| Photos (See all 10 | slideshow) | Videos (see all 4) |
| Abbie Cornish | ... | Heidi | |
| Damian de Montemas | ... | Adam | |
| Olivia Pigeot | ... | Nicole | |
| Alex Babic | ... | Brian the barman | |
| Elizabeth Muntar | ... | Ticket Vendor | |
| Justin Martin | ... | Guy | |
| Ben Tate | ... | Sean | |
| Joshua Phillips | ... | Josh | |
| Sam Worthington | ... | Joe | |
| Nathaniel Dean | ... | Stuart | |
| Paul Gleeson | ... | Roy | |
| Bruce Ross | ... | Staring Man | |
| Lynette Curran | ... | Irene | |
| John Sheerin | ... | Pat | |
| Anne-Louise Lambert | ... | Martha (as Anne Louise Lambert) | |
| Erik Thomson | ... | Richard | |
| Hollie Andrew | ... | Bianca | |
| Archer Lyttle | ... | Pete | |
| Leah Purcell | ... | Diane | |
| Blake Pittman | ... | Karl | |
| Erica Englert | ... | Rachel | |
| Stephanie Overs | ... | Clare | |
| Caroline Lowe | ... | Waitress | |
| Diana Glenn | ... | Sally | |
| Toby Schmitz | ... | John | |
| Henry Nixon | ... | Nick | |
| rest of cast listed alphabetically: | |||
| Mark McCann | ... | Caravan Park Manager (uncredited) | |
Directed by | |||
| Cate Shortland | |||
Writing credits(in alphabetical order) | ||
| Cate Shortland | written by | |
Produced by | |||
| Anthony Anderson | .... | producer | |
| Jan Chapman | .... | executive producer | |
| Miranda Dear | .... | commissioning editor | |
Original Music by | |||
| Decoder Ring | |||
Cinematography by | |||
| Robert Humphreys | (director of photography) | ||
Film Editing by | |||
| Scott Gray | |||
Casting by | |||
| Nikki Barrett | |||
Production Design by | |||
| Melinda Doring | |||
Art Direction by | |||
| Janie Parker | |||
Set Decoration by | |||
| Glen W. Johnson | |||
Costume Design by | |||
| Emily Seresin | |||
Makeup Department | |||
| Angela Conte | .... | hair stylist supervisor | |
| Angela Conte | .... | makeup supervisor | |
| Helene Glover | .... | hair stylist | |
| Helene Glover | .... | makeup artist | |
| Kellie Griffin | .... | hair stylist | |
| Kellie Griffin | .... | makeup artist | |
| Sheldon Wade | .... | hair stylist | |
| Sheldon Wade | .... | makeup artist | |
Production Management | |||
| Colleen Clarke | .... | post-production supervisor | |
| Felix Reitin | .... | unit manager: Canberra (as Felix Reiten) | |
| Libby Sharpe | .... | production manager | |
| Naomi Wenck | .... | post-production supervisor | |
| Cameron Wintour | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Kate North Ash | .... | third assistant director | |
| John Martin | .... | first assistant director | |
| Ed Raymond | .... | second assistant director (as Eddie Raymond) | |
Art Department | |||
| Robert Fischper | .... | set painter | |
| Katrina Fish | .... | art department assistant | |
| Sharyn Fulton | .... | props buyer | |
| Roxana Knittel | .... | graphics assistant | |
| Brooke Morris | .... | art department assistant | |
| Michael O'Sullivan | .... | stand-by props | |
| Dave Philpott | .... | construction manager | |
| Catherine Raven | .... | art department attachment | |
| Danny Strachan | .... | lead scenic artist | |
| Katerina Stratos | .... | graphic artist | |
Sound Department | |||
| Yulia Akerholt | .... | dialogue editor | |
| Mark Blackwell | .... | sound recordist | |
| Bronwyn Coleman | .... | sound department attachment | |
| Bruce Emery | .... | stereo sound consultant: Dolby Stereo | |
| Mark Franken | .... | sound effects editor | |
| Jasmine Guffond | .... | Atmos editor | |
| Damon Mouris | .... | adr recordist | |
| Sam Petty | .... | sound designer | |
| Sam Petty | .... | sound re-recording mixer | |
| Blair Slater | .... | foley engineer | |
