| Photos (see all 21 | slideshow) |
| Nathan Stevens | ... | Jay | |
| Cameron Richardson | ... | Wendy | |
| Jorge Garcia | ... | Mt. Rushmore | |
| Jason Segel | ... | Smelly Bob | |
| James Ransone | ... | Junebug | |
| Jason Dill | ... | Hambone | |
| John William Simmons | ... | Richie Rubin | |
| Claire Titelman | ... | Barfetta | |
| Lenny Hirsh | ... | Bogus Chuck | |
| Charlie Babcock | ... | Van Herkey | |
| Athena Cansino | ... | Jill | |
| Rhia Bassett | ... | Rhonda | |
| Elise Robertson | ... | Mrs. Skibness | |
| Kelsey Grammer | ... | Mr. Skibness | |
| Michael Emanuel | ... | Officer May | |
| Don Brunner | ... | Coach Pud | |
| Gary Cairns II | ... | Prosper Schwee (as Gary Cairns) | |
| Pattie Tierce | ... | Mrs. Cermak | |
| George Russo | ... | Mr. Cermak | |
| Rick Otto | ... | Bill Berner | |
| Dennis Swanson | ... | Mr. Swanson | |
| Mark Norris | ... | Officer Urise | |
| George LePorte | ... | Shoe Salesman | |
| Nathan Blank | ... | Knuckle Dragger | |
| Michael Farewell | ... | Skip Parker | |
| Michele Fulton | ... | Michelle | |
| Claire Kennedy | ... | Boa Constrictor | |
| Katrina Mock | ... | Loser Chick #1 | |
| Mandy Robles | ... | Loser Chick #2 | |
| Stacy Fuson | ... | Jockette | |
| Court Young | ... | Crisp Guy | |
| Brian Vaughan | ... | Dusted Guy | |
| Cyd Strittmatter | ... | Corner Store Samaritan | |
| John Patrick Amedori | ... | Corner Store Clerk | |
| Michael Horsely | ... | Corner Store Manager | |
| Ele Keats | ... | Bride | |
| Caitlin Keats | ... | Maid of Honor | |
| Paul Mumford | ... | Groom | |
| Chris Premer | ... | Best Man | |
| Rudy Courtade | ... | Waiter #1 | |
| Ryan Negri | ... | Waiter #2 | |
| Jensen Fairchild | ... | Glass Clanking Kid | |
| Deborah Fairchild | ... | Glass Clanking Kid's Mom | |
| Jerry Giordano | ... | Theater Usher #1 | |
| Norwood Cheek | ... | Theater Usher #2 | |
| Mike Johnson | ... | Theater Manager | |
| Matthew Rimmer | ... | Sidewalk Prophet (as Matt Rimmer) | |
| Ray Artis | ... | Disco Band Member | |
| Scott Greenwald | ... | Disco Band Member | |
| Tom Lehr | ... | Disco Band Member | |
| Pete Munday | ... | Disco Band Member | |
| rest of cast listed alphabetically: | |||
| Georgie Del Junco | ... | Young mt. rushmore | |
| Anthony Amedori | ... | Tom Cermak (uncredited) | |
| Vanessa Angel | ... | Ms. Barlass (uncredited) | |
| James 'Spud' Danicic | ... | Poo Victim (uncredited) | |
| Troy DeWalt | ... | Barfed on Guy (uncredited) | |
| Mike George | ... | Student in classroom (uncredited) | |
| Veronica Laurence | ... | Nun #2 (uncredited) | |
| Maryann Majick | ... | Nun #1 (uncredited) | |
| Allie Raye | ... | Lady in Airplane (uncredited) | |
| Colton Shires | ... | Young Jay (uncredited) | |
| Barry Sigismondi | ... | Mulligan (uncredited) | |
| Lindsay Taylor | ... | Suzanne Skibness (uncredited) | |
Directed by | |||
| Tenney Fairchild | |||
Writing credits(in alphabetical order) | ||
| Tenney Fairchild | writer | |
Produced by | |||
| Tenney Fairchild | .... | producer | |
| Kelsey Grammer | .... | executive producer | |
| Glenn Rudolph | .... | producer | |
| Joanne Weiss | .... | producer | |
Original Music by | |||
| Robin Trower | |||
Cinematography by | |||
| Scott Henriksen | (director of photography) | ||
Film Editing by | |||
| Lee Cowan | |||
Casting by | |||
| Chris Game | |||
| Jed Herold | |||
Production Design by | |||
| John Doliner | |||
Set Decoration by | |||
| Susan Frontiera | |||
Costume Design by | |||
| Nina Corbett | |||
Makeup Department | |||
| Tamara Gold | .... | makeup designer | |
| Richard Redlefsen | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| John Elmore | .... | second assistant director | |
