| Michelle Williams | ... | Lana | |
| John Diehl | ... | Paul | |
| Shaun Toub | ... | Hassan | |
| Wendell Pierce | ... | Henry | |
| Richard Edson | ... | Jimmy | |
| Burt Young | ... | Sherman | |
| Yuri Elvin | ... | Officer Elvin (as Yuri Z. Elvin) | |
| Jeris Poindexter | ... | Charles (as Jeris Lee Poindexter) | |
| Rhonda Stubbins White | ... | Dee Dee | |
| Victoria Thomas | ... | News Reporter | |
| Matthew Kimbrough | ... | News Anchor | |
| Paul West | ... | Policeman | |
| Jeffrey Vincent Parise | ... | Coroner's Assistant (as Jeff Parise) | |
| Christa Lang | ... | Trailer Park Woman | |
| Warren Stearns | ... | Mortician | |
| Bernard White | ... | Youssef | |
| Gloria Stuart | ... | Old Lady | |
| rest of cast listed alphabetically: | |||
| Golan Ramras | ... | Shlomo (uncredited) | |
Directed by | |||
| Wim Wenders | |||
Writing credits | ||
| Wim Wenders | (story) & | |
| Scott Derrickson | (story) | |
| Michael Meredith | (written by) & | |
| Wim Wenders | (written by) | |
Produced by | |||
| Jake Abraham | .... | producer | |
| Caroline Kaplan | .... | executive producer | |
| In-Ah Lee | .... | producer | |
| Samson Mucke | .... | producer (as Samson Mücke) | |
| Peter Schwartzkopff | .... | executive producer | |
| Jonathan Sehring | .... | executive producer | |
| John Sloss | .... | executive producer | |
| Mandy Tagger | .... | associate producer | |
| Gary Winick | .... | producer | |
Original Music by | |||
| Nackt | |||
| Thom | |||
Cinematography by | |||
| Franz Lustig | (director of photography) | ||
Film Editing by | |||
| Moritz Laube | |||
Casting by | |||
| Ellen Lewis | |||
| Victoria Thomas | |||
Production Design by | |||
| Nathan Amondson | |||
Art Direction by | |||
| William Budge | |||
| Nicole Lobart | |||
Set Decoration by | |||
| Lia Roldan | |||
Costume Design by | |||
| Alexis Scott | |||
Makeup Department | |||
| Barbara Leister | .... | hair stylist | |
| Barbara Leister | .... | makeup artist | |
| Susanne Niederhoff | .... | assistant hair stylist | |
| Susanne Niederhoff | .... | assistant makeup artist | |
| Haruyo Sawada | .... | assistant hair stylist | |
| Haruyo Sawada | .... | assistant makeup artist | |
Production Management | |||
| Emily Gardiner | .... | post-production supervisor | |
| Shaun McNally | .... | production supervisor | |
| Tom Michel | .... | post-production supervisor | |
| Samson Mucke | .... | unit production manager (as Samson Mücke) | |
Second Unit Director or Assistant Director | |||
| Josef Lieck | .... | first assistant director | |
| Edward McGurn | .... | second assistant director | |
Art Department | |||
| Isaac Amondson | .... | art department intern | |
| Siau Yene Ang | .... | graphic artist | |
| Brian Anspack | .... | computer graphics | |
| Zach Bangma | .... | art department intern | |
| Paul Foyder | .... | art department intern | |
| Chris Kitisakkul | .... | property master | |
| Ben Kuden | .... | art department intern | |
| Jennifer Lo | .... | art department intern | |
| Dominique Navarro | .... | set dresser | |
| Lia Roldan | .... | propmaker | |
| Anna Skarbek | .... | art department intern (as Anna M. Skarbek) | |
| Luke Thoburn | .... | art department intern | |
| Svenja Sunny Willebrand | .... | set dresser (as Svenja Willebrand) | |
Sound Department | |||
| Michael Baird | .... | sound editor | |
| Jeremy Balko | .... | foley mixer | |
| Mark Andrew Clark | .... | boom operator | |
| Alan Freedman | .... | adr mixer | |
| Scott Hinkley | .... | sound recordist (as Scott Hinckley) | |
| Claude Letessier | .... | supervising sound designer | |
