In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann ...
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In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann decides to work in the cargo ship Kassandra in an eight year travel to Station 42 that is in orbit of RH278 to raise money to meet her sister Arianne in Rhea. They keep in touch with each other, but their messages take three years to reach the other. Laura joins Captain Pierre Lacroix and his crew composed by the First Officer Anna Lindbergh; Communication Officer Miyuki Yoshida and Igor Prokoff and Claudio Vespucci. The Sky Marshall Samuel Decker joins the team since the terrorist group Luddites, led by Klaus Bruckner, is bombing the stations. Lacroix organizes shifts of eight and half months for each crew-member while the others rest in cryogenic sleep. Three years and eight months later, Laura finds that there is apparently a stowaway in the cargo compartments and Decker and Lacroix are awakened to ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The first feature length science fiction film to be made in Switzerland. See more »
At no point during its 4 year journey does the Kassandra "flip" over. Any reaction engine powered space ship would accelerate for around half of its journey (or until terminal velocity is reached), then turn around and decelerate to arrive at its destination at a sensible velocity. See more »
Take one part Matrix, one part Event Horizon, add half a measure of Alien, a dash of Solaris and gently stir. Cargo delivers what many sci-fi films fail to deliver these days, and that is real style as well as substance. It's easy to set a 'shoot-em-up' in space or a detective story, but Cargo has so much more. It's moody without being cloying, it's scary without cheap horror tactics, it's thought provoking, it delivers twists and turns, and it is not predictable. It is hard to classify Cargo as it has many elements, and this is what makes it so engrossing. The acting is believable i.e. being in space for a long time leads to quirky behaviour, people will do anything for a better life, and who can you trust? This is absolutely not a Hollyvoid film with predictable characters and lame values. Instead, Cargo delivers a thoughtful and absorbing film that ranks alongside classics such as Solaris (not the Clooney version).
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