A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Symbologist Robert Langdon is thrown into a mysterious and bizarre murder. Alongside Langdon is the victims granddaughter and cryptologist Sophie Neveu, who with Robert discovers clues within Da Vinci's paintings. To further find the truth, Robert and Sophie travel from Paris to London, whilst crossing paths with allies and villains such as Sir Leigh Teabing and Silas. Wherever their path takes them, their discovery which is about to be revealed could shake the foundations of mankind. Written by
Because it was not certain that the movie would be a hit and that other adaptations of Dan Brown's novels would follow, this film was made as a "stand-alone" movie, rather than the beginning of a series. All references to the fact that Robert Langdon had already solved another murder riddle (in the novel "Angels and Demons", which precedes "The Da Vinci Code") were therefore purposefully left out of the script. When the movie was a huge financial success, production of Angels & Demons (2009) was started shortly after the release (but rewritten as a follow-up, not a prequel). See more »
When Silas shoots the Bishop, there is a shot from behind Silas where he bends down. You can see the shape of the mike battery pack under just above the rope tied around his waist to help support his robes. See more »
Stop now. Tell me where it is.
You and your brethren possess what is not rightfully yours.
I don't know what you are talking about.
Is it a secret you will die for?
As you wish.
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No opening credits are shown after the title of the movie. See more »
Okay, let me start off by saying that I absolutely loved the book - it had me hooked more than Harry Potter - and that's saying something (and no I'm not a 10 year old child)! After hearing about the critics' mainly negative views of the film, I approached it without high expectations, and for that, I was rewarded. What I got was an action-packed film that didn't let up until the dying minutes. This film is incredibly faithful to the book (I'm looking at you, Girl With a Pearl Earring!!) to the point where hardly anything is left out, and only minor things have been changed. The visuals are stunning, the acting of Hanks and Tautou is great - and contrary to certain critics opinions - I felt the emotional connection between them. As always, McKlellan is fun to watch, effortlessly bringing Teabing to life, and Reno suffices as Fache. Bettany is fantastic as Silas. The musical score was as good as the visual look of the film - it paired perfectly with the storytelling. Overall, I left the cinema feeling satisfied, because a great book had been turned into a really good film. Approach this film with little expectation, and you will enjoy the ride. Bravo Ron Howard, for doing such a good job.
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