| Ben Smith | .... | boom operator | |
| Peter D. Smith | .... | sound re-recording mixer (as Peter Smith) | |
| Mario Vaccaro | .... | foley walker | |
| Andy Wright | .... | adr recordist | |
| Liz Wright | .... | liaison: Soundfirm Australia | |
Special Effects by | |||
| Tim O'Brien | .... | special effects coordinator | |
| Cameron Potter | .... | special effects assistant | |
| Peter Stubbs | .... | special effects director | |
Visual Effects by | |||
| Jonathan Dixon | .... | digital optical effects (as Jon Dixon) | |
| Rebecca Dunn | .... | digital optical effects | |
| Robert Sandeman | .... | digital optical effects | |
Stunts | |||
| Robert Simper | .... | stunt coordinator (as Rob Simper) | |
Camera and Electrical Department | |||
| Dave Anderson | .... | best boy | |
| Carolyn Constantine | .... | director of photography: second unit (as Carolyne Constantine) | |
| Bonnie Elliott | .... | focus puller: second unit | |
| Ben Jasper | .... | additional camera operator: second unit | |
| Nigel Joseph | .... | grip: second unit | |
| Danielle Kinsela | .... | lighting stand-in | |
| Elise Lockwood | .... | still photographer | |
| Stuart Longhurst | .... | additional grip | |
| Geoff Maine | .... | gaffer | |
| Daniel McCrea | .... | video split operator | |
| Matt Nettheim | .... | still photographer | |
| Kevin Scott | .... | focus puller | |
| Michael Thompson | .... | assistant grip | |
| Nigel Tomkinson | .... | clapper loader | |
| Jason Trew | .... | key grip | |
| Paul Young | .... | third electrician | |
Casting Department | |||
| Antonia Halse | .... | casting assistant | |
| Dex Tallo | .... | extras casting | |
Costume and Wardrobe Department | |||
| Shareen Beringer | .... | costume supervisor | |
| Natasha Harrison | .... | costume assistant | |
| Abbie Mawhinney | .... | costume assistant | |
| Flip Wootten | .... | stand-by wardrobe (as Phillippa 'Flip' Wootten) | |
Editorial Department | |||
| Rodrigo Balart | .... | first assistant editor | |
| Greg Chapman | .... | negative matcher | |
| Miranda Dear | .... | commissioning editor: SBS Independent | |
| Olivier Fontenay | .... | color grader | |
| Al Hansen | .... | digital colorist | |
| Andrew Soo | .... | editing attachment | |
Music Department | |||
| Ken Davis | .... | musician: decoder ring | |
| Ben Ely | .... | musician: decoder ring | |
| Matt Fitzgerald | .... | musician: decoder ring | |
| Pete Kelly | .... | musician: decoder ring | |
| Liz O'Grady | .... | music score coordinator | |
| Norman Parkhill | .... | music supervisor | |
| Tom Schutzinger | .... | musician: decoder ring | |
Transportation Department | |||
| Bruce Ross | .... | vehicle coordinator | |
Other crew | |||
| Paul Adzic | .... | production runner | |
| Damien Archer | .... | unit assistant | |
| Sam Benson | .... | caterer | |
| Ben Breen | .... | production accountant | |
| Leigh Brezler | .... | assistant to producer | |
| Jane Campion | .... | script advisor: Aurora | |
| Andy Canny | .... | title designer | |
| Kate Champion | .... | choreographer | |
| Jan Chapman | .... | script advisor: Aurora | |
| Emma Cohen | .... | unit nurse | |
| Camera Cooks | .... | caterer | |
| Nikki Creed | .... | accounting assistant | |
| Sophie Dick | .... | production coordinator | |
| Robert Festinger | .... | script advisor: Aurora (as Rob Festinger) | |
| Rob Fisher | .... | completion guarantor | |
| Demyan Golushinsky | .... | production runner | |
| Rhonda Hall | .... | wrangler: deer & cat | |
| Megan Harding | .... | base office liaison | |
| Erin Heidenreich | .... | sales agent | |
| Amanda Higgs | .... | script editor | |
