| Photos (see all 68 | slideshow) | Videos (see all 26) |
Kôji Suzuki (novel)
Hideo Nakata (film Honogurai mizu no soko kara) ...
(more)
8 July 2005 (USA) more
This Season, The Mystery Of The Darkness Will Consume Your Life more
A mother and daughter, still wounded from a bitter custody dispute, hole up in a run-down apartment building. Adding further drama to their plight, they are targeted by the ghost of former resident. full summary | add synopsis
1 nomination more
Weekly DVD & Blu-Ray Chopping List 11/10/2009
(From Fangoria. 8 November 2009, 10:21 PM, PST)
Nakata directs Stone
(From JoBlo. 6 November 2009, 1:13 AM, PST)
A lot more than a remake more (390 total)
| Jennifer Connelly | ... | Dahlia Williams | |
| John C. Reilly | ... | Mr. Murray | |
| Tim Roth | ... | Jeff Platzer | |
| Dougray Scott | ... | Kyle Williams | |
| Pete Postlethwaite | ... | Veeck | |
| Camryn Manheim | ... | Teacher | |
| Ariel Gade | ... | Cecilia 'Ceci' Williams | |
| Perla Haney-Jardine | ... | Natasha Rimsky / Young Dahlia | |
| Debra Monk | ... | Young Dahlia's Teacher | |
| Linda Emond | ... | Mediator | |
| Bill Buell | ... | Mediator | |
| J.R. Horne | ... | Man in Train | |
| Elina Löwensohn | ... | Dahlia's Mother | |
| Warren Belle | ... | UPS Man | |
| Alison Sealy-Smith | ... | Supervisor | |
| Simon Reynolds | ... | Man in Elevator | |
| Kate Hewlett | ... | Teacher's Aide | |
| Jennifer Baxter | ... | Mary | |
| Diego Fuentes | ... | Night Doorman | |
| Zoe Heath | ... | Natasha's Mother | |
| Craig muMs Grant | ... | Platzer's Backseat Client (as muMs) | |
| Matthew Lemche | ... | Steve (as Matt Lemche) | |
| Edward Kennington | ... | Billy | |
| rest of cast listed alphabetically: | |||
| Ismael Peter Casillas III | ... | School student (uncredited) | |
| Marshall Factora | ... | Mr. Bernstein (uncredited) | |
Directed by | |||
| Walter Salles | |||
Writing credits(WGA) | ||
| Kôji Suzuki | (novel "Honogurai Mizu No Soko Kara") | |
| Hideo Nakata | (film Honogurai mizu no soko kara) and | |
| Takashige Ichise | (film Honogurai mizu no soko kara) (as Taka Ichise) | |
| Rafael Yglesias | (screenplay) | |
Produced by | |||
| Doug Davison | .... | producer | |
| Kerry Foster | .... | associate producer | |
| Ashley Kramer | .... | executive producer | |
| Roy Lee | .... | producer | |
| Bill Mechanic | .... | producer | |
| Diana Pokorny | .... | co-producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Affonso Beato | |||
Film Editing by | |||
| Daniel Rezende | |||
Casting by | |||
| Mali Finn | |||
| Tina Gerussi | |||
| Kelli Lerner | |||
| Carole Tarlington | |||
Production Design by | |||
| Thérèse DePrez | |||
Art Direction by | |||
| Nicholas Lundy | |||
| Andrew M. Stearn | |||
Set Decoration by | |||
| Nick Evans | |||
| Clive Thomasson | |||
Costume Design by | |||
| Michael Wilkinson | |||
Makeup Department | |||
| David R. Beecroft | .... | key hair stylist | |
| Sylvain Cournoyer | .... | key makeup artist | |
| Tina Earnshaw | .... | makeup artist: Ms. Connelly | |
| Wayne Herndon | .... | hair stylist: Ms. Connelly | |
| Lori Hicks | .... | key makeup artist: New York | |
| Laurel Kelly | .... | hair stylist: Ms. Connelly, additional photography | |
| Elisa Marsh | .... | key makeup artist: additional photography | |
| Loretta Nero | .... | key hair stylist: additional photography | |
| Lydia Pensa | .... | assistant hair stylist | |
| John Quaglia | .... | key hair stylist: New York (as John D. Quaglia) | |
| Gordon J. Smith | .... | special makeup effects artist (as Gord Smith) | |
| Julia Valente | .... | assistant makeup artist | |
Visual Effects by | |||
| Mesrop Abrahamian | .... | rotoscope artist: Flash Film Works | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Corinne Bogdanowicz | .... | digital artist | |
| Steven J. Brooks | .... | rotoscope artist: Flash Film Works | |
| Craig Cannon | .... | scanning and recording operator: Digital Domain | |
| Michael Casillas | .... | visual effects intern: Flash Film Works | |
| John Coats | .... | 3D animator: Flash Film Works | |
| John Coats | .... | matte painting supervisor: Flash Film Works | |
| Dan Cobbett | .... | digital compositor: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Brian Corpus | .... | technical operations manager: Pacific Title and Art Studio | |
