A psychologist is gradually broken down to the point of no return in his life; but was it his work or his past that sends him over the edge, to do the most unthinkable things. All of this happens to him in the middle of chaos breaking out during the London riots.
Hayley J Williams
A group of longtime friends converge on a fatal course with destiny when they cross paths with Alexander Tatum, a mercenary surgeon. He is a hunter with the keen skill of one who has also ... See full summary »
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. She is currently in the midst of divorce proceedings and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip from the ceiling in the only bedroom. There are also noises coming from the apartment directly above hers, though it would appear to be vacant. Is the apartment haunted or is there a simpler explanation? Written by
John C. Reilly took inspiration for his performance as a property manager from Elisha Cook Jr. and his performance in Rosemary's Baby (1968). See more »
(at around 45 mins) When Dahlia and Ceci sleeping in the same bed, Dahlia is awoken from a bad dream. The kid rolls over and pulls the blankets over her shoulder. The next shot, from the hole in the ceiling, shows the blankets around her waist. See more »
I'm at a loss to describe why so many people here have panned this movie. I can only suppose that those who didn't like it went to see this expecting a horror movie. And since no monsters jumped out and hacked people to death, I imagine teenagers (apparently the main demographic that posts here) were bored to death with it. They couldn't understand why there wasn't a mutilated corpse every half step. Their A.D.D.-addled brains couldn't sit still long enough to decipher the complex plot points or to appreciate good character-building (something sorely lacking from movies nowadays.) Comparing this movie to "The Ring" is like comparing "Godfather" to "Rainbow Brite and the Star Stealer." The movies are in two completely separate genres.
I blame the marketing department. The promos did make it look like a fright-fest. One might have expected ghosts to be flying around the room a la "Poltergeist." I suppose they must have assumed that those of us who like movies that actually engage us and make us think weren't a very big market. Instead, they chose to market it to the "slasher movie" ilk, and they, being simplistic, got headaches trying to sift through an actual PLOT. Then they went home to listen to their Korn CDs and smoke pot.
Anyway, that being said, I approached the movie with all the preconceptions I just mentioned. And if you do have those preconceptions and are unwilling to give them up, the movie will drag on mercilessly for you. However, I switched modes quite easily, and became intrigued with the plot. It led me one way and then another, every time giving me something new to think about.
Nobody can criticize the acting here, either. Jennifer Connelly is superb as always, but the young daughter is quite skilled as well, and I expect to see her more often in the future.
I won't get into specifics, but the ending is something I really wasn't looking for.
As I left the theater, all the adults (most of whom didn't know each other) were talking about what a great movie it was as we filed out the doors. The teenagers in the theater were too busy making out to notice the credits rolling.
View if you're mature. If you're not, save yourself the brain-strain and go rent "Seed of Chucky" and leave the grown folks alone.
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