| Cast overview, first billed only: | |||
| Tim Roth | ... |
Skellig
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| Kelly Macdonald | ... |
Louise
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| Bill Milner | ... |
Michael
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| John Simm | ... |
Dave
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| Skye Bennett | ... |
Mina
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Jermaine Allen | ... |
Leakey
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| Eros Vlahos | ... |
Coot
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Edna Doré | ... |
Grace
(as Edna Dore)
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| Alexander Armstrong | ... |
Mr Hunt
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| Navin Chowdhry | ... |
Mr Watson
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Nickie Rainsford | ... |
Mina's Mother
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Tameka Empson | ... |
Nurse 1
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Lisa Zahra | ... |
Nurse 2
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Keiron Self | ... |
Suited Man
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Queenie Wren Dempsey | ... |
Baby Grace
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After moving to a new home with his parents, Michael discovers a stranger living in the shed at the bottom of the garden. Michael learns more about the stranger as he tries to nurse him back to health, but at the same time tragedy threatens to strike his family as Michael's baby sister is diagnosed with a serious heart condition. Written by Fang
As far as children's fantasy films go, "Skellig" is excellent. One of the best ever, in fact. Unlike a lot of other such adaptations to come out in the past few years, this film is never overwhelmed by special effects or action sequences. Rather, it's quite grounded in reality as natural feeling. There's that certain combination of improbability and cinematic style that always keeps it from being an experience that transcends the genre, but that comes with the territory.
Bill Milner (as Michael), who I'd seen previously in "Is Anybody There?" is what focuses the film. He offers up a performance that's at once easy to identify with and totally believable. Skye Bennett, who played his friend, was also very good. She has the kind of brilliance that makes you look forward to seeing more of her. Two actors I'd previously liked a lot (Kelly Macdonald and John Simm) play Michael's parents. Though less significant roles, it's their talent that makes the family aspect of the film so much more convincing.
As for Tim Roth - he is what it all hinges on. The melancholy, fearfulness, emotional expression and power of his performance gives "Skellig" something beyond expectation. He takes the film to a higher level. The director, Annabel Jankel, who'd not previously made anything approaching decent quality, proves herself to be someone capable of telling a good story. I enjoyed this film, and I'd show it to my kids.
If I had any.