| Greg McCollum | .... | first assistant director | |
| Paul Schmitz | .... | second second assistant director | |
Art Department | |||
| Greg Runnels | .... | leadman | |
| Mark Runnels | .... | set dresser | |
| Andrew G. Smith | .... | set dresser | |
Sound Department | |||
| Hugh Murphy | .... | assistant sound editor | |
| Kelly Oxford | .... | supervising sound editor | |
| Karen Vassar | .... | sound editor | |
Special Effects by | |||
| Josh Hakian | .... | special effects coordinator | |
Stunts | |||
| Bryon Weiss | .... | stunt coordinator | |
Camera and Electrical Department | |||
| James 'Spud' Danicic | .... | first assistant camera: "b" camera | |
| Nicole Turegano | .... | film loader | |
| Ron Veto | .... | Steadicam operator | |
Music Department | |||
| Brett Chapman | .... | music supervisor | |
| Erich Stratmann | .... | music editor | |
Transportation Department | |||
| Tom Calzia | .... | transportation captain | |
| John Cardos | .... | driver | |
| Tony Ruiz | .... | driver | |
Other crew | |||
| Charles W. Bryant | .... | production assistant | |
| Ted Campbell | .... | assistant location manager | |
| Bennett Gold | .... | assistant to director | |
| Jerry Purvis | .... | production assistant | |
| Robert Stio | .... | location manager | |
| Suzanne C. Swindle | .... | script supervisor | |
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| River's Edge | The Outsiders | Big Fish | Mysterious Skin | Across the Universe |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I saw "The Good Humor Man" at Methodfest awhile back and then I heard it was going to be on TV. I watched it again and remembered just how good it was.
The overall feeling I had is that I was watching a film that had been lost in the 70's, gathering dust on a shelf in the back of an office, and someone found it and said, "maybe folks could relate to this today." It seems more as if it was made in that period rather than trying to evoke it. The production values definitely said "indie" to me (in a good way). I loved the transition from the well-lit, perfectly blocked and shot interiors to the grainy, almost home movie look of the exteriors. A less experienced director would have used a lot more hand-held and faster cuts. That would have been the easy way out. But Tenney Fairchild let the story dictate the shots and not the other way around. The script was brilliant, and I can see it becoming an instant "cult classic" in the most complimentary sense of the term. So many great lines -- I kept thinking, "I've got to remember that line," then there'd be another, and another...
Of course, the music had me from the word go, but I knew that it would going in. How can you go wrong with a score by Robin Trower? Everything about the look, of course -- the hair, clothes, cars, appliances, Pop-Tarts...
The juxtaposition of the raw, almost jarring language of the stoners (I didn't know there were that many slang terms for sex acts and body parts -- I should count next time -- actually, I'll bet someone has) with the tender, innocent, almost childlike relationship between the lovers was what made it like a perverse Afterschool Special. At its heart, it's really an old-fashioned romance.
I was rolling on the floor more than once -- at some point I started thinking, "man I wish I made this." I found myself wanting to rush things along at the start -- it felt a bit slow. By the end, I was looking at the clock thinking, "damn, that's it?" I didn't want it to end. I could stay with those kids another couple of hours.
The kids were great. It didn't feel scripted, for the most part. To me a great director doesn't "direct" so much as let the actors do what they do best. That's what I felt from opening to closing credits.