| Vas Blackwood | ... | George | |
| Ken Campbell | ... | Arthur | |
| Kathryn Gilfeather | ... | Girl | |
| Franka Potente | ... | Kate | |
| Grant Ibbs | ... | Man | |
| Joe Anderson | ... | Male Model | |
| Jeremy Sheffield | ... | Guy | |
| Sean De Vrind | ... | Friend | |
| Ian Duncan | ... | Friend | |
| Debora Weston | ... | Mya | |
| Emily Gilchrist | ... | Karen | |
| Craig Fackrell | ... | Homeless Guy | |
| Elizabeth McKechnie | ... | Woman | |
| Kelly Scott | ... | Mandy | |
| Strapper | ... | 'Ray' The Dog | |
| Jonathan Taylor | ... | Dead Driver #1 | |
| Paul Rattray | ... | Jimmy | |
| Morgan Jones | ... | Night Watchman | |
| Daniel Joseph Scott | ... | Dead Driver #2 | |
| Sean Harris | ... | Craig | |
| rest of cast listed alphabetically: | |||
| Spencer Hawken | ... | Man On Train Platform (uncredited) | |
Directed by | |||
| Christopher Smith | |||
Writing credits | ||
| Christopher Smith | (written by) | |
Produced by | |||
| Julie Baines | .... | producer | |
| Alexandra Ferguson | .... | line producer | |
| Martin Hagemann | .... | co-producer | |
| Barry Hanson | .... | co-producer | |
| Robert Jones | .... | executive producer | |
| Kai Künnemann | .... | co-producer | |
| Jason Newmark | .... | producer | |
Original Music by | |||
| The Insects | |||
Cinematography by | |||
| Danny Cohen | |||
Film Editing by | |||
| Kate Evans | |||
Casting by | |||
| Emma Style | |||
Production Design by | |||
| John Frankish | |||
Art Direction by | |||
| Matthew Gray | (supervising art director) | ||
| Ellen Latz | |||
| Ashley Winter | |||
Set Decoration by | |||
| Emma Field-Rayner | |||
Costume Design by | |||
| Phoebe De Gaye | |||
Makeup Department | |||
| Nicola Frost | .... | makeup artist | |
| Uli Nunn | .... | hair stylist: Franka Potente (as Uli de la Lama) | |
| Jan Sewell | .... | hair designer | |
| Jan Sewell | .... | makeup designer | |
Production Management | |||
| Marc Grewe | .... | production manager | |
| Richard Lloyd | .... | post-production supervisor | |
| Tim Wellspring | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | additional first assistant director | |
| Matthew Baker | .... | key second assistant director | |
| Simon Clegg | .... | third assistant director | |
| Barry Derbyshire | .... | additional assistant director | |
| Alexandra Ferguson | .... | additional assistant director | |
| Max Keene | .... | first assistant director | |
| Andrew McEwan | .... | second assistant director: re-shoots | |
| Elke Sasserath | .... | assistant director: second unit | |
Art Department | |||
| Gordon Fitzgerald | .... | property master | |
| Ulrike Gojowczyk | .... | props | |
| Lee Hedges | .... | dressing prop daily | |
| Mark Hedges | .... | dressing propman | |
| Dan Maslen | .... | storyboard artist | |
| Jim McCallum | .... | stand-by props | |
| Daniel Painter | .... | storyboard artist | |
| Thorsten Sabel | .... | set dresser: Germany | |
| Keith Stevenson | .... | set dresser | |
| Nic Stubbings | .... | stand-by props | |
Sound Department | |||
| Julie Ankerson | .... | foley artist | |
| Nick Baldock | .... | sound editor | |
| Peter Baldock | .... | supervising sound editor | |
| Michael A. Carter | .... | adr mixer | |
| Michael A. Carter | .... | sound re-recording mixer | |
| Gary Dodkin | .... | boom operator | |
| Rick Dunford | .... | adr editor | |
| Rick Dunford | .... | dialogue editor | |
| Alex Ellerington | .... | additional foley | |
| Martin Jensen | .... | foley artist | |
| Thom Paisley | .... | second sound re-recording mixer (as Thomas Paisley) | |
| James Seddon | .... | dolby consultant | |
| Michael Spencer | .... | sound recordist | |
Special Effects by | |||
| Mike H.G. Bates | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Mike H.G. Bates | .... | special makeup effects supervisor: Hybrid Enterprises | |
| Suzanne Bates | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Nicola Pandel | .... | prosthetic makeup artist | |
| Mike Stringer | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Mike Stringer | .... | prosthetic makeup design: Hybrid Enterprises | |
Visual Effects by | |||
| Phil Attfield | .... | visual effects supervisor | |
| Robin Beard | .... | digital effects artist | |
| Kimberley Broughton | .... | effects artist: Hybrid Enterprises | |
| Lee Clappison | .... | online film editor | |
| William Foxwell | .... | scanning and recording operator: Lip Sync Post | |
| Simon Frame | .... | visual effects supervisor | |
| Scott Goulding | .... | scanning & recording | |
| Tom Hocking | .... | digital compositor | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Rhodri James | .... | system engineer | |
| Victoria Keeling | .... | visual effects line producer: Men From Mars (as Victoria McDowell) | |
| Mark Kilburn | .... | effects artist: Hybrid Enterprises | |
| Katy Lemon | .... | scanning and recording operator: Lip Sync Post | |
| Alasdair MacCuish | .... | senior producer: Lipsync Post | |
| Peter Minister | .... | effects artist: Hybrid Enterprises | |