| Sean Devereaux | .... | visual effects compositor: Digital Domain | |
| Bonnie Dombrowski | .... | rotoscope artist: Flash Film Works | |
| Jason Doss | .... | 3D integration artist: Digital Do | |
| Tim Everitt | .... | animation supervisor: Flash Film Works | |
| Daniel Favini | .... | digital matte painting: Digital Domain | |
| Mark O. Forker | .... | visual effects supervisor: Digital Domain | |
| Jamieson Fry | .... | digital artist: Digital Domain | |
| Jon Greenhalgh | .... | digital artist | |
| Christine Haddad | .... | rotoscope artist: Flash Film Works | |
| Heather Elisa Hill | .... | visual effects coordinator: Digital Domain | |
| Shauna M. Hirdler | .... | visual effects coordinator: Flash Film Works (as Shauna Hirdler) | |
| Christopher Holsey | .... | scanning and recording supervisor: Digital Domain | |
| Jamison Huber | .... | visual effects production assistant | |
| Todd Isroelit | .... | visual effects producer: Digital Domain | |
| Dag Iversay | .... | digital compositor: Digital Domain (as Dag Ivarsoy) | |
| Dave Jacobs | .... | rotoscope artist: Flash Film Works (as David Jacobs) | |
| Lincoln Kupchak | .... | visual effects editor: Flash Film Works | |
| Kevin Lingenfelser | .... | digital compositor: Digital Domain | |
| Craig Mathieson | .... | digital compositor | |
| Robert McInnis | .... | 2d manager: Digital Domain | |
| John P. Mesa | .... | visual effects supervisor: Flash Film Works | |
| William Mesa | .... | visual effects supervisor: Flash Film Works | |
| Stephen Mitchell | .... | digital paint and rotoscope artist: Digital Domain | |
| Colleen Murphy | .... | digital effects coordinator: Digital Domain | |
| Dan Novy | .... | visual effects technical supervisor: Flash Film Works | |
| Mario Peixoto | .... | digital compositor: Digital Domain | |
| Brian Peyatt | .... | digital production manager: Digital Domain | |
| Darren Poe | .... | compositing supervisor: Digital Domain (as Darren M. Poe) | |
| Anthony Ruey | .... | technical assistant | |
| Todd Sarsfield | .... | digital color grader: Digital Domain | |
| Som Shankar | .... | 3D integration artist: Digital Domain | |
| Cybele Sierra | .... | digital compositor: Digital Domain (as Cybelle Sierra) | |
| Tess Spaulding | .... | system administrator | |
| Ken Stranahan | .... | compositing supervisor: Flash Film Works | |
| Ken Stranahan | .... | digital compositor | |
| James D. Tittle | .... | visual effects coordinator: Pacific Title | |
| Andrew Waisler | .... | computer graphics supervisor: Digital Domain (as Andy McGrath Waisler) | |
| Jeffrey White | .... | visual effects producer: Flash Film Works | |
| Deborah Wiltman | .... | digital compositor: Digital Domain | |
| Scott Ross | .... | general manager: Digital Domain (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator: New York | |
| Lauren A. Bonfiglio | .... | stunts | |
| Bob Brown | .... | stunt coordinator: additional photography | |
| Blaise Corrigan | .... | stunts | |
| Mavis Corrigan | .... | stunts | |
| Tom Farr | .... | stunts | |
| Jeffrey Lee Gibson | .... | stunts (as Jeff Gibson) | |
| Chloe Jones | .... | stunts | |
| Ciara Jones | .... | stunts | |
| Dana Jones | .... | stunts | |
| Jamie Jones | .... | stunt coordinator: Toronto | |
| Kelly Jones | .... | stunts | |
| Morgan Rue | .... | stunts | |
| Robert C. Shannon | .... | water safety | |
| Jay Spadaro | .... | stunts | |
Animation Department | |||
| Mary C. Snyder | .... | animator | |
Casting Department | |||
| Chad Darnell | .... | extras casting: Los Angeles | |
| Jonathan Leeder | .... | casting associate | |
| Kelli Lerner | .... | casting: New York | |
| Geoffrey Miclat | .... | casting intern | |
| Kimberly Mullen | .... | casting: Florida | |
| Mark Mullen | .... | casting: Florida | |
| David Rapaport | .... | casting associate | |
| Jennifer Sabel | .... | extras casting associate | |
| Kristian Sorge | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Jay Du Boisson | .... | assistant costume designer | |
| Gayle Franklin | .... | costume buyer | |
| Loreen Lightfoot | .... | costume cutter | |
| Debbie Lucas | .... | seamstress | |
| Trelawnie Mead | .... | costume dyer/breakdown | |
| Kate Quinlan | .... | wardrobe supervisor | |
