In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. Over the summer season, the two young women discover they have much to teach one another, and much to explore together.
Iris invites her friend Jack to stay at her family's island getaway after the death of his brother. At their remote cabin, Jack's drunken encounter with Hannah, Iris' sister, kicks off a revealing stretch of days.
Vadik Chernyshov is an impoverished dreamer who spends his life drifting though Moscow with a video camera, hoping to shoot footage that will interest Western press agencies. He falls in ... See full summary »
Sergey Bodrov Jr.,
A tale of obsession and deception, and the struggle for love and faith in a world where both seem impossible. The film charts the emotional and physical hothouse effects that bloom one summer for two young women: Mona, behind a spiky exterior, hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life; Tamsin is well-educated, spoiled and cynical. Complete opposites, each is wary of the other's differences when they first meet, but this coolness soon melts into mutual fascination, amusement and attraction. Adding volatility is Mona's older brother Phil, who has renounced his criminal past for religious fervor - which he tries to impose upon his sister. Mona, however, is experiencing her own rapture. "We must never be parted," Tamsin intones to Mona but can Mona completely trust her? Written by
Marcel Cerdan, the boxer, wasn't Édith Piaf's husband. He was her lover and the love of her life. He died in a plane crash and she never recovered from his death. She never killed anyone, let alone with a fork. See more »
I just felt so useless. She was my one sister, my beautiful sister and she started to turn into this monster. These bones on her body just started to jut out like someone had stuck daggers under her skin. And her hair, she started growing hair all over her body - it was like a sort of dense fur, like a werewolf. And she stopped smiling, she couldn't smile anymore because she was throwing up all the time and the vomit, acid made her teeth go all yellow and she just stopped smiling and stopped ...
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My Summer of Love, as the title implies, is about a romance during the summer holidays. Perhaps one of the draws of this movie in release now in Singapore, is indirectly from the popularity of The Devil Wears Prada, with Emily Blunt playing the role of an uncooperative, bullying colleague to Anne Hathaway's Andrea. Yet another GLBT movie to hit our shores (somehow I think lesbian love films make it here more frequently than gay ones?), this movie, based on a novel written by Helen Cross, and directed by Pawel Pawlikowski, has won the BAFTA award for Best British Film, amongst other movie awards.
The protagonist is Mona (Nathalie Press), a young orphaned girl on the verge of losing her brother Phil (Paddy Considine) to his rediscovery of Christianity. They own a bar, but with his turn for the supposed better, he has converted their joint to a meeting place for his cell group of reborn Christians. Lonely, she chances upon Tamsin (Emily Blunt), a girl back from boarding school for the holidays, and the two soon strike up a fast friendship.
It makes you wonder how one develops feelings for members of the same sex, or if such harbouring of feelings is innate in the first place. Mona becomes the surrogate sister of Tamsin, who is a typical poor pitiful rich girl looking for thrills, who had lost her own sister, and found a substitute in Mona. Coming from families who seemingly don't care for them, their hanging out together draws them closer to each other.
Much of the movie shows this development of friendship into something more, of the forging of friendship amongst lonely people, and devotes much screen time to this. However, there is another side observation on a separate theme, and that's of religion. I found that this film bold in its depiction of the hypocrisy amongst men who assume they have godly powers over mere mortals, and how their bigoted views often seem misguided. It doesn't mince its message on speaking in tongues, or having the Lord speak through oneself in the judgement of others.
Of course it's always tough being the good and holy person, given sinners are we all, but there are plenty of scenes in this movie that probably suggests that there is always a veil of hypocrisy surrounding those who use the name of the Lord in vain. Through Phil, we see how hard he tries to be accepted back to society, how hard he tries to imagine that he has changed for the better because of his devotion to religious cause, and how easy it is to fall back into the path which totally contradicts every well-meaning effort trying to change oneself.
On a lighter note, there is a little hint of mystery that nags you throughout the film about possible deception. And with the twist revealed at the end, it somehow makes your blood boil a bit, never mind if you don't swing for the same side. Perhaps sometimes, it's always best to heed advice from blood which is always thicker than water, or stick to the notion that summer flings should always begin and end as the season comes and goes.
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