| Mike Honey | .... | cutting room: Spectrum Films | |
| Allan Hull | .... | race caller | |
| Paul Kiely | .... | script supervisor | |
| Amy Lucas | .... | long form producer | |
| Jim Luce | .... | dog wrangler | |
| Don MacDonald | .... | dog wrangler | |
| Donna McCrum | .... | title designer | |
| Marlay Mcintosh | .... | production runner | |
| Leona McKenzie | .... | rushes liaison | |
| Appellee McLeod | .... | accounting assistant | |
| Chris McNamara | .... | unit assistant | |
| Kate Meyer | .... | post-production accountant | |
| Victoria Mielewska | .... | dialogue coach | |
| Denise Morgan | .... | script editor | |
| Afra Mullins | .... | assistant production coordinator | |
| Sue Murray | .... | script advisor: Aurora | |
| Fiona Nix | .... | unit publicist | |
| Chris Noonan | .... | script advisor: Aurora | |
| Annelies Norland | .... | location manager | |
| Liz O'Grady | .... | band manager: Decoder Ring | |
| Scott Parsons | .... | unit assistant | |
| Wayne Pleace | .... | safety report | |
| Clare Pollard | .... | caterer | |
| Hans Pomeranz | .... | cutting room: Spectrum Films | |
| Josh Pomeranz | .... | cutting room: Spectrum Films | |
| Jason Resnick | .... | script advisor: Aurora | |
| Stephen Rutter | .... | travel manager | |
| Tony Safford | .... | script advisor: Aurora | |
| Greg Short | .... | lab liaison | |
| Robert Simper | .... | safety coordinator (as Rob Simper) | |
| Stuart Smith | .... | caterer | |
| Sally Steele | .... | publicist | |
| Jo Stewart | .... | post-production script | |
| Geoff Stier | .... | script advisor: Aurora | |
| Heng Tang | .... | assistant to director | |
| Duncan Thompson | .... | script advisor: Aurora | |
| Alison Tilson | .... | script advisor: Aurora | |
| Caroline Verge | .... | legal services | |
| Graham Ware | .... | horse wrangler | |
| Liz Wright | .... | liaison: Soundfirm | |
Thanks | |||
| Wouter Barendrecht | .... | acknowledgment: for Fortissimo Film Sales | |
| Josh Bassett | .... | special thanks | |
| Grace Parr | .... | special thanks | |
| Vashti Richards | .... | special thanks | |
| Ivan Siebel | .... | thanks | |
| Trish Watts | .... | special thanks | |
| Michael J. Werner | .... | acknowledgment: for Fortissimo Film Sales | |
| Matt Young | .... | thanks | |
| Jakub Zaremba | .... | special thanks | |
|
|
|
|
|
| Brokeback Mountain | Adventureland | Head-On | The Witnesses | Head On |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Australia section |
I saw a screening of this in New York City in late March, and I loved it. I thought about this movie for many days afterward, and it is one of the best films I've seen all year. It is scheduled for an October release.
This was a beautiful, poetic film- one that touched me both on an artistic level and a deeply personal level. Although I am forty-five now, the movie took me on a vivid journey back to my own adolescence, and the truth that Ms. Shortland captured about "Heidi," and the relationship between "Heidi" and "Joe" was breathtakingly realistic.
Somewhere during my viewing, I realized I was watching one those rare works of art which so startlingly and accurately paint a piece of the human experience that is both reflective of its time and place and destined to transcend them. "Heidi's" red gloves become the self-protective coat of armor to an Aussie teen-aged a girl of the twenty-first century the way "Holden's" red hunting cap served the same purpose to the confused, distraught adolescent of 1940's New York City.
The acting is superb, and there is not a false note anywhere to be found in any of the elements of this film.