In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. Over the summer season, the two young women discover they have much to teach one another, and much to explore together.
Summer in a new suburb outside Paris. Nothing to do but look at the ceiling. Marie, Anne and Floriane are 15. Their paths cross in the corridors at the local swimming pool, where love and desire make a sudden, dramatic appearance.
A young female intern at a small magazine company becomes involved with a drug-addicted lesbian photographer, both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other.
An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman who works at a local carnival that comes to town.
Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between ... See full summary »
A 2008 romance film adapted from a same name novel about a London-based Jordanian of Palestinian descent, Tala, who is preparing for an elaborate wedding. A turn of events causes her to ... See full summary »
A tale of obsession and deception, and the struggle for love and faith in a world where both seem impossible. The film charts the emotional and physical hothouse effects that bloom one summer for two young women: Mona, behind a spiky exterior, hides an untapped intelligence and a yearning for something beyond the emptiness of her daily life; Tamsin is well-educated, spoiled and cynical. Complete opposites, each is wary of the other's differences when they first meet, but this coolness soon melts into mutual fascination, amusement and attraction. Adding volatility is Mona's older brother Phil, who has renounced his criminal past for religious fervor - which he tries to impose upon his sister. Mona, however, is experiencing her own rapture. "We must never be parted," Tamsin intones to Mona but can Mona completely trust her? Written by
Marcel Cerdan, the boxer, wasn't Édith Piaf's husband. He was her lover and the love of her life. He died in a plane crash and she never recovered from his death. She never killed anyone, let alone with a fork. See more »
I translated this film for the Budapest GLBT cultural festival. So I expected something that would show lesbian love in a positive light. Instead, this was a rather depressing feature about a teenage friendship which turned into a love affair "by chance". Someone comparing it to Heavenly Creatures had a point. Lesbianism is presented here as an escape from the sordid reality of the girls' (especially Mona's) life.
Not that we see much of these lives, though. This was my major problem with the film. It was based on a novel which was clearly autobiographical, and some points got lost on the way. What part did the zealot brother play in the story? And Tamsin's parents? What was the point in the religious procession, and why was it important to include? Where are Mona's parents? A lot of questions that aren't answered. The two actresses are really superb, but they seem to exist in a void, without an even slightly realistic environment. Maybe this is how the author felt at the time of this happening, but it doesn't make a film. At least not a good one.
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