their Korn CDs and smoke pot.
Anyway, that being said, I approached the movie with all the preconceptions I just mentioned. And if you do have those preconceptions and are unwilling to give them up, the movie will drag on mercilessly for you. However, I switched modes quite easily, and became intrigued with the plot. It led me one way and then another, every time giving me something new to think about.
Nobody can criticize the acting here, either. Jennifer Connelly is superb as always, but the young daughter is quite skilled as well, and I expect to see her more often in the future.
I won't get into specifics, but the ending is something I really wasn't looking for.
As I left the theater, all the adults (most of whom didn't know each other) were talking about what a great movie it was as we filed out the doors. The teenagers in the theater were too busy making out to notice the credits rolling.
View if you're mature. If you're not, save yourself the brain-strain and go rent "Seed of Chucky" and leave the grown folks alone.