| Photos (See all 65 | slideshow) | Videos (see all 15) |
| Jennifer Connelly | ... | Dahlia | |
| John C. Reilly | ... | Mr. Murray | |
| Tim Roth | ... | Jeff Platzer | |
| Dougray Scott | ... | Kyle | |
| Pete Postlethwaite | ... | Veeck | |
| Camryn Manheim | ... | Teacher | |
| Ariel Gade | ... | Ceci | |
| Perla Haney-Jardine | ... | Natasha / Young Dahlia | |
| Debra Monk | ... | Young Dahlia's Teacher | |
| Linda Emond | ... | Mediator | |
| Bill Buell | ... | Mediator | |
| J.R. Horne | ... | Man in Train | |
| Elina Löwensohn | ... | Dahlia's Mother | |
| Warren Belle | ... | UPS Man | |
| Alison Sealy-Smith | ... | Supervisor | |
| Simon Reynolds | ... | Man in Elevator | |
| Kate Hewlett | ... | Teacher's Aide | |
| Jennifer Baxter | ... | Mary | |
| Diego Fuentes | ... | Night Doorman | |
| Zoe Heath | ... | Natasha's Mother | |
| Craig muMs Grant | ... | Platzer's Backseat Client (as muMs) | |
| Matthew Lemche | ... | Steve (as Matt Lemche) | |
| Edward Kennington | ... | Billy | |
| rest of cast listed alphabetically: | |||
| Jane Aronds | ... | School Girl (uncredited) | |
| Ismael Peter Casillas III | ... | School Student (uncredited) | |
| Marshall Factora | ... | Mr. Bernstein (uncredited) | |
Directed by | |||
| Walter Salles | |||
Writing credits(WGA) | ||
| Kôji Suzuki | (novel "Honogurai Mizu No Soko Kara") | |
| Hideo Nakata | (film Honogurai mizu no soko kara) and | |
| Takashige Ichise | (film Honogurai mizu no soko kara) (as Taka Ichise) | |
| Rafael Yglesias | (screenplay) | |
Produced by | |||
| Doug Davison | .... | producer | |
| Kerry Foster | .... | associate producer | |
| Ashley Kramer | .... | executive producer | |
| Roy Lee | .... | producer | |
| Bill Mechanic | .... | producer | |
| Todd Y. Murata | .... | production executive | |
| Diana Pokorny | .... | co-producer | |
Original Music by | |||
| Angelo Badalamenti | |||
Cinematography by | |||
| Affonso Beato | |||
Film Editing by | |||
| Daniel Rezende | |||
Casting by | |||
| Mali Finn | |||
| Tina Gerussi | |||
| Kelli Lerner | |||
| Carole Tarlington | |||
Production Design by | |||
| Thérèse DePrez | |||
Art Direction by | |||
| Nicholas Lundy | |||
| Andrew M. Stearn | |||
Set Decoration by | |||
| Nick Evans | |||
| Clive Thomasson | |||
Costume Design by | |||
| Michael Wilkinson | |||
Makeup Department | |||
| David R. Beecroft | .... | key hair stylist | |
| Sylvain Cournoyer | .... | key makeup artist | |
| Tina Earnshaw | .... | makeup artist: Ms. Connelly | |
| Wayne Herndon | .... | hair stylist: Ms. Connelly | |
| Lori Hicks | .... | key makeup artist: New York | |
| Laurel Kelly | .... | hair stylist: Ms. Connelly, additional photography | |
| Elisa Marsh | .... | key makeup artist: additional photography | |
| Loretta Nero | .... | key hair stylist: additional photography | |
| Lydia Pensa | .... | assistant hair stylist | |
| John Quaglia | .... | key hair stylist: New York (as John D. Quaglia) | |
| Gordon J. Smith | .... | special makeup effects artist (as Gord Smith) | |
| Julia Valente | .... | assistant makeup artist | |
Visual Effects by | |||
| Mesrop Abrahamian | .... | rotoscope artist: Flash Film Works | |
| Nancy Bernstein | .... | visual effects executive producer: Digital Domain | |
| Corinne Bogdanowicz | .... | digital artist | |
| Steven J. Brooks | .... | rotoscope artist: Flash Film Works | |
| Craig Cannon | .... | scanning and recording operator: Digital Domain | |
| Michael Casillas | .... | visual effects intern: Flash Film Works | |
| Martin Clark | .... | technical supervisor | |
| John Coats | .... | 3D animator: Flash Film Works | |
| John Coats | .... | matte painting supervisor: Flash Film Works | |
| Dan Cobbett | .... | digital compositor: Digital Domain | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain | |
| Brian Corpus | .... | technical operations manager: Pacific Title and Art Studio | |
| Sean Devereaux | .... | visual effects compositor: Digital Domain | |
| Bonnie Dombrowski | .... | rotoscope artist: Flash Film Works | |
| Jason Doss | .... | 3D integration artist: Digital Do | |
| Tim Everitt | .... | animation supervisor: Flash Film Works | |
| Daniel Favini | .... | digital matte painting: Digital Domain | |
| Mark O. Forker | .... | visual effects supervisor: Digital Domain | |
| Jamieson Fry | .... | digital artist: Digital Domain | |
| Jon Greenhalgh | .... | digital artist | |
| Christine Haddad | .... | rotoscope artist: Flash Film Works | |
