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Yes (I) (2004)

 -  Drama | Romance  -  5 August 2005 (UK)
6.5
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Ratings: 6.5/10 from 2,462 users   Metascore: 55/100
Reviews: 48 user | 76 critic | 29 from Metacritic.com

In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working ... See full summary »

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Title: Yes (2004)

Yes (2004) on IMDb 6.5/10

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2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Cleaner
...
She
...
Anthony
...
He
...
Virgil
...
Billy
...
Whizzer
...
Grace
Barbara Oxley ...
Cleaner in Swimming Pool
...
Kate
Kev Orkian ...
Waiter
George Antoni ...
Kitchen Boss (as George Yiasoumi)
Beryl Scott ...
Cleaner in Laboratory
...
Aunt
Lol Coxhill ...
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Storyline

In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working as a chef in a London restaurant. They meet at a banquet and fall into a carefree, passionate relationship. But the contempt He perceives as a Muslim immigrant to the UK causes him to break up with She, offering little in the way of explanation, and return to his homeland. She drags his reasons out of him little by little and tries to sympathize. Keenly feeling the loss of his love, She flies to Havana to sort things out on the beach and in the cabarets. She sends him a ticket, but harbors no illusions that He will join her in this Carribean melting pot... Written by Joe Jurca

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and some sexual content | See all certifications »
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Details

Official Sites:

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Release Date:

5 August 2005 (UK)  »

Also Known As:

Da  »

Filming Locations:

 »

Box Office

Budget:

£1,000,000 (estimated)

Opening Weekend:

$28,451 (USA) (24 June 2005)

Gross:

$396,035 (USA) (23 September 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

|

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Director 'Sally Potter' told Joan Allen to think of the dialog, which is in verse, more in the line of Eminem than William Shakespeare. She even took the actress to Def Poetry Jam, a night of spoken word that ran on Broadway courtesy of hip-hop mogul Russell Simmons to experience it. See more »

Goofs

As "He" is chopping celery and talking to his crew, the knife in his hands changes from shot to shot. One shot has pieces of celery stuck to the knife while the other shows a clean blade. See more »

Quotes

Aunt: If and when I die, I want to see you cry. I want to see you tear your hair, your howls of anguish fill the air. I want to see you beat your breast and rent your clothes and all the rest. And, sobbing, fall upon my bed I want to know that I am dead.
See more »

Soundtracks

Waltz in A Flat Major
Composed by Johannes Brahms
Performed by Katia Labèque and Marielle Labèque
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User Reviews

 
Austin Movie Show review
31 July 2005 | by (Austin, TX) – See all my reviews

Not since Shakespeare's day have playwrights written entire screenplays in iambic pentameter, but writer/director Sally Potter might single-handedly start the trend again. However, it took me over a half hour to realize that the whole film was one epic poem – before then all I thought was, "This dialogue is horrible! People don't actually speak like this!" But that's the point. Poetry is not meant to imitate average speech. That's why it's poetry.

Joan Allen plays a lonely wife (whose name is never mentioned) trapped in a loveless marriage who has a fiercely passionate affair with a Muslim man from Lebanon. Because she was born in Northern Ireland (but raised, however, in America), she thinks she understands her lover's pain and suffering as an Arab man living in London. These two lovers fight about race, class, religion, politics, stereotypes, and identity, and with the recent bombings on the London Underground, this film is unsettlingly too relevant. Yes is a superb love poem that speaks volumes about what we, as a society, are afraid to mention in our post-9/11 world. But unfortunately, sitting through this film feels more like homework than pleasure.


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