| Gruff Owen | .... | digital compositor | |
| John Parnham | .... | effects artist: Hybrid Enterprises | |
| Jenny Rose-Barber | .... | effects artist: Hybrid Enterprises | |
| Dawn Whitehead-Binns | .... | effects artist: Hybrid Enterprises | |
Stunts | |||
| Katja Bernet | .... | stunt double: Franka Potente (as Katja Jerabek) | |
| Nrinder Dhudwar | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Lewis Buchan | .... | camera operator | |
| Mark Clayton | .... | gaffer | |
| Kenneth Cornils | .... | key grip: Germany | |
| Simon De Glanville | .... | camera trainee | |
| Paul Duffy | .... | electrician | |
| John Evans | .... | second assistant camera | |
| Dean Foard | .... | best boy | |
| Paul Hymns | .... | key grip | |
| Nathan Mann | .... | focus puller | |
| Tony C. Miller | .... | gaffer: Main unit UK pick-ups | |
| Jem Morton | .... | additional grip | |
| Georg Nonnenmacher | .... | gaffer | |
| Oliver Poole | .... | electrician | |
| Lars Richter | .... | additional first assistant camera | |
| Kim Seber | .... | focus puller | |
| Roger Tooley | .... | Steadicam operator | |
| David Cozens | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Shane Kingdon | .... | costume assistant | |
| Rachel Vallance | .... | costume assistant | |
| Elena Wegner | .... | wardrobe | |
Editorial Department | |||
| Lee Clappison | .... | on-line film editor | |
| Stuart Fyvie | .... | digital colorist | |
| Matt Gauci | .... | avid technical support | |
| Andrew Melhuish | .... | first assistant editor | |
| Patty Papageorgiou | .... | post-production coordinator | |
| Kevin Phelan | .... | head of post-production: LipSync Post (uncredited) | |
Music Department | |||
| John Baggott | .... | additional musician: piano | |
| Matt Biffa | .... | music clearance | |
| Matt Biffa | .... | music consultant | |
| Peter Brandt | .... | additional musician: double bass (as Pete Brandt) | |
| Stuart Gordon | .... | additional musician: violin | |
| Juliette McCarthy | .... | additional musician: cello | |
| Richard Todman | .... | music editor | |
| Alison Wright | .... | music supervisor | |
Transportation Department | |||
| Martin Hartmann | .... | production driver | |
| René Saldjughian | .... | production driver | |
Other crew | |||
| Ritchie Beacham-Paterson | .... | producer: Lipsync Post | |
| Pauline Burt | .... | risk manager | |
| Geraldine East | .... | legal services | |
| Tina Falcone | .... | assistant accountant | |
| Hollie Foster | .... | assistant coordinator | |
| Matthew Hobbs | .... | production coordinator | |
| Mark Lo | .... | misc crew | |
| Ben Luxford | .... | floor runner | |
| Richard Morrison | .... | title designer | |
| Keeley Naylor | .... | unit publicist | |
| William Prouty | .... | assistant to producer | |
| Algernon Sloane | .... | location manager | |
| Maxine Stanley | .... | post-production accountant | |
| Trevor Stanley | .... | production accountant | |
| Jonathan Taylor | .... | assistant: Julie Baines | |
| Niall Trask | .... | runner | |
| Elizabeth Tremblay | .... | script supervisor | |
| Katie Kubert | .... | production intern (uncredited) | |
Thanks | |||
| Erol Arguden | .... | thanks | |
| Michael Schmid-Ospach | .... | thanks (as Michael Schmidt-Ospach) | |
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| The Midnight Meat Train | The Professional: Golgo 13 | Torso | Night Train | Hostel |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Brit horror successfully marries suspense and gore to create a more than decent movie.
Franka Potente is Kate, a socialite on her way to a party in London where George Clooney (Yes really) is believed to be hanging at and where she will attempt to seduce him (Yup, I'm not kidding).
However, she falls asleep at the subway station and misses the last train, leaving her trapped inside. Jeremy Sheffield's Guy is pursuing her though, and when a train finally arrives (Yes, the logic's already disintegrating), he appears out of nowhere and tries to rape her. Unfortunately for him, there is a real killer in the underground who drags him off her and wounds him fatally.
The rest of the movie is killer-pursues-Kate.
Quite frankly the logic in this one was never meant to be particularly strong. It's not even obvious that she fell asleep while waiting for the train, and instead it could have been mindgames. And indeed, mindgames seem to be the only explanation for some of the slightly ludicrous events which occur in the first half.
Nonetheless, this movie is about running away from the bad guy, whose appearance and identity imply he's 'not normal' (Are they ever), and to this end the film does a decent enough job. Once the bizarre first half hour of silliness is past, it is simple enough fare, with more than a hint of severe gore.
There's little more that can be said, such is the basic nature of this, but if you accept the intrinsic daftness of some of it, you'll get a reasonable kick out it if you like the genre.
Seen worse.