| Isabelle Huppert | ... | Hélène, the Mother | |
| Louis Garrel | ... | Pierre, the Son | |
| Emma de Caunes | ... | Hansi | |
| Joana Preiss | ... | Réa | |
| Jean-Baptiste Montagut | ... | Loulou | |
| Dominique Reymond | ... | Marthe | |
| Olivier Rabourdin | ... | Robert | |
| Philippe Duclos | ... | The Father | |
| Pascal Tokatlian | ... | Klaus | |
| Théo Hakola | ... | Ian | |
| Nuno Lopes | ... | The Doctor | |
| Patrick Fanik | ... | Eric | |
| Susi Egetenmeier | ... | Woman in dunes | |
| Sylvia Johnson | ... | Woman of couple |
Directed by | |||
| Christophe Honoré | |||
Writing credits(in alphabetical order) | ||
| Georges Bataille | novel | |
| Christophe Honoré | ||
Cinematography by | |||
| Hélène Louvart | |||
Film Editing by | |||
| Chantal Hymans | |||
Casting by | |||
| Richard Rousseau | |||
Production Design by | |||
| Laurent Allaire | |||
Costume Design by | |||
| Pierre Canitrot | |||
Makeup Department | |||
| Frédéric Balmer | .... | assistant makeup artist | |
| Paul de Fisser | .... | hair stylist | |
| Delphine Jaffart | .... | key makeup artist | |
| Pierre Olivier Persin | .... | special makeup effects artist | |
Production Management | |||
| Joaquim Carvalho | .... | unit production manager | |
| Laetitia Fèvre | .... | production supervisor | |
| Sylvain Monod | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Julie Gouet | .... | assistant director | |
| Sylvie Peyre | .... | first assistant director | |
Art Department | |||
| Yannick Heuveline | .... | assistant decorator | |
| Arnaud Roth | .... | first assistant decorator | |
Sound Department | |||
| Jean-Claude Brisson | .... | sound | |
| Pascal Despres | .... | boom operator | |
| Frédéric Fichefet | .... | sound editor | |
| Alexander Koller | .... | sound mixer | |
| Bernhard Maisch | .... | sound | |
| Joaquim Pinto | .... | sound | |
Camera and Electrical Department | |||
| Hugues Espinasse | .... | focus puller | |
| Jean-François Hensgens | .... | first assistant camera | |
| José Carlos Loureiro | .... | grip | |
Casting Department | |||
| Margarida Roberto | .... | casting: Portugal | |
Editorial Department | |||
| Elisabeth Legrand | .... | first assistant editor | |
| Thomas Treu | .... | on-line editor | |
Other crew | |||
| Helena Gonçalves | .... | production assistant | |
| Maureen Meyer | .... | script supervisor | |
| François Pujol | .... | location scout | |
| Charles-Edouard Renault | .... | legal counsel | |
Thanks | |||
| Diastème | .... | thanks | |
| Gaël Morel | .... | thanks | |
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| Salon Kitty | Little Ashes | My Own Private Idaho | Ken Park | Salò, or the 120 Days of Sodom |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I can enjoy sexy French movies as much as the next person. But this movie is simply gross, to the point of being almost comical. Its furthest excesses rival in bawdiness the kinds of high jinks you'd expect to see in a Farrelly Brothers movie, but without the jokes. Quite the opposite, this film is pretty dark. It could have been a brooding, beautifully shot, and deeply literary meditation on the tangled emotions, Freudian and otherwise, that run through families. Especially considering Isabelle Huppert, who I'd think I could enjoy watching do almost anything, maybe even eat a live horse or perform an emergency tracheotomy, her beauty and her abilities being so complex, limitless and profound. But I did have trouble watching her do the things she does here -- where the artfulness present in other parts of the movie is left behind and only absurdity remains. Perhaps I'm just a prude.