| Barry London | .... | sound mixer: New York | |
| Matthew Nicolay | .... | sound mixer | |
| Shelley Roden | .... | foley artist | |
| Walter Spencer | .... | adr supervisor | |
| Walter Spencer | .... | dialogue editor | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Trevor Ward | .... | dolby sound consultant | |
Special Effects by | |||
| Ian Eyre | .... | pyro technician | |
| Brent Anderson | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Kalle Max Hofmann | .... | visual effects artist: Das Werk Novalisstrasse | |
| Alex Klippe | .... | laser recording: ARRI Film & TV | |
| Dominik Trimborn | .... | recording coordinator: ARRI Film & TC | |
| Philipp Fehling | .... | digital compositor (uncredited) | |
| Gunnar Radeloff | .... | visual effects artist (uncredited) | |
Stunts | |||
| William Devital | .... | stunts: Homeless 2 | |
| Yuri Elvin | .... | precision driver | |
| Danny Hernandez | .... | stunt double: Hassan | |
| Philip Tan | .... | stunt coordinator | |
| Kofi Yiadom | .... | stunts: Homeless 1 | |
Camera and Electrical Department | |||
| Christian Aiello | .... | second assistant camera | |
| Alec Boehm | .... | camera operator: "b" camera | |
| Alec Boehm | .... | director of photography: second unit | |
| Glendel R. Bondoc | .... | electrician (as Glendel Bondoc) | |
| Jon Callesen | .... | best boy electric (as Jon C. Callesen) | |
| Adam Camacho | .... | best boy grip | |
| Marie Chao | .... | first assistant camera | |
| Joseph Dianda | .... | speciality grip | |
| Brian Fischer | .... | grip | |
| Michael Glover | .... | gaffer | |
| Trevor Houghton | .... | best boy electric | |
| Patrick Lawson | .... | camera intern | |
| Chris Lindsay | .... | key grip | |
| Eric Meeks | .... | electrician | |
| Matt Perry | .... | grip (as Matthew Perry) | |
| Mark Smith | .... | gaffer: New York | |
| Mark Smith | .... | grip: New York | |
| Satoshi Takai | .... | electrician | |
| Donata Wenders | .... | still photographer | |
| Tate Wittenberg | .... | second assistant camera | |
Casting Department | |||
| Peter Alwazzan | .... | extras casting (uncredited) | |
| Robyn Owen | .... | casting associate (uncredited) | |
| Yesi Ramirez | .... | casting assistant (uncredited) | |
| Andrew Stubblefield | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Amber Clark | .... | costume intern | |
| Rosalida Medina | .... | assistant costume designer | |
| Chrys Wong | .... | costume intern | |
Editorial Department | |||
| Stephanie Argy | .... | camera test editor | |
| Nina Caspers | .... | assistant editor | |
| Peter Deinas | .... | color grader: Scanwerk | |
| Michael E. Phillips | .... | consultant: digital editing | |
| Sergej Range | .... | on-line editor: Das Werk Novalisstrasse | |
| Torsten Schiebold | .... | on-line technical support: Das Werk Novalisstrasse | |
| Bianca Stumpf | .... | color timer: ARRI Film & TV | |
| Till Vanish | .... | on-line afx operator: Das Werk Novalisstrasse | |
| Wolf Bosse | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Linda Cohen | .... | music supervisor | |
| Moritz Laube | .... | music editor | |
| Nackt | .... | original score producer | |
| Alex Steyermark | .... | executive music supervisor | |
| Thom | .... | original score producer | |
| Jed Smith | .... | music assistant (uncredited) | |
Transportation Department | |||
| Bill Isaacson | .... | driver: process trailer | |
| Jarmo Sallinen | .... | picture van technician | |
Other crew | |||
| Luis Ambris | .... | craft service (as Luis Ambriz) | |
| Francesca Breetzke | .... | production coordinator: Reverse Angle | |
| Paul Brennan | .... | production legal: Sloss Law Office | |
