In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working ...
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On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from ... See full summary »
Young nobleman Orlando is commanded by Queen Elizabeth I to stay forever young. Miraculously, he does just that. The film follows him as he moves through several centuries of British ... See full summary »
A look at the lives of two teenage girls - inseparable friends Ginger and Rosa -- growing up in 1960s London as the Cuban Missile Crisis looms, and the pivotal event that comes to redefine their relationship.
The couple Javier and Laura meets Ignacio during a vacation trip, and soon they become close friends. However, Ignacio develops an obsession with Laura, and during one night he rapes her, ... See full summary »
María Elena Swett,
In this film, told almost entirely in iambic pentameter, She is a scientist in a loveless marriage to Anthony, a devious politician. He is a Lebanese doctor in self-imposed exile, working as a chef in a London restaurant. They meet at a banquet and fall into a carefree, passionate relationship. But the contempt He perceives as a Muslim immigrant to the UK causes him to break up with She, offering little in the way of explanation, and return to his homeland. She drags his reasons out of him little by little and tries to sympathize. Keenly feeling the loss of his love, She flies to Havana to sort things out on the beach and in the cabarets. She sends him a ticket, but harbors no illusions that He will join her in this Carribean melting pot... Written by
Havana, Cuba, doubled for Beirut in the film because insurers refused to cover it after the war in Iraq. See more »
As "He" is chopping celery and talking to his crew, the knife in his hands changes from shot to shot. One shot has pieces of celery stuck to the knife while the other shows a clean blade. See more »
If and when I die, I want to see you cry. I want to see you tear your hair, your howls of anguish fill the air. I want to see you beat your breast and rent your clothes and all the rest. And, sobbing, fall upon my bed I want to know that I am dead.
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I had the chance to see Yes when it in premiered at the Telluride Film Festival. I had no idea what to expect and that in turn was a good thing. Expectations more often than not ruin our perceptions of a film and that would be my advice for anyone seeing this film for the first time, do not expect to know what you are getting into. With that said, I believe this was a marvelous film because it was able to balance the seriousness of its subject matter with a nice touch of humor. This definitely was not a film for everybody and I say this because it does require one to think when viewing it and as we all know, a lot of people go to the movies to escape, not to think. Right away, the viewer will realize this is not your normal film simply by the dialogue, it was written in iambic pentameter and rhyming couplets. The rhyming of the dialogue might be a turn off for some, but I found it to be quite pleasing and very humorous almost in a mature Dr. Seuss sort of way. Anyone that is a writer will appreciate the time and care and difficulty that went into writing this script. Regarding the content of this film, I will only say that everything is not always as it appears and we interpret what we see...if you can appreciate this kind of thought, then see this film. If I had to compare it to another film, which I shouldn't do, I'd say American Beauty or Donnie Darko. On a technical note, I had the chance to talk to Mrs. Potter and her producer Mr. Sheppard afterwards and they informed me that it cost less than 4 million to make this film which makes it all the more magnificent.
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