A sheriff sees his state senate bid slide out onto the ice when his daughter begins to date the son of a charming but psychologically disturbed woman with whom the sheriff has engaged in a two-decade-long affair.
Dustin Lance Black
Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job. As a sympathizer with the ... See full summary »
On a warm September evening, college professor Ethan Learner, his wife Grace, and their daughter Emma are attending a recital. Their 10-year-old son Josh is playing cello - beautifully, as ... See full summary »
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. She is currently in the midst of divorce proceedings and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip from the ceiling in the only bedroom. There are also noises coming from the apartment directly above hers, though it would appear to be vacant. Is the apartment haunted or is there a simpler explanation? Written by
The heartbeat heard during Dahlia's migraines are from an ultrasound scan of Daniel Rezende's wife who got pregnant at the beginning of the shooting. See more »
When Ceci runs into the lobby after being dropped off by her father, there is a Barbie doll in her right hand which is stretched out towards her mother. In the next shot, the Barbie doll has switched to her left hand. See more »
Don't be fooled: you're not going to go see a horror movie. You're going to immerse yourself into a strange, morbid atmosphere that will carry you through an intimate, beautifully filmed story where it's the atmosphere and the characters that count. Yes, there's a few horror elements, but they are a subtle, underlying subplot that does not interfere with the delicate, smooth direction of Walter Salles. Nothing in this film is meant to scare you, but rather to leave a sense of discomfort after you've seen it. A sense of paranoia, like the main character's. And Jennifer Connelly is absolutely fantastic here. Much stronger than the original: here, the characters are real, and Salles connect us to their turmoil right away. Reminiscent of a Henry James novel, where fear builds up in the background as you share more and more of the main character's feeling. In a word: sophisticated. Different. The only similar experiment of this kind of subtle fear, injected in your imagination as you watch the film, is an Italian short I saw at last year's Frighfest, entitled "Xchange". While you wait to be scared on screen, the story almost subliminally built horror in the audience's mind. A must see.
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