| Heather Elisa Hill | .... | visual effects coordinator: Digital Domain | |
| Shauna M. Hirdler | .... | visual effects coordinator: Flash Film Works (as Shauna Hirdler) | |
| Christopher Holsey | .... | scanning and recording supervisor: Digital Domain | |
| Jamison Huber | .... | visual effects production assistant: Digital Domain | |
| Todd Isroelit | .... | visual effects producer: Digital Domain | |
| Dag Ivarsoy | .... | digital compositor: Digital Domain | |
| Dave Jacobs | .... | rotoscope artist: Flash Film Works (as David Jacobs) | |
| Evan Jacobs | .... | digital department manager: Digital Domain | |
| Lincoln Kupchak | .... | visual effects editor: Flash Film Works | |
| Kevin Lingenfelser | .... | digital compositor: Digital Domain | |
| Craig Mathieson | .... | digital compositor | |
| Robert McInnis | .... | 2d manager: Digital Domain | |
| John P. Mesa | .... | visual effects supervisor: Flash Film Works | |
| William Mesa | .... | visual effects supervisor: Flash Film Works | |
| Stephen Mitchell | .... | digital paint and rotoscope artist: Digital Domain | |
| Colleen Murphy | .... | digital effects coordinator: Digital Domain | |
| Dan Novy | .... | visual effects technical supervisor: Flash Film Works | |
| Mario Peixoto | .... | digital compositor: Digital Domain | |
| Brian Peyatt | .... | digital production manager: Digital Domain | |
| Darren Poe | .... | compositing supervisor: Digital Domain (as Darren M. Poe) | |
| Anthony Ruey | .... | technical assistant | |
| Todd Sarsfield | .... | digital color grader: Digital Domain | |
| Som Shankar | .... | 3D integration artist: Digital Domain | |
| Cybele Sierra | .... | digital compositor: Digital Domain (as Cybelle Sierra) | |
| Tess Spaulding | .... | system administrator | |
| Ken Stranahan | .... | compositing supervisor: Flash Film Works | |
| Ken Stranahan | .... | digital compositor | |
| Nick Swartz | .... | tape operator | |
| James D. Tittle | .... | visual effects coordinator: Pacific Title | |
| Andrew Waisler | .... | computer graphics supervisor: Digital Domain (as Andy McGrath Waisler) | |
| Jeffrey White | .... | visual effects producer: Flash Film Works | |
| Deborah Wiltman | .... | digital compositor: Digital Domain | |
| Metin Gungor | .... | matte painter: Digital Domain (uncredited) | |
| Scott Ross | .... | general manager: Digital Domain (uncredited) | |
Stunts | |||
| G.A. Aguilar | .... | stunt coordinator: New York | |
| Lauren A. Bonfiglio | .... | stunts | |
| Wendi Bromley | .... | stunt double: jennifer connelly | |
| Bob Brown | .... | stunt coordinator: additional photography | |
| Blaise Corrigan | .... | stunts | |
| Mavis Corrigan | .... | stunts | |
| Tom Farr | .... | stunts | |
| Jeffrey Lee Gibson | .... | stunts (as Jeff Gibson) | |
| Chloe Jones | .... | stunts | |
| Ciara Jones | .... | stunts | |
| Dana Jones | .... | stunts | |
| Jamie Jones | .... | stunt coordinator: Toronto | |
| Kelly Jones | .... | stunts | |
| Morgan Rue | .... | stunts | |
| Jay Spadaro | .... | stunts | |
| Robert C. Shannon | .... | water safety (uncredited) | |
Animation Department | |||
| Mary C. Snyder | .... | animator | |
Casting Department | |||
| Chad Darnell | .... | extras casting: Los Angeles | |
| Jonathan Leeder | .... | casting associate | |
| Kelli Lerner | .... | casting: New York | |
| Geoffrey Miclat | .... | casting intern | |
| Kimberly Mullen | .... | casting: Florida | |
| Mark Mullen | .... | casting: Florida | |
| David Rapaport | .... | casting associate | |
| Jennifer Sabel | .... | extras casting associate | |
| Kristian Sorge | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Jay Du Boisson | .... | assistant costume designer | |
| Gayle Franklin | .... | costume buyer | |
| Loreen Lightfoot | .... | costume cutter | |
| Debbie Lucas | .... | seamstress | |
| Trelawnie Mead | .... | costume dyer/breakdown | |
| Kate Quinlan | .... | wardrobe supervisor | |
| Nicci Schinman | .... | costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| David Bernstein | .... | colorist: high definition mastering | |
| Claudine Franco | .... | post-production coordinator | |
| Suzy Gilbert | .... | assistant editor | |
| Ahmad Ismail | .... | telecine operator | |
| Jamie Kirkpatrick | .... | assistant editor: New York | |
| Maria Montoreano | .... | associate editor | |
| John Potter | .... | high definition preview timer | |
| Pablo Prietto | .... | assistant editor | |
| Ian Silverstein | .... | assistant editor | |
| Mary Beth Smith | .... | negative cutter | |
