A young couple offer to buy the furniture of a middle-aged man whose wife just left him - but they end up with more than they bargained for. Hugo Weaving, Abbie Cornish and Sullivan Stapleton star in an adaptation of a Raymond Carver story.
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
As the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely on a person she has always been taught to hate.
After a near death experience, five Boys, all devoted AC/DC fans, make a pact to bury their best friend next to the grave of Bon Scott. 12 years later, having gone their different ways, they come together to fulfill the promise.
Coming of age: Heidi, 15, runs away from home after her mom sees her kissing mom's boyfriend. She goes to a Snowy River resort where a vague job offer doesn't pan out. She manages to find a place to live and a job at a convenience store. She's between childhood -- nursery rimes and a scrapbook of glittery unicorns - and adulthood - working, sorting out emotions and sexuality, and dealing with social slights and false charges of bad behavior. She's attractive and her loneliness makes her vulnerable. She sleeps with Joe, the son of local ranchers, and she awakens in him feelings he can't express. Is there any way she can put off adulthood and be a kid awhile longer? Written by
When Joe pours hot water onto the icy windscreen of his car, no steam appears. See more »
You know when you were a kid, did your mum ever used to spray perfume in the air and sort of walk through it?
She's like that.
No... see, when you leave you still feel her on your skin.
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Good acting and cinematography, poor writing and directing
See this film to see fine young actors doing good work.
See this film to see beautiful cinematography. The credits alone are worth a look.
Unfortunately, however, these are let down by a poorly constructed script, wooden dialog, and storytelling laden with clichés. These range from gratuitous scenes -- Heidi following Joe outside, naked; Joe's gay kiss... to characters telling each other things that we should be seeing -- "You don't know what you want!" or "You're afraid to get close to someone!"... to film school visual clichés -- Heidi under the bathwater, finally bursting up for air; Heidi wandering moodily through the landscape.
By the time we were treated for the seventh time to Heidi wandering moodily through the landscape, I was ready to burst out of the theatre, gasping for air.
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