The July 3rd, 1973 historic concert of the 'leper Messiah'. This was to be David Bowie's last concert with the Ziggy persona and the Spiders from Mars. A great medley of 'Wild Eyed Boy From... See full summary »
In a career chock full of "you've never seen him like this" moments, you've never seen David Bowie as you will in A Reality Tour. The rock legend and his ace band blaze through stunners ... See full summary »
A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette, but her relationships are... See full summary »
Ed Okin's life is somewhat out of control. He can't sleep, his wife betrays him and his job is dull. One night he starts to drive through Los Angeles and he finally ends in the parking ... See full summary »
In 1942 British soldier Jack Celliers comes to a Japanese prison camp. The camp is run by Yonoi, who has a firm belief in discipline, honor and glory. In his view, the allied prisoners are ... See full summary »
Now that it's out on DVD, this irredeemably embarrassing and excruciatingly funny spectacle is graven for posterity! In search of a persona and fighting to stay inside rock's credibility jungle, the Great Man cowls behind a self-aggrandizing third-rate variety extravaganza, 80's style, by descending from a giant glass spider, instantly reminiscent of the tacky flying saucer from which the Electric Light Orchestra used to emerge. The embarrassment level of the on-stage antics seriously rivals that of Kiss, Genesis, Queen, Blue Öyster Cult or Led Zeppelin at their pantomimic worst. He continually tries to ingratiate himself with the crowd by putting on a nauseating Phil Collins-style false bonhomie, with a barrage of smiling, winking, grimacing and looks of false surprise as the stage troupe drags him back from the edge of the stage when he tries to touch hands with the audience. And gee whiz! A girl in the crowd gets up on stage and turns out to be one of the troupe! High comedy points include the tatty, pretentious introduction to 'Time' and Bowie performing levitation on a girl as a resurrected Peter Frampton wails out an off-key rendition of 'Sons of the Silent Age', but what really rolled me out of bed in stitches was the look on Bowie's face during the hysterical 'sitting-on-the-toilet' dance in the middle of 'Fame' a real belter. If you see a copy, snap it up without a second thought: will correct all manic depressives, potential suicides and those with delusions of grandeur! Hellzapoppin'!
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