| Nicci Schinman | .... | costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Claudine Franco | .... | post-production coordinator | |
| Suzy Gilbert | .... | assistant editor | |
| Ahmad Ismail | .... | telecine operator | |
| Jamie Kirkpatrick | .... | assistant editor: New York | |
| Maria Montoreano | .... | associate editor | |
| John Potter | .... | high definition preview timer | |
| Pablo Prietto | .... | assistant editor | |
| Ian Silverstein | .... | assistant editor | |
| Mary Beth Smith | .... | negative cutter | |
| Dawn M. Stoliar | .... | first assistant editor | |
Music Department | |||
| Bryan Clements | .... | scoring crew | |
| Mark Eshelman | .... | scoring crew | |
| Robert Fernandez | .... | scoring mixer | |
| Greg Loskorn | .... | scoring technician | |
| Larry Mah | .... | digital score recordist | |
| Phil Marshall | .... | composer: additional music | |
| Phil Marshall | .... | orchestrator | |
| Barbara McDermott | .... | assistant music editor | |
| Daniel McIntosh | .... | music playback | |
| Adam Michalak | .... | score recordist | |
| Bill Pearson | .... | music recordist | |
| Bill Pearson | .... | score synth programmer | |
| Joe E. Rand | .... | music editor | |
| Patrick Russ | .... | orchestrator | |
| Booker White | .... | music preparation | |
Transportation Department | |||
| Rickey Giallonardo | .... | transportation co-captain | |
| Alan Kaminsky | .... | driver generator operator | |
| Robert Tenaglia | .... | transportation co-coordinator | |
Rated PG-13 for mature thematic material, frightening sequences, disturbing images and brief language.
105 min | 103 min (unrated version)
2.35 : 1 more
DTS | Dolby Digital | SDDS
Netherlands:16 | Sweden:15 | France:-12 | Hong Kong:IIA | Philippines:PG-13 | Germany:16 | Iceland:12 (theatrical rating) | Iceland:16 (video rating) | Malaysia:U | USA:Unrated (unrated DVD version) | Canada:14A (Ontario) | Canada:PG (Ontario) | South Korea:12 | New Zealand:M | Canada:14A (Alberta/British Columbia) | UK:15 | USA:PG-13 | Australia:M | Ireland:15A | Finland:K-15 | Singapore:PG | Argentina:13 | Norway:15 | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Brazil:12
Chandler Valley Center Studios - 13927 Saticoy Street, Van Nuys, Los Angeles, California, USA more
A color dye usually used in concentrated gels for soft drinks was added to the water to turn it to a dark color. more
Continuity: Near the end of the film, Kyle is carrying a clear plastic container of Ceci's dolls when he enters the elevator. You can see a sock puppet and a pink sheep on the outermost side of the box. When the elevator doors open at the first floor, the contents of the box have changed. more
Mr. Murray: The bathroom's pretty much self-explanatory. more
Spoofed in Scary Movie 4 (2006) more
I Got Soul more
|
|
|
|
|
| Honogurai mizu no soko kara | The Nanny Diaries | An American Haunting | Jumper | The Ring |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
| Add this title to MyMovies |
Having seen both the Japanese original and Walter Salles' remake i find the remake was the best thing that could happen to this story. Salles picks up the original story without making just a copy. He fills the gaps (and there were plenty), corrects a lot of little flaws and adds the credibility that was lacking in the original. The original was in parts a horror movie, and a very poor one so. Predictable behavior, foreseen turnings, forced mysteriousness - the usual problems i have with so many horror movies. The other part is a family drama, with a weird happy end. The happiness of which intrudes into the horror story and further degrades it. Salles goes more than a step further here by not making a simple horror movie. Rather he's making a stressful movie. Stress? The stresses of everyday life in a difficult situation. A recent divorce, fighting for the custody of the child, low budget, cheap noisy apartment with wet ceiling, trouble at school, no contact with neighbors, careless caretakers and managers. It's a context fueled by very real issues people are struggling with every day. The mysterious components only add to this and drive it, until they finally take over. Very dense atmosphere and Jennifer Connelly's excellent acting make you feel this stress. What more can you ask for?