A down-on-his-luck American Indian recently released from jail is offered the chance to "star" as the victim of a snuff film, the resulting pay of which could greatly help his poverty ... See full summary »
Jacob Asch is hired by Gerald McMurty to find his ex-wife Laine and their son in Palm Springs. Jacob finds Laine and a teenager named Donnie who may or may not be Gerald's son. He also ... See full summary »
Episodic look at the life of Cuban poet and novelist, Reinaldo Arenas (1943-1990), from his childhood in Oriente province to his death in New York City. He joins Castro's rebels. By 1964, ... See full summary »
Olatz López Garmendia
What makes a marriage? Georges and Natalie argue and shout constantly; Fred, a bachelor playboy approaching 50, sleeps with many women, loving them all, living with none. Vincent, nearing 40, best friend of Georges and Fred, is married to Gabrielle and they have a son. He keeps his feelings to himself. He and Gabrielle are playful and passionate with each other, then bored and detached. Is Vincent holding back, and if so, why? A colleague accuses him of believing in romantic fairy tales. Gabrielle imagines them separated. Are the basics of life women working and men chasing skirts? Is marriage the alternative to possibilities? Written by
[after walking in on someone else's wife]
I got the wrong door. Not like it's a crime! I got the wrong door. Let's call the police. "You're surrounded. You got the wrong door.
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This is the third film from triple-threat (Writer-Director-Actor) Yvan Attal and arguably his best. Once again he has cast his real-life partner (they have just had a child) Charlotte Gainsbourg as his screen wife and cast fellow triple-threat wda Alain Chabat as his best friend. Whilst Vincent (Attal) and Gabrielle (Gainsbourg) have a seemingly ideal marriage Georges (Chabat) and Nathalie (Emmanuelle Seigner) are more tempestuous and Nathalie's nagging is ever present. Both couples have a child hence the title, They Were Married And Had Many Children, which is also the French equivalent of the fairy-tale ending 'and so they lived happily ever after'. The third man, Fred (Alain Cohen) is single and has no shortage of girls. This is the broad outline. The twist, such as it is requires Fred to envy the married state, Vincent to lead a double life that fools even Georges and Fred and Georges, the logical one to cheat on a nagging wife to be faithful. Most of the five principals are virtually unknown outside France - Chabat appeared in 'Le Gout des Autres', Attal in 'Bon Voyage' - but Anouk Aimee who plays Vincent's mother is certainly known if only for 'A Man And A Woman' whilst Berri, of course, directed 'Jean de Florette' and 'Manon des Sources'. Attal has done a workmanlike job of exploring male bonding - the men spend hours playing football - and precarious relationships and it's the kind of film that can find an audience abroad. 7/10
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