A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Professor Robert Langdon is in Paris on business when he's summoned to The Louvre. A dead body has been found, setting Langdon off on an adventure as he attempts to unravel an ancient code and uncover the greatest mystery of all time. Written by
The release of the movie sparked so much controversy that it's initial release was delayed in India due to the protest of devout Christians. They even lobbied to have the movie banned in India. See more »
(at around 1h 4 mins) Leonardo Da Vinci's The Last Supper is referred to as a fresco. Leonardo painted The Last Supper on DRY and not wet plaster, so it is not a true fresco. Because a fresco cannot be modified as the artist works, Leonardo instead chose to seal the stone wall with a layer of pitch, gesso and mastic, then paint onto it with tempera. Because it is not a true fresco, it cannot be moved easily, and this fact has caused it much deterioration and damages over the years. Furthermore, as it has received so much restoration, it is impossible to read as much into the detail of the painting as the narrative implies, as the level of detail concerned is more restoration than Da Vinci's original. See more »
Stop now. Tell me where it is.
You and your brethren possess what is not rightfully yours.
I don't know what you are talking about.
Is it a secret you will die for?
As you wish.
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An entertaining, yet not spectacular movie about the book that made the World talk.
I just watched the film, and even though I liked it, I must confess, I too expected more. I can't precisely point out what was missing and what I was expecting, but some it has some details that weren't there, some small imprecisions, some little things could have been better.
Nevertheless, a pleasant movie to watch. I confess I need to see it again, since I saw it from 3 to 6 am, with very few hours of sleep on the night before. I suggest the ones who read the book to re-read it before they go see it - to add a little bit more perspective. To those who haven't, I wish you a lovely time at the movies - it really is pleasant to see.
Praise to Audrey Tautou, a beautiful splendid actress, and all the other actors that don't need any more praise, like Ian McKellen, Jean Reno and Tom Hanks, who I didn't see fit the part at first, but who grew on me half-way through the movie, if not sooner. A huge praise to Paul Bettany too, for his astonishing and disturbing performance as Silas.
I give it an 8, because it's one of the first movies made from books that did not make me go 'Oh, this was not like this in the book' every five seconds. I never saw Ron Howard as the ideal director for this movie - but he pulled it off decently, though a bolder choice would have been in order.
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