Della Myers is an overwhelmed upper-middle-class housewife who lives in a large house in the suburbs with her twin children and her abusive husband, Kenneth. Kenneth lets Della know that he... See full summary »
A darkly poetic fable that begins with a little girl drawing figures of people with chalk on the cement of a playground. She takes notice of an unusual crack in the pavement that is seeping... See full summary »
Rodolfo (Trevino) is a young bachelor doctor who has a love affair with a younger music student, Ramon (Meza). When Rodolfo's mother begins to urge his son to get married, he quickly asks ... See full summary »
Jaime Humberto Hermosillo
Guadalupe Del Toro
A murder sets in motion a series of tragedies that find their way to the city morgue's Dr. Arturo Fernandez. Physically and emotionally isolated, Arturo develops an intimate relationship ... See full summary »
The world of Salvador, a young and naive petty thief is changed by the arrival of his cousin Angel, an ex-convict in search of easy money, and with a hideout. Salvador gets wrapped up in ... See full summary »
The statue of the Virgin that crowns "The Panecillo" looks and smiles to the north of the city, home to wealthier people, in the south, where most of its inhabitants are the most poor, they... See full summary »
When the star of a sensationalistic Miami news show travels to the Ecuadorian coastal village of Babahoyo to cover the story of a serial killer who hunts children, his personal ambition gets out of hand, and his pursuit of a moment of glory carries tragic consequences. Written by
Juan Tovar & Mandy Goldberg
This was Colombian actor John Leguizamo's first film in Spanish. As all of his projects have been in English, he felt awkward talking in Spanish while acting. He felt he didn't know the language. See more »
In case you are not familiar, Sebastian's first big movie was Ratas, Ratones y Rateros. That was a great movie, it showed a side of Ecuador that hadn't been explores or showed before. He had the magic of showing a probably not unique story in a unique way, a Latin and Ecuadorian way.
In Cronicas, he does this and more. First, it shows a reality that may even be unknown for some Ecuadorian. It escapes from big cities and nice stories towards the forgotten towns that are only remembered for unethical journalism or plain mockery. Second, now it is not just a story showing themes particular to a Latin audience but applicable and important for viewers anywhere: masks and the true self, the blurry gray region between good and bad, the relevance of regret... and more.
One friend told me, before watching the movie: You will not see TV the same way again. In many ways it is true, Cronicas takes you to the untold and un"spelled-out" stories behind the fractioned images in TV.
I am looking forward to Sebastian's next movie.
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