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4 items from 2013

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Bobcat Goldthwait, Buddy Giovinazzo & Joe Dante Among Fantasia Fest’s 2013 Frontieres Co-Prod Market

7 May 2013 4:50 PM, PDT | ioncinema | See recent ioncinema news »

Montreal’s Fantasia International Film Festival – it takes place this year between July 18 and August 6 and has always been about more than just the films. They offer plenty of panel discussions and master classes every year, and last year’s edition introduced the Frontières International Co-Production Market, uniting North American, European, and Australasian talent and funders in an initiative focused specifically on fostering genre film productions and relationships. Noteworthy projects from the inaugural edition included new works from seasoned filmmakers such as Stuart Gordon (Re-Animator) and Bruce McDonald (Pontypool), as well as up-and-coming talent like Justin Benson and Aaron Moorhead (Resolution), Paul Campion (The Devil’s Rock), Jason Eisener (Hobo With a Shotgun), and Jorge Michel Grau (We Are What We Are). At the Fantasia Industry Rendez-Vous – a sort of three-day industry cocktail party – professional introductions were made, and many of the projects found co-producers and/or international sales agents. »

- Jason Widgington

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Fantasia 2013: Frontieres Projects Revealed

7 May 2013 11:43 AM, PDT | DreadCentral.com | See recent Dread Central news »

Montreal's Fantasia International Film Festival, widely acclaimed as one of the largest and most influential genre film festivals in the world, is proud to announce the official selections of the second edition of its Frontières International Co-Production Market.

Frontières is the first and only international co-production market to connect North America with Europe, in an environment focused specifically on genre film production. It was just announced last week that Frontières will become a circuit in-between Fantasia, in July, and the Brussels International Fantastic Film Festival, in April. This initiative was made possible by funding from the Media Mundus program of the European Commission. Frontières was the only new initiative to be funded by the program this year.

The projects to be presented in the market feature an exciting array of filmmakers, from gifted newcomers to world-renowned maestros, coupled with numerous established international producers. The second edition of the Frontières International »

- Uncle Creepy

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Fantasia Announces the Selected Projects of the 2nd Edition of the Frontières International Co-Production Market

7 May 2013 9:46 AM, PDT | SoundOnSight | See recent SoundOnSight news »

For the unfamiliar, Montreal is a city which hosts at least one film festival each and every month of the year. Of the dozens of fests, Fantasia Film Festival is without a doubt our favourite, and is widely acclaimed as one of the largest and most influential genre film festivals in the world. They’ve just announced the official selection of the second edition of its Frontières International Co-Production Market, and the slate is looking good. Frontières is the first and only international co-production market to connect North America with Europe, in an environment focused specifically on genre film production. The projects to be presented in the market feature an exciting array of filmmakers, from gifted newcomers to world-renowned maestros, coupled with numerous established international producers. The selection of the second edition of the Frontières International Co-Production Market will consist of the following 12 projects:

Casting the Runes (Canada / Germany / USA)

Director: Joe Dante (The Hole, »

- Ricky

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Mind the werewolf: the London underground in film

8 January 2013 9:59 PM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

From Bond to Bourne to hairy monsters and sub-humans, cinema has always loved the tube

The freshest image of the tube in moviegoers' memories is not an encouraging one: a train crashing through the walls of an underground chamber and crumpling into a heap right where James Bond should have been standing. Luckily (and implausibly), the train in Skyfall was empty: although Javier Bardem was a villain, he had at least checked the schedules to cause minimum disruption to the service.

The cinematic possibilities of the tube are as myriad as its destinations. It's a great place for action and chases (The Bourne Ultimatum and Patriot Games got there before Skyfall). It's a realm of concealment, strangeness and subterranean nightmares, but it's a refuge, too. For film-makers, the tube is also very convenient: not only does it boast controllable light and a steady climate, it can also provide a mirror image of the city above. »

- Steve Rose

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2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007 | 2005 | 2004

4 items from 2013

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