A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »
Coming of age: Heidi, 15, runs away from home after her mom sees her kissing mom's boyfriend. She goes to a Snowy River resort where a vague job offer doesn't pan out. She manages to find a place to live and a job at a convenience store. She's between childhood -- nursery rimes and a scrapbook of glittery unicorns - and adulthood - working, sorting out emotions and sexuality, and dealing with social slights and false charges of bad behavior. She's attractive and her loneliness makes her vulnerable. She sleeps with Joe, the son of local ranchers, and she awakens in him feelings he can't express. Is there any way she can put off adulthood and be a kid awhile longer? Written by
The coach that Heidi boards to take her to Jindabyne is shown to depart from the Belconnen bus interchange in North Canberra (there is a bit of artistic license at work here as the Belconnen interchange only deals with Canberra's internal bus service). See more »
When Joe pours hot water onto the icy windscreen of his car, no steam appears. See more »
You know when you were a kid, did your mum ever used to spray perfume in the air and sort of walk through it?
She's like that.
No... see, when you leave you still feel her on your skin.
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I must confess some bias, being a massive fan of the Snowy area :) This film I can see not appealing to those who have never been to the Cooma/Jindabyne area of NSW. They will have no point of reference. For those who have however, this film is simply brilliant. I have stayed at the motel Heidi stayed at. I have visited friends with houses like Joes. The mood/feeling of Heidi around the edges of Lake Jindabyne are uncanny. There is a feeling down there I have not had anywhere else in Australia. A barren, cold feeling that is at once breathtaking and heartbreaking.
Objectively, one could indeed see this movie being light on concerning the plot. In my mind and experiences though, I have never been so engrossed. Heidi and Joes relationship is so tantalising. So possible. It might seem to some as not realistic, but it really is. This is how many, many Australians express themselves ( on a good day! ) It is pure, and wonderful, and simply amazing and I don't care that this may have been the only film close to warranting attention in 2004. It is regardless completely brilliant, and I for one will be holding it close to my heart for a long long time to come.
Australian cinema very rarely gets this close to actual emotion, and this film hits it again and again. Some of it may be contrived or stereotypical, but overall it really is a gem hidden amongst 21st century Australian cinema pap. Enjoy it please :)
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