In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. She is currently in the midst of divorce proceedings and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences and there is a constant drip from the ceiling in the only bedroom. There are also noises coming from the apartment directly above hers, though it would appear to be vacant. Is the apartment haunted or is there a simpler explanation? Written by
A color dye usually used in concentrated gels for soft drinks was added to the water to turn it to a dark color. See more »
(at around 1h 30 mins) Near the end of the film, Kyle is carrying a clear plastic container of Ceci's dolls when he enters the elevator. You can see a sock puppet and a pink sheep on the outermost side of the box. When the elevator doors open at the first floor, the contents of the box have changed. See more »
[Referring to Natasha]
There's water everywhere! She can't be here!
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Don't be fooled: you're not going to go see a horror movie. You're going to immerse yourself into a strange, morbid atmosphere that will carry you through an intimate, beautifully filmed story where it's the atmosphere and the characters that count. Yes, there's a few horror elements, but they are a subtle, underlying subplot that does not interfere with the delicate, smooth direction of Walter Salles. Nothing in this film is meant to scare you, but rather to leave a sense of discomfort after you've seen it. A sense of paranoia, like the main character's. And Jennifer Connelly is absolutely fantastic here. Much stronger than the original: here, the characters are real, and Salles connect us to their turmoil right away. Reminiscent of a Henry James novel, where fear builds up in the background as you share more and more of the main character's feeling. In a word: sophisticated. Different. The only similar experiment of this kind of subtle fear, injected in your imagination as you watch the film, is an Italian short I saw at last year's Frighfest, entitled "Xchange". While you wait to be scared on screen, the story almost subliminally built horror in the audience's mind. A must see.
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