| Photos (see all 6 | slideshow) |
| Quanita Adams | ... | Sannie Grootboom | |
| Christo Davids | ... | Ernest Grootboom | |
| Zane Meas | ... | Hendrik Grootboom | |
| Denise Newman | |||
| Lionel Newton | ... | Luke | |
| Arnold Vosloo | ... | Tertius Coetzee |
Directed by | |||
| Ian Gabriel | |||
Writing credits(in alphabetical order) | ||
| Greg Latter | writer | |
Produced by | |||
| Cindy Gabriel | .... | producer | |
| Jeremy Nathan | .... | executive producer | |
| Joel Phiri | .... | executive producer | |
Original Music by | |||
| Philip Miller | |||
Cinematography by | |||
| Giulio Biccari | |||
Film Editing by | |||
| Ronelle Loots | |||
Production Design by | |||
| Leon Van Der Merwe | |||
Second Unit Director or Assistant Director | |||
| Leigh Tanchel | .... | first assistant director | |
Sound Department | |||
| Barry Donnelly | .... | dialogue editor | |
| Barry Donnelly | .... | sound editor | |
| Barry Donnelly | .... | sound effects editor | |
| Conrad Kuhne | .... | sound | |
Visual Effects by | |||
| Tim Spitzer | .... | DI supervisor | |
Stunts | |||
| Daryl Andrews | .... | stunts | |
| John Smith | .... | stunt driver | |
Camera and Electrical Department | |||
| Zak 'Ebenezzer' O'Leary | .... | crane grip | |
| Roderick Dean Smith | .... | key grip | |
Costume and Wardrobe Department | |||
| Gillian Castle | .... | wardrobe | |
Editorial Department | |||
| John Dowdell | .... | HD Colorist | |
| Paul Hanrahan | .... | post-production consultant | |
| Peter Heady | .... | digital intermediate finishing artist | |
| Jean Lane | .... | DI Producer | |
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| The Three Burials of Melquiades Estrada | Twelve and Holding | The Hunting Party | Poor Boy's Game | Eye for an Eye |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb South Africa section | Add this title to MyMovies |
I watched this over the weekend. For a relatively low budget movie I was quite impressed. Kudos to Arnold Vosloo (The Mummy) for coming back to SA to support the local industry. It is also great to see the local guys putting in convincing performances.
The story moves at a reasonable pace for the most part, though it was a bit slow in places. The plot is one which South Africans will identify well with, though foreigners will be able to follow it with ease. The movie explores strong racial antagonism which mellows towards racial reconciliation. This theme has been overworked in the past, but this movie gives it fresh spin and there are some quirky, dramatic and tense scenes. Even with the slightly surprising ending, one does get a sense of closure.
While not brilliant, the camera and director work was more than adequate and did not detract from the movie.
It would be great to see more South African movies. It was a pity that the theater was mostly empty. Lack of support for something as solid as this is disheartening. Local industry needs more support from the viewer base. Even though the movie is 'arty' it should have perhaps been released on the main circuit to give it greater exposure.