| Dawn M. Stoliar | .... | first assistant editor | |
| Valance Eisleben | .... | high definition editorial services (uncredited) | |
Music Department | |||
| Bryan Clements | .... | scoring crew | |
| George Doering | .... | musician | |
| Mark Eshelman | .... | scoring crew | |
| Robert Fernandez | .... | scoring mixer | |
| Greg Loskorn | .... | scoring technician | |
| Larry Mah | .... | digital score recordist | |
| Phil Marshall | .... | composer: additional music | |
| Phil Marshall | .... | orchestrator | |
| Barbara McDermott | .... | assistant music editor | |
| Daniel McIntosh | .... | music playback | |
| Adam Michalak | .... | score recordist | |
| William Pearson | .... | music recordist (as Bill Pearson) | |
| William Pearson | .... | score synth programmer (as Bill Pearson) | |
| Joe E. Rand | .... | music editor | |
| Peter Rotter | .... | orchestra contractor | |
| Patrick Russ | .... | orchestrator | |
| James Thatcher | .... | musician: french horn | |
| Booker White | .... | music preparation | |
| Frank Macchia | .... | music preparation (uncredited) | |
| Tom Raney | .... | musician: percussion (uncredited) | |
Transportation Department | |||
| Rickey Giallonardo | .... | transportation co-captain | |
| Alan Kaminsky | .... | driver generator operator | |
| Robert Tenaglia | .... | transportation co-coordinator | |
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| Dark Water | The Ring | 1408 | Persepolis | An American Haunting |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Once more, a great injustice has been done by IMDb voters. Dark Water currently has a rating of 5.4, with 16% of the voters giving it a 1! Note that 16% is 251 users, so it's not that a lot of people thought it was bad, it just that not many people saw it and/or voted.
It's quite obvious what happened. In what must be the most idiotic marketing move of the century, Dark Water was promoted as a horror movie. Not only is the original Japanese version not that scary to begin with, and focuses more on the drama and the human aspects of the story, but in the remake, the horror element completely gets thrown out the window in favor of an intelligent, mature human drama. I can say that 75% of the people who were with me in the theater had no idea what kind of movie this is going to be. Needless to say, about an hour into it they began shifting in their seats, chatting or giggling. Most of them were teenagers, who came looking for cheap thrills and got a "bore-fest" instead. The same kind of teenagers who, I bet, later voted it a 1.
True, the movie could have been edited a little tighter, and some sequences could have been left on the editing room floor, but it's not boring. It does take its time establishing and developing the relationships and the characters, but since the movie is all about the characters, that's a good thing. It's quite an ambitious drama, and as such, it doesn't always strike home. The script, I think, is the main problem. Since it presents us with very real people with real problems, but doesn't seem to know where to take them from there. As a result, the plot is thin. It's certainly not an event-driven movie. It remains unclear what the main conflict is for the heroine. The writer wasn't fine tuned on what he wanted to say, or maybe the director, Walter Salles, mishandled the material. For me, the story was about learning to let go, and the difference between loving someone and wanting them to be happy, and loving someone so much that you want that person to belong only to you. It's the difference between being willing to sacrifice vs. a selfish and possessive kind of love. I think the movie should have put more weight on that.
Other than that, the film does strike the right chords more often than not, and provides a lot of touching, sad moments. The acting is wonderful and three dimensional. All of the cast does an excellent job, but especially Jennifer Connelly, who proves once more she is the best American actress working today. The cinematography and the art design are beautiful, with a lot of attention to atmosphere. Also, Walter Salles shows some neat directing techniques in playing with the viewer's minds, making us doubt what's real and what's imaginary, and giving visual expression to the heroine's ever deteriorating state of mind.
All in all, I'd rate this movie a 7.5. But 5.4?!!!! That's lower than Fantastic Four, for crying out loud. I just hope that it finds the right audience when it's released on DVD.