A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Professor Robert Langdon is in Paris on business when he's summoned to The Louvre. A dead body has been found, setting Langdon off on an adventure as he attempts to unravel an ancient code and uncover the greatest mystery of all time. Written by
Brian Grazer and Ron Howard received an invitation from French President Jacques Chirac. They expected a five-minute photo call. Instead they spent an hour in conversation and were told to speak to him if they had problems getting filming in the Louvre. Chirac suggested Jean Reno should have a pay rise and that his daughter's best friend, an actress, should be cast as Sophie Neveu. See more »
(at around 1h 2 mins) Teabing says that in 325 AD Constantine "unified Rome under a single religion: Christianity". This statement is false. Constantine granted numerous privileges to the Christians, but it was not until 380, under the rule of the emperor Theodosius I, that Christianity became the official religion. See more »
Stop now. Tell me where it is.
You and your brethren possess what is not rightfully yours.
I don't know what you are talking about.
Is it a secret you will die for?
As you wish.
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Special thanks to the Earl and Countess of Rosslyn ... Marie de Paris ... See more »
Okay, let me start off by saying that I absolutely loved the book - it had me hooked more than Harry Potter - and that's saying something (and no I'm not a 10 year old child)! After hearing about the critics' mainly negative views of the film, I approached it without high expectations, and for that, I was rewarded. What I got was an action-packed film that didn't let up until the dying minutes. This film is incredibly faithful to the book (I'm looking at you, Girl With a Pearl Earring!!) to the point where hardly anything is left out, and only minor things have been changed. The visuals are stunning, the acting of Hanks and Tautou is great - and contrary to certain critics opinions - I felt the emotional connection between them. As always, McKlellan is fun to watch, effortlessly bringing Teabing to life, and Reno suffices as Fache. Bettany is fantastic as Silas. The musical score was as good as the visual look of the film - it paired perfectly with the storytelling. Overall, I left the cinema feeling satisfied, because a great book had been turned into a really good film. Approach this film with little expectation, and you will enjoy the ride. Bravo Ron Howard, for doing such a good job.
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