| Ed Buhr | .... | production associate (as Edward Buhr) | |
| Mara Hade Connolly | .... | accountant: InDigEnt (as Mara Connolly) | |
| David D'Alessio | .... | production associate | |
| Mark De Cristo | .... | set production assistant | |
| Aaron Dunsay | .... | set production assistant: New York (as Aaron Dunsey) | |
| Jacqueline Eckhouse | .... | production legal: Sloss Law Office (as Jackie Eckhouse) | |
| Acht Frankfurt | .... | title designer: Acht Frankfurt | |
| Jennifer Gaylord | .... | production legal: Sloss Law Office (as Jennifer Gaylord Rohrer) | |
| Darius Ghanai | .... | title designer: Acht Frankfurt | |
| Arturo Guzman | .... | set production assistant | |
| Brian Hoagland | .... | set medic | |
| Carlos Huizar | .... | production assistant | |
| Carlos Huizar | .... | runner | |
| Soo-Yun Lee | .... | assistant: Wim Wenders | |
| David Lincoln | .... | set production assistant | |
| Valentina Lori | .... | legal and business affairs: Reverse Angle | |
| David B. Lyons | .... | key set production assistant (as David Lyons) | |
| Lawrence Marks | .... | legal services: Reverse Angle, Manatt, Phelps & Phillips (as Laurence M. Marks) | |
| Kai May | .... | legal services: Reverse Angle, Unversagt Von Have Rechtsanwälte | |
| George McDowell Agnew | .... | location manager (as George McDowell) | |
| Sylvie Michel | .... | production coordinator (as Sylvie Michel-Casey) | |
| Rainer Pyls | .... | accountant: Reverse Angle | |
| Golan Ramras | .... | set production assistant | |
| Adam Ripp | .... | police technical advisor | |
| Reid Rosefelt | .... | publicist | |
| Jesse Toledano | .... | set production assistant: New York | |
| Marla Ulrich | .... | location manager | |
| Suzanne Unrein | .... | researcher | |
| Greg Villalovos | .... | security | |
| Eva Von Malotky | .... | assistant: Wim Wenders | |
| Golan Ramras | .... | military advisor (uncredited) | |
Thanks | |||
| Wolf Bosse | .... | special thanks | |
| Leonard Cohen | .... | special thanks | |
| Bill Pullman | .... | special thanks | |
| Elizabeth Rial | .... | thanks | |
| Jeremy Thomas | .... | special thanks | |
|
|
|
|
|
| Munich | The Interpreter | The Best of Youth | The Girl with the Dragon Tattoo | Blood Diamond |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Wim Wenders is a great director and a really honest artist. What he lacks though is a real feel for the US....Going back to his early use of Dennis Hopper, woefully miscast as Tom Ripley, in Our American Friend, Wenders has a weakness for clichés about America rather than finding the real thing. This movie doesn't change that fact. What is essentially a tone poem about the loss of innocence (and maybe common sense) in post 9-11 America turns into a melancholy family drama about two lost souls who would probably have been just as lost before 9/11 as after it. Europeans might find the American 'types' portrayed in this film a validation of how they view the U.S. but most thoughtful Americans will probably be irritated by the simple reductions of the characters. I found Michelle Williams particularly annoying for some reason...maybe it was her blind faith or maybe it was just her complete lack of edge...they don't make women like that in America these days and probably never did. I really admire Mr. Wenders for tackling this subject as American filmmakers seem not to have the courage to do so themselves. In the end though, this is more a European film that will appeal to Euro audiences...whereas it would have been a better project if it were directed more this way. (I saw the film in Paris last week.)