A psychologist is gradually broken down to the point of no return in his life; but was it his work or his past that sends him over the edge, to do the most unthinkable things. All of this happens to him in the middle of chaos breaking out during the London riots.
A group of longtime friends converge on a fatal course with destiny when they cross paths with Alexander Tatum, a mercenary surgeon. He is a hunter with the keen skill of one who has also ... See full summary »
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. She is currently in the midst of divorce proceedings and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip from the ceiling in the only bedroom. There are also noises coming from the apartment directly above hers, though it would appear to be vacant. Is the apartment haunted or is there a simpler explanation? Written by
When Dahlia moves her wet clothes from one washing machine to another, you can see the number, "666", pop up for a moment on the second washing machine. That number is known as the symbol of the Anti-Christ. See more »
Near the end of the movie, a paramedic is heard giving Dahlia's age as 30. However, in the opening scene, Dahlia is seen as a girl of at least five or six in 1974. Thirty-one years later in 2005, she'd be at least 36. See more »
Don't be fooled: you're not going to go see a horror movie. You're going to immerse yourself into a strange, morbid atmosphere that will carry you through an intimate, beautifully filmed story where it's the atmosphere and the characters that count. Yes, there's a few horror elements, but they are a subtle, underlying subplot that does not interfere with the delicate, smooth direction of Walter Salles. Nothing in this film is meant to scare you, but rather to leave a sense of discomfort after you've seen it. A sense of paranoia, like the main character's. And Jennifer Connelly is absolutely fantastic here. Much stronger than the original: here, the characters are real, and Salles connect us to their turmoil right away. Reminiscent of a Henry James novel, where fear builds up in the background as you share more and more of the main character's feeling. In a word: sophisticated. Different. The only similar experiment of this kind of subtle fear, injected in your imagination as you watch the film, is an Italian short I saw at last year's Frighfest, entitled "Xchange". While you wait to be scared on screen, the story almost subliminally built horror in the audience's mind. A must see.
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