When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
Hide and Seek revolves around a widower and his daughter. They move to upstate and Emily soon creates an imaginary friend named Charlie... but this act takes an unexpected and terrifying turn, where her father and doctor start to worry about Emily's gruesome habits. Written by
For the first time in 70 years, 20th Century Fox shipped prints of Hide and Seek (2005), without the final reel, which would be shipped separately. This was done as a security measure as so people wouldn't be able to reveal the final ending. To further ensure the safety of protecting the film's ending, security guards would hand-deliver the reel to theaters showing the film. Fox had individually numbered each reel as well as a final security measure. Fox executive VP and sales manager Richard Myerson stated it was "to ensure everyone's enjoyment of the film and to prevent 'spoilers', we've instituted extraordinary measures. We think it's worth the effort." See more »
When Emily is laying on her bedroom floor, she draws a picture of her and Charlie at the window, but she draws herself with blonde hair, the actress's natural hair color. See more »
As a psychological thriller, or a horror film, "Hide and Seek" doesn't break new ground. In fact, once it's over, the viewer feels somehow manipulated by what we have just witnessed. There are, supposedly, four different alternative endings for the movie, but unfortunately, the one being shown, doesn't add anything to what we have already seen.
Although the film has some interesting moments, director John Polson has gone for the Grand Guignol effect. Ari Schlosberg's screen play gives us hints about what to expect, yet, when we realize the mystery at the center of the story, we keep scratching our heads.
Suffice it to say, this film doesn't add anything to Robert DeNiro's brilliant career. Mr. DeNiro's last choices in films puzzle us, as well as his fans because we know he is capable of doing much better. Yet, as shown with this film and "Meet the Parents", and its sequel, "Meet the Fockers", "Analize This", and "Analize That", the actor keeps us wondering about his choices.
Dakota Fanning is a young actress who shows an uncanny sense of how to upstage Mr. DeNiro in most of their scenes together. As Emily, in this film, this girl shows an enormous range in what she is capable of doing. One can see Ms. Fanning growing to be another Jody Foster in later years.
The rest of the cast is completely underused. Amy Irving is only seen in flashbacks, which is a shame since she is a valuable actress. Famke Janssen has a few key scenes. The same goes for Melissa Leo, Elisabeth Shue and Robert John Burke.
The only consolation was it was shown on cable and we felt lucky not having spent the price of admission.
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