The 35-hour work week has all of France in its thrall. This film turns it into a feature about economic and familial politics. Frank, a business school graduate, returns to his provincial ... See full summary »
In December of 1999, François organizes a retreat to a small island for himself, some friends, and their children to avoid the craziness of Paris during the turn of the millennium. Things ... See full summary »
On the beaches of Kenya they're known as "Sugar Mamas" -- European women who seek out African boys selling love to earn a living. Teresa, a fifty-year-old Austrian and mother of a daughter ... See full summary »
In a remote, isolated Yazidi Kurdish village in post-Soviet Armenia, Hamo, a widower with a pitiful pension and three worthless sons, travels daily to his wife's grave. There he meets the ... See full summary »
Haiti, late 1970's. Sea, sex and sun for Ellen, Brenda and Sue, three North American ladies, on the wrong side of forty or fifty-odd, going through an enchanted interlude. Lonely, forsaken, neglected by men in their native countries, they can indulge here in carnal exultation without shame, thanks to handsome local young men they pay a few dollars. Ellen is a Boston French literature professor, Brenda, an unfulfilled wife from Savannah, Georgia and Sue, a sexually frustrated but good-natured Canadian factory worker. In this second garden of Eden they don't care too much about the neighboring poverty nor about Baby Doc's violent dictatorship. The trouble is that that two of the three women have sights on a single man, Legba. And Legba is beginning to be fed up with being a stud... Written by
Visa d'exploitation en France: #107737. See more »
When Brenda is desperately looking for Legba and she wanders around the village at night, one of the guys she crosses by is wearing a Larry Johnson NBA New York Knicks basketball jacket with number 2. Larry Johnson played for the Knicks in the mid '90s. See more »
I was born in Cap-Haitien, in northern Haiti. I'm from a family of patriots. My whole family fought the Americans during the 1915 occupation. I think my father never shook a white man's hand. He saw them as lower than monkeys. He used to say: "I look behind a white man, to see if he has a tail." My grandfather didn't bother with that. To him, a white man was an animal, period. When he talked about "the white man," he really meant Americans. The invaders, occupiers, people who dared to tread on ...
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One of those films that bit off more than it could chew. The subject could hardly be more challenging and raises multiple, complex issues : female sexuality, male prostitution, North- South relations. But the treatment somehow fails to tackle any of them convincingly. The film is surprisingly claustrophobic, most of it taking place in a "huit clos" atmosphere with mostly close-up and medium shots - this is presumably the director's choice, but the effect, as far as I was concerned, was to make it feel like one of those rather unsuccessful screen versions of stage plays. Much of the dialogue sounded thin and false to my ear. One good point - Karen Young's sensitive portrayal of Brenda. Charlotte Rampling did almost too well what was expected of her and the resultant performance is perhaps a trifle predictable.
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