In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. She is currently in the midst of divorce proceedings and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip from the ceiling in the only bedroom. There are also noises coming from the apartment directly above hers, though it would appear to be vacant. Is the apartment haunted or is there a simpler explanation? Written by
The second time Dhalia and Kyle are arguing over custody of Ceci, Dhalia shows Kyle a clipping that describes how good the school is that Dhalia lives by, but she is holding it with her right hand. The next shot Kyle takes it from her left hand, her right hand is at her side with no indication she switched hands. See more »
This is not a "child talks to dead people" movie. You should rejoice. It's not a "woman fights supernatural forces" thriller. You should get down on your knees and thank the powers that be. This is not "just an unnecessary re-make of the Japanese original". It's better.
Nakata is famous for taking the long view of his characters. Keeping us safe emotionally from them in order to bring the horror to life. Salles trumps him by pulling us right into Dahlia's arms where her fear, paranoia, and despair are absolutely palpable.
This is the story of a single mother trying to survive after a nasty divorce. Trying to hold onto her daughter so she can overcome her own history of abandonment. The ghosts (whether real or imagined) are peripheral to her dilemma.
The American Dark Water, gives us the same foreboding leak, the same bleak horrific photography, the same basic plot line, and yet by taking the emphasis off the ghosts reaches a much stronger emotional resonance.
Highly recommended for those that submit themselves to movies, rather than submit movies to themselves